Wait a minute...
I'm not out to argue, I'm just looking for clarity. All in good fun and with respect.
I
totally get the Bass VI vs Baritone distinction.
--I have a VM Squier Bass VI, 30" scale tuned E-e with Kalium 102 rounds. It can get that unique, low twang many short scale basses don't have. Mine is set up to be a niche bass, as intended. The mods I did bring out the bass side of the line it walks. It's so great for that!
--My Baritone is a Fender Strat partscaster, 27" scale tuned B-b on 13-66 rounds with the humbucker-sized, single coil Peavey Super Ferrite guitar pickups. It's a tight, solid sounding, low-tuned member of the guitar family. The pickups have an extended bandwidth vs typical guitar singles, the longer scale and lower tuning accentuate that.
Dano tends to just use 29.75" scale for their short scale basses/bass 6/baritones, only the string gauges and tunings change.
My Dead On '58 Longhorn bass is as such at 29.75" E-g Labella flats. Classic 60s type thump.
I also have a 1998 '56 U2 guitar, 25" scale, strung with 11-50 rounds E-e. Plunky, but cutting. Not like a typical Strat/Tele I usually play.
However, piccolo bass...
E-e (octave higher than bass) on a 25" scale, 6 string Dano. Isn't that... a
guitar?



I mean, if it were guitar pitches on a typical,
longer scale bass type instrument, the timbre would have that higher tension s
nap to it. Would that be a defining distinction of a piccolo bass vs a guitar? If I threw lighter gauge strings on my baritone and tuned it up to E-e, it would not sound like a typical guitar, it would be way more snappy, bigger, tighter.
I remember reading an old Guitar Player article on Foley, who played piccolo/lead bass with Miles Davis in the 80s. His instruments were 4 string, tuned an octave higher than bass, but 34" scale. Some had a modified floyd rose trem, used guitar pickups, played with a pick, etc... and the result mostly sounded like a lead guitar being played from a bassist's mindset, but with that longer scale snap to it. Listening to him, I hear the physics of the longer scale on the strings at that pitch.
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Again, I have zero intention on this being anything but just a query. We bassists have no need to scrap and argue, as we have devoted ourselves to the most overlooked but incredibly vital role in the band.