Sheldon did a really cool Live Q&A stream today. I hope you all caught it!
He said they are working on 8 new models right?
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Sheldon did a really cool Live Q&A stream today. I hope you all caught it!
Sheldon did a really cool Live Q&A stream today. I hope you all caught it!
Yup! Unknown number of those are Artist models - I would assume at least several are. Also, I'm sure not every model "worked on" ends up being a real offering as well.... design is difficult and fleeting, sometimesHe said they are working on 8 new models right?
I hope one is an overseas SPHe said they are working on 8 new models right?
Middle solo sounds great. IMO, the best sounding if you’re going to solo one of the pickups. It is the quietest of the three pickups though, since it’s wired in parallel and the other pickups are wired in series. I’m adding a push/pull volume pot to put the middle pickup in series. I also opted for bridge/middle parallel instead of bridge solo and neck/middle series instead of neck solo.I've got an NG-2 in Pink Swirl on the way to me. One of the first things I'm debating is buying the 3 pickup upgrade kit. Next I'm thinking about custom wiring a 6-way rotary like this (+ series, // parallel):
1: Bridge
2: Bridge + Middle (The Nolly sound)
3: Bridge // Middle (The stingray/thumb-ish sound?)
4: Bridge // Middle + Neck (the D-roc sound)
5: Bridge // Neck (The jazz bass sound)
6: Neck
Seems versatile, best of both the Dingwall 4-way options, and the progression makes some logical sense to me.
But, from parts of this thread and others a lot of people seem to like the Middle pickup solo sound. Should I sub one of these out for that?
Anyone know the length measurement on 4 and 5 string rounded pickups to determine whether pickups are for Super or Long Scale?
I can measure my super and others tomorrow for you if no one else has by then.
Thanks. I do have an AB1-5 and can measure that, but don't have the others.
Huh. Color me surprised. I've got lots of 4 string Dingwall pickups.My super has the bridge pickup. The only 4 string pickups I have are the ones in my Voodoo Prima, but they’re not curved ends.
+1, especially on Middle solo.Personally, #1 has -zero- use for me. I'd probably, using your + // markings...
1: Bridge + Middle
2: Bridge // Middle
3: Middle solo
4: Bridge // Middle + Neck
5: Bridge // Neck
6: Neck solo
Middle solo is just about my favorite on 3x's, but all three (#4) is just insane, too.
Personally, #1 has -zero- use for me.
Bridge solo ? I use that a lot.
First 2 times I've heard that in 11 years on TalkbassI couldn’t own a bass without it.
First 2 times I've heard that in 11 years on TalkbassPlease explain
When I get back to practice (April) where all my gigging gear is, I'm going to try the B setting with a dedicated booster to see if it's usable for me (Hard Rock Band). You never know....Now 3x. Perhaps the most distinctive timbre compared to the other options (B+M//N would be the opposite distinctive pole), so it's useful in changing up one's sound (if one doesn't prefer set-and-forget). Highly percussive. Gets around a thumpy kick. I find the harmonics are good. Portrait of Tracy can't be all wrong.
Of course, this doesn't mean I dwell solely on the bridge, and I rely heavily on B//N or just N on my Super and B+N on my Z2; it's for a change-up when circumstances warrant (although I did play exclusively at about 85% bridge on a Fender Jazz fretless from 1989-92, using the bridge pickup as an anchor point...talk about percussive!).
First 2 times I've heard that in 11 years on TalkbassPlease explain