Compressor advice please. I've read all your posts on the topic (great info - thanks) Can you tell me what you like about compressor A vs B vs C? What differentiates them? What are you looking for in the ideal compressor? I play mostly R&B, soul, funk, blues and some vintage rock music.
I agree with @Smallmouth_Bass -Even though I'm a rock player, I really prefer gear that's fairly transparent. Right now, I have some of the most transparent gear, and I can add whatever flavor I like to get what I need. All the compressors I've used/owned have been extremely clear. In my opinion, a compressor is really good if you can't tell that it's working, until you turn it off. The FEA DBCL, when set right, adds a magical amount of sustain and evens everything out. The Empress is fantastic at this as well, and so is the Cali76(every version). Some guys really like the Diamond and the Fairfield, because they do add color to your sound. The SpectraComp sits right there in the middle. I don't think it's completely transparent, I can hear a bit of added mid boost, but it's very musical, so it's ok, AND, it adds a ton of lovely, speaker-moving, feedback-inducing sustain...WITH ONE KNOB! Some kind of witchcraft, I don't get it...
The comp in my Line 6 Helix(LA Studio Comp) is also very good and fairly transparent...
I'd say in funk/R&B/Blues, you'd just want something to even out the dynamics, but having some sustain wouldn't hurt, especially if you're using 25 year-old flatwounds, lol!
