Hello all, I am responding to the messages I got regarding the Google drive link being unavailable. Well feel free to check out the official album release here:
The bass sounds of the entire album:
Tobias Toby Deluxe IV
Delano JVMC 4 Fe/M2 (long neck)
Boss GT-1000 core
Its amazing how good these pickups sound on the bass. The production on this album actually puts the bass guitar in the forefront. Anyone in doubt, please check this out.
Nice sound!
Forgive me for offering a little constructive criticism in regards to the first track, especially since it's already finished
("in the can", for the film geeks out there
), but I feel it should be said. If I were mixing
"Submerge", I would've extended the fade-in time of the drums', all while adding a little more of a
"distant/ethereal" groove to them, then rolling those effects off over that first minute, as if they're coming closer and getting clearer to the listener amid the all-encompassing soundscape.
(I could use all kinds of metaphors; something in the ocean getting closer through the fog...something emerging out of the blackness while you're floating through space...something unseen swimming closer and closer while you're "submerged", etc...etc...)
As for when the drums are
"full-on and present" from 1:23 and on, they, along with everything else, sound great!

Personally, I love instrumental music, so this very true story definitely applies.
Back when I was about 8-years-old or so, I was hanging out with my uncle. He had something jazzy and instrumental playing over his stereo, probably Chuck Mangione or someone like him. He sees me focusing on the music, so he asks,
"What do you think of this?" I said,
"It's good, but where are the words?" (Like I said, I was only eight!) He responds with a line that forever changed my outlook on music...
"Hey, man...you don't need 'words' when you've got 'music'!"
Words to live by, ja?
