I'm hoping the pix do it justice. It looks so different than I expected based on the website photos I saw. For theater of the mind, it is a black ABZ.
I didn't like the neck shape of finish feel on the Combustion, so I didn't even plug in. The various other higher models in the shop, like the Z, didn't light my fire either. There was something magical and right about the ABZ, which is good because that was the top of my budget.
My only concerns are the clicks / pops created when the PU selector switch is turned, most noticeably between positions 2 and 3, and the heel at the base of the headstock making the 1st fret position a bit stranger to play than it already is. But the whole reason I went for this beast was to use the low b higher up instead of the 1st fret position.
I must say the thin neck and light weight make this bass feel like it isn't there, and the playability is so great that it feels like cheating.
Big thanks to Chris at Bass San Diego for all his help, and tolerating the insanity that happened while me and my crew were in there . . . Yeah, one of my friends conducted a wedding for two visitors who walked in while we were there. He is certified to do those things through the ULC, and he was holding my bass when he said "by the power vested in me, and Adam's new bass, I pronounce you man and wife."
While there, I did fall in lust with the Wizzy 12 M-line. I may bring one home in the near future. I did get home too late to plug into my amp for long, but I noticed the quick low-volume test results showing an amazing low b and string-to-string clarity and punch. There is plenty of snarl and growl in that bridge pickup to compete with my Warwicks. I may need to make a hard decision to downsize.