• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

It's definitely worth learning the effects of different string types and gauges on your bass. Keep an eye on the nut, action at the bridge, and neck relief - I've found that changing between rounds and flats almost always requires slight truss rod and saddle adjustments. You want to be able to maintain consistency with your instruments, and to dial things in for the exact sound/playability you're going for.
 
It's definitely worth learning the effects of different string types and gauges on your bass. Keep an eye on the nut, action at the bridge, and neck relief - I've found that changing between rounds and flats almost always requires slight truss rod and saddle adjustments. You want to be able to maintain consistency with your instruments, and to dial things in for the exact sound/playability you're going for.

Most definitely. I had to make truss rod, saddle and intonation adjustments when I switched to flats. I had to tweak them a bit more about a week later after everything settled in.

The irony is that I don't like the sound of flats "soloed" all that much. But in a mix they punch through like a beast with very little additional EQ or compression needed. I want to put labella's on the 6 string also but I think I need to keep one with rounds. Maybe I put flats on the 6 and go back to rounds on the 4 since its a better fit for slapping
 
  • Like
Reactions: imabuddha
Most definitely. I had to make truss rod, saddle and intonation adjustments when I switched to flats. I had to tweak them a bit more about a week later after everything settled in.

The irony is that I don't like the sound of flats "soloed" all that much. But in a mix they punch through like a beast with very little additional EQ or compression needed. I want to put labella's on the 6 string also but I think I need to keep one with rounds. Maybe I put flats on the 6 and go back to rounds on the 4 since its a better fit for slapping
Couldn't agree more! Depending on the flats you can get most of the overtones of rounds and a lot of the sustain. I've been using Sadowsky flats for years and they sound great in the mix and settle in so well.
 
  • Like
Reactions: imabuddha
I just switched to Ernie ball flatwound cobalts last night, and it completely eliminated the fret buzz i had on my yamaha rbx170ew. Like the fret buzz was so bad when i had round wounds on it that I was almost embarassed to play it in front of people. These cobalt flats are bright sounding, but still feel smooth as silk on your fingers. Im baffled.
Yes, flatwounds did, indeed, save your bass. This is just one of the many benefits of flat wounds, that the sinister, dark forces of the International Round Wound Cabal work tirelessly to suppress any knowledge of. But, true believers in flat wound goodness have always known, and fight a never ending battle to spread the good word, and foil the evil rounds conspiracy.... :whistle:
 
Yes, flatwounds did, indeed, save your bass. This is just one of the many benefits of flat wounds, that the sinister, dark forces of the International Round Wound Cabal work tirelessly to suppress any knowledge of. But, true believers in flat wound goodness have always known, and fight a never ending battle to spread the good word, and foil the evil rounds conspiracy.... :whistle:

Yes, their leader, Luke Fretscraper yields his PJ Saber with great wisdom and power
 
I just switched to Ernie ball flatwound cobalts last night, and it completely eliminated the fret buzz i had on my yamaha rbx170ew. Like the fret buzz was so bad when i had round wounds on it that I was almost embarassed to play it in front of people. These cobalt flats are bright sounding, but still feel smooth as silk on your fingers. Im baffled.

Break out the Eucerin baby and knock out all that zing!
 
  • Like
Reactions: Igor Porto
I think when you changed to flats you probably put more tension on the neck, which put more relief into the neck and eliminated your buzzing. If you like the sound of them then it's a win all around.
 
The same thing happened to my pbass when I put rotosound flatwound strings on it (45-105).

I took it in for a setup with roundwounds and when I got the bass back there was a really bad buzz from frets 3-5 on the G string. I couldn't fix it. Took it in again and the tech couldn't fix it either and actually suggested that I switch to a lighter guage. I decided to throw the flatwounds on just to see what would happen because I couldn't afford a new set and I had the flats just laying around not being used. No more buzz since then (weird that the tech suggested light strings and then high tension strings seemed to fix the problem).
 
Your action probably went up a little and flats move around less than rounds. If you set it up and lower the action you'll probably get some buzz back and it won't be as bad.
Flats move around less than rounds??!??
Interesting... I never thought of that.
Your post is sending me to YouTube, to search for high-speed bass string videos...
bass-high-speed.jpg
 
Flats move around less than rounds??!??
Interesting... I never thought of that.
Your post is sending me to YouTube, to search for high-speed bass string videos...
View attachment 3830467
High speed videos aside, I think it's true, generally speaking for rounds vs flats on electric basses. I don't know anything about uprights. I could be wrong.
 
  • Like
Reactions: Mili and diegom
The same thing happened to my pbass when I put rotosound flatwound strings on it (45-105).

I took it in for a setup with roundwounds and when I got the bass back there was a really bad buzz from frets 3-5 on the G string. I couldn't fix it. Took it in again and the tech couldn't fix it either and actually suggested that I switch to a lighter guage. I decided to throw the flatwounds on just to see what would happen because I couldn't afford a new set and I had the flats just laying around not being used. No more buzz since then (weird that the tech suggested light strings and then high tension strings seemed to fix the problem).
not much of a tech if they couldn't fix that
 
Yes, flatwounds did, indeed, save your bass. This is just one of the many benefits of flat wounds, that the sinister, dark forces of the International Round Wound Cabal work tirelessly to suppress any knowledge of. But, true believers in flat wound goodness have always known, and fight a never ending battle to spread the good word, and foil the evil rounds conspiracy.... :whistle:
Ah yes. The IRWC. As a middle groundsman, the Flat Wound World Order are just as evil in suppressing the truth that Rounds have JUST AS MANY benefits but in different amounts. Besides. Flats started the war. Just saying... :yawn: