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Dingwall: More than Metal

I’ve been around here a while and I remember a point when Dingwall basses weren’t automatically associated with metal or with any style. That seemed to happen in the last 8-10 years maybe. I assume there is some high profile player in metal who uses them and created the association.

They seem like nice instruments, not sure why anyone would need to limit how they’re used.

I’m pretty sure that Nolly Getgood and the success of his NG2 and NG3 signature basses are what made Dingwall the “it” bass for Metal.
 
Lots of people have pointed out Lee Sklar - it would've been nice to have connected with him for the video as well! I didn't even know beforehand that he was a Dingwall guy!
 
Lots of people have pointed out Lee Sklar - it would've been nice to have connected with him for the video as well! I didn't even know beforehand that he was a Dingwall guy!
He has been with them for a long time and is the reason for the small frets on Dingwall's basses.

Mr. Sklar wanted mandolin frets on his bass, Mr. Dingwall did it, liked the results. Lee Sklar's signature basses come in mandolin size, most other Dingwalls are banjo sized frets.

Nice and thin, not very tall.
I loooove me them small frets. :drool:
 
I have been eyeing the RG3 5 for a while and pulled the trigger about 6 weeks ago.

I have used the bass on several gigs and recording sessions, none of them metal.

The Darkglass preamp sounds wonderful, but the magic is the bass. The B and E string sound ridiculously true and clear in the fundamental note the instrument produces.

The bass with three pickups approximates Pbass, Jazz with both Pickups, Jazz in the bridge position, and Stingray single humbucker using the stock selector. I can't imagine wanting more choices but a replacement selector gives you a couple more, should you need more. These are not metal sounds. These are electric bass sounds we have come to treasure, only better because of how the bass resonates.

Now, if you want metal or rock sounds, add some overdrive, whatever kind and flavor you like, and this bass instantly sounds like the Nolly Getgood demos you hear so often. That is available without trouble.

In short, very versatile bass for any genre and noticeably clearer and stronger fundamental note clarity than you are used to hearing. Whether you are playing Jazz, Gospel, Rock, singer-songwriter music, or death metal, I think you will be blown away by how well this bass works for any of these genres.
 
There's a music store in Wilmington, NC that's a Dingwall dealer. It's about a half hour drive from our place at the beach. One of my goals this Summer is to find something awesome for my women to do for a couple of hours and go in there and spend some uninterrupted time with a Dingwall 5. If you recall, I started a thread sometime back asking if anyone plays a Dingwall in a weekend warrior, or "dad band", setting. I'm very interested in trying one out. If I like it I'll plunk down for them to order the color/model I want right then and there.

It's always been my hunch that these things aren't just metal basses. But I need to feel/hear for myself how they react to my (somewhat physical) style of playing.

Another great link and interesting topic, Doc!

I'm assuming you mean Music Loft on College Rd? Them some good folks. Never anything less than super friendly every time I've been in there.
 
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True. And then I find out that he's a guitarist now? (I'm not into metal at all and likely haven't never heard him play a note.)
He was always a guitarist. That is probably why he is such a good pick player on bass.

Yep.

The tongue-in-cheek joke among Periphery for some time was that Nolly was the best guitarist in the band.

He throws down a ripper of a solo here about 1:05 in :cool:

 
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There's a music store in Wilmington, NC that's a Dingwall dealer. It's about a half hour drive from our place at the beach. One of my goals this Summer is to find something awesome for my women to do for a couple of hours and go in there and spend some uninterrupted time with a Dingwall 5. If you recall, I started a thread sometime back asking if anyone plays a Dingwall in a weekend warrior, or "dad band", setting. I'm very interested in trying one out. If I like it I'll plunk down for them to order the color/model I want right then and there.

It's always been my hunch that these things aren't just metal basses. But I need to feel/hear for myself how they react to my (somewhat physical) style of playing.

Another great link and interesting topic, Doc!
In 2005 I bought a five string Voodoo sight unseen and jumped in with both feet. Fantastic bass; actually, I played it in the metal band I was in but also for my church's worship team (not metal but wish it was :laugh:). I really liked how close the string-to-string tone was (open E vs. 'E' on the B string). And it played great - but I came from a bubinga Cirrus 4 and it also played and sounded fantastic. I have great sounding and playing basses in both 34" and 35" scale lengths so I'm not all that motivated to chase another down quite yet.

Due to the string tension it was hard for me to feel when I was pressing down between frets - I think Kaliums are slinkier than Dingwall strings so probably not an issue any more. I'd love to own another when the right one comes available (and when that coincides with the presence of a bunch of Benjamin's available for the purchase). A Prima six string would be nice...

Raz
 
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Famous heavy metal artists 101 (apparently…;):D:roflmao:):
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