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Dingwall Owners Club

I've got an NG-2 in Pink Swirl on the way to me. One of the first things I'm debating is buying the 3 pickup upgrade kit. Next I'm thinking about custom wiring a 6-way rotary like this (+ series, // parallel):
1: Bridge
2: Bridge + Middle (The Nolly sound)
3: Bridge // Middle (The stingray/thumb-ish sound?)
4: Bridge // Middle + Neck (the D-roc sound)
5: Bridge // Neck (The jazz bass sound)
6: Neck

Seems versatile, best of both the Dingwall 4-way options, and the progression makes some logical sense to me.

But, from parts of this thread and others a lot of people seem to like the Middle pickup solo sound. Should I sub one of these out for that?
Middle solo sounds great. IMO, the best sounding if you’re going to solo one of the pickups. It is the quietest of the three pickups though, since it’s wired in parallel and the other pickups are wired in series. I’m adding a push/pull volume pot to put the middle pickup in series. I also opted for bridge/middle parallel instead of bridge solo and neck/middle series instead of neck solo.
 
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First 2 times I've heard that in 11 years on Talkbass :cool: Please explain

Now 3x. Perhaps the most distinctive timbre compared to the other options (B+M//N would be the opposite distinctive pole), so it's useful in changing up one's sound (if one doesn't prefer set-and-forget). Highly percussive. Gets around a thumpy kick. I find the harmonics are good. Portrait of Tracy can't be all wrong.

Of course, this doesn't mean I dwell solely on the bridge, and I rely heavily on B//N or just N on my Super and B+N on my Z2; it's for a change-up when circumstances warrant (although I did play exclusively at about 85% bridge on a Fender Jazz fretless from 1989-92, using the bridge pickup as an anchor point...talk about percussive!).
 
Now 3x. Perhaps the most distinctive timbre compared to the other options (B+M//N would be the opposite distinctive pole), so it's useful in changing up one's sound (if one doesn't prefer set-and-forget). Highly percussive. Gets around a thumpy kick. I find the harmonics are good. Portrait of Tracy can't be all wrong.

Of course, this doesn't mean I dwell solely on the bridge, and I rely heavily on B//N or just N on my Super and B+N on my Z2; it's for a change-up when circumstances warrant (although I did play exclusively at about 85% bridge on a Fender Jazz fretless from 1989-92, using the bridge pickup as an anchor point...talk about percussive!).
When I get back to practice (April) where all my gigging gear is, I'm going to try the B setting with a dedicated booster to see if it's usable for me (Hard Rock Band). You never know....