Once again I say EARLY Venom, as in the first two records and the EPs around that time. I was a true metalhead in the early 80s, and I thought CRONOS was the coolest.
The absolutely black sludgy bass on "Black Metal" still rules. No one slides and booms your speakers like him. "Buried Alive" was so creepy and the bass is so evil. "Countess Bathory", "Leave Me in Hell", "To Hell and Back", etc, are great examples of pure satanic majesty on the four strings. The bass solo in "1000 Days in Sodom" on the "Welcome to Hell" album is still one of my faves today. I love the raging Motorhead style riffing on this album and the constant "wooh wooh wooooom" of Cronos's signature bass lick just kills. I saw him with a Jazz bass recently and thought "oh no, no god!"... Cronos is just so not a Jazz player. I also remember a live video where his bass cuts out in the opening song with all the pyros n stuff, and he just destroys the bass instead of fixing it. Right up there with Hendrix for me. Too bad Venom became as goofy as Manowar.
I liked them better when I was terrified and scared of going to Hell...
The absolutely black sludgy bass on "Black Metal" still rules. No one slides and booms your speakers like him. "Buried Alive" was so creepy and the bass is so evil. "Countess Bathory", "Leave Me in Hell", "To Hell and Back", etc, are great examples of pure satanic majesty on the four strings. The bass solo in "1000 Days in Sodom" on the "Welcome to Hell" album is still one of my faves today. I love the raging Motorhead style riffing on this album and the constant "wooh wooh wooooom" of Cronos's signature bass lick just kills. I saw him with a Jazz bass recently and thought "oh no, no god!"... Cronos is just so not a Jazz player. I also remember a live video where his bass cuts out in the opening song with all the pyros n stuff, and he just destroys the bass instead of fixing it. Right up there with Hendrix for me. Too bad Venom became as goofy as Manowar.
I liked them better when I was terrified and scared of going to Hell...
