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It always baffles me that the newer whammys don't have that "Tool fanboy setting" on them. I don't care about covering the whole two Tool songs that use that setting but I do care about it for my purposes. The 5th/Oct setting is probably the most useful and LOGICAL harmony setting aside from Oct down/Oct up setting.
Oneirogenic said:It always baffles me that the newer whammys don't have that "Tool fanboy setting" on them. I don't care about covering the whole two Tool songs that use that setting but I do care about it for my purposes. The 5th/Oct setting is probably the most useful and LOGICAL harmony setting aside from Oct down/Oct up setting.
As much as I love the Pitchfactor (and my Eclipse prior to that), the tracking still can't touch the Whammy. Plus, you don't need to have a seperate expression pedal (costing even more money) as all is in one unit. As for the other functions of the Pitchfactor, the Whammy can't touch those, but it also doesn't cost even half as much.
Seems to only ever be complaints about what isn't on a pedal whenever seething new comes out and in reality how many of these 'special' functions ever be used in a band situation? I'd like to commend Digitech for concentrating on the actual tracking and improvements in power/bypass issues of old. It does what it does very well and if you don't like that there are alternatives for more money elsewhere.
This is very true! According to their thread, they weren't aware of how popular this setting is so I wonder how they did their market research?
I don't think they read the Bass forums enough!![]()
The Mooer, on paper, is amazing, but it sounds less than amazing. I don't know if mine was bunk or not, but the octave shifts seemed wavering and out of tune. Certainly PS-2 like. Looks incredible though...