Peter Lufrano
Blues. and nothing but the Blues.
This one was a tone monster. I don't miss it, but I do have many fond memories...
![]()
That is gorgeous!
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
This one was a tone monster. I don't miss it, but I do have many fond memories...
![]()
Whoa.... easy now....Have you had any success syncing the Beat Buddy with the RC300?
I find it helps to make your loops extra long when playing with a drum machine!Have you had any success syncing the Beat Buddy with the RC300?
Ok gents, I did it. I ordered my first Dingwall that should be here Wednesday. A Combustion 5 in boring black. While I waiting and over thinking, here's a bunch of Dingwall newbie questions that I'm sure have been answered many times, but which I will rely on and be grateful for your patient indulgence:
1. I assume the maple fingerboard is sealed. (Looks like a matte or satin finish in pics). Is cleaning just a damp rag and dry or something else?
2. Gauge and type of strings on it from the factory?
3. I've heard that some basses with a passive mode turn one of the active knobs into a tone control when in passive. Is that a feature here?
4. Anyone tried the Dingwall strap? Worth the $95?
5. The T-shirts cost $25 + $25 shipping. Good gravy! Is there a cheaper source and if not, can someone please threaten Sheldon to put all that stuff on Amazon?
Thanks.
I’ll try that. I don’t want the drums in the loop, the beat buddy is cool because you can trigger fills, switch song sections, and start and stop the drums. Meanwhile, the visual metronome is still running across the screen. And the virtual Beat Buddy software, that gives you a desktop application is cool. It’s like they threw in an extra drum machine with the pedal.
I need to get all the gear on the floor and practice the footwork. Right now, it’s all on my desk due to usb cable length limitations. The HD500x would be a nightmare without the editor software.
I’d been going back and forth between the idea of using a multi fx unit, the Hd500x, or individual pedals. Over the past months, I put my pedals through their paces against the fx in the Line6. If I could get something within spitting distance from the Line 6, the pedal went up for sale. I’ll keep my Smoothie compressor, but everything else is going on the block. Not that I have that many pedals.
The Line 6 has won me over. But it’s been a long learning curve, almost a year. I’ve found you can’t just throw a multi on the floor, plug it in and get right to happy. There’s still plenty of exploring to do with the HD500X. One effect and amp at a time.
And then there’s the evolving question of amps vs going ampless with in ears. I know I’m leaning towards ampless. I bought my first pair of in ears a couple months ago. I’m really excited about how great they sound and feel. And they were less than $40.
Ok gents, I did it. I ordered my first Dingwall that should be here Wednesday. A Combustion 5 in boring black. While I waiting and over thinking, here's a bunch of Dingwall newbie questions that I'm sure have been answered many times, but which I will rely on and be grateful for your patient indulgence:
1. I assume the maple fingerboard is sealed. (Looks like a matte or satin finish in pics). Is cleaning just a damp rag and dry or something else?
2. Gauge and type of strings on it from the factory?
3. I've heard that some basses with a passive mode turn one of the active knobs into a tone control when in passive. Is that a feature here?
4. Anyone tried the Dingwall strap? Worth the $95?
5. The T-shirts cost $25 + $25 shipping. Good gravy! Is there a cheaper source and if not, can someone please threaten Sheldon to put all that stuff on Amazon?
Thanks.
I prefer a 4” wide Italia with suede backing. These don’t slide over clothing, but stay put. Always a two fer deal going over at Italia.
The Italia straps look beautiful and they smell delicious. They are plain and simple, but very nicely made and extremely sturdy. They are 5/32" thick and very soft leather, and they won't stretch even with the heaviest AB2HS or Z3. They have a suede back, so they really stay put.Ahh, good to know because I think I'd prefer a suede backing as well.
The Italia straps look beautiful and they smell delicious. They are plain and simple, but very nicely made and extremely sturdy.
I am waiting for AB Nate to finish making my strap.
Meanwhile, these three 4" wide Italia straps are available for $45 each, if anybody wants one. They have a suede back, so they really stay put.
View attachment 3372259
The straps are great. Not as great as Nate’s custom straps mind you, but great for a logo production strap.Ok gents, I did it. I ordered my first Dingwall that should be here Wednesday. A Combustion 5 in boring black. While I waiting and over thinking, here's a bunch of Dingwall newbie questions that I'm sure have been answered many times, but which I will rely on and be grateful for your patient indulgence:
1. I assume the maple fingerboard is sealed. (Looks like a matte or satin finish in pics). Is cleaning just a damp rag and dry or something else?
2. Gauge and type of strings on it from the factory?
3. I've heard that some basses with a passive mode turn one of the active knobs into a tone control when in passive. Is that a feature here?
4. Anyone tried the Dingwall strap? Worth the $95?
5. The T-shirts cost $25 + $25 shipping. Good gravy! Is there a cheaper source and if not, can someone please threaten Sheldon to put all that stuff on Amazon?
Thanks.
The straps are great. Not as great as Nate’s custom straps mind you, but great for a logo production strap.
If you are in the states, bear in mind that $50 CAD is roughly $35 US for the T-shirt and maybe $65 for the strap. If you pay by PayPal, they do the currency conversion for you automatically.