BurningSkies
CRAZY BALDHEAD
- Feb 20, 2005
- 27,956
- 20,348
- Disclosures
- Endorsing artist: Dingwall Guitars
I often struggle to understand not taking the best instrument one has to shows. My Prima Artist is (and has been for a few years) THE bass I pick up when I'm heading out to a show, unless I need 6 string, or need 3x pickup bass. I bought the basses to play, and, the P.A. plays (and most often sounds) the absolute best... I can't imagine leaving it at home and taking something out that I'll get less enjoyment from.
I understand this perspective...then stopped understanding it. When most of ours shows were within 2 hours drive and not as plentiful, I took the Rastaburst with me. For many years it was my ONLY live bass. And all was good. We played a lot of rooms but knew all the people at the clubs, engineers, most of the fans, etc. It was 'safe'.
...then we were out longer and further and playing a whole lot of unknown rooms with people we'd never met. Both bands and club/festival/stage crew and fans were complete strangers. Often at a festival we'd have to load at a van-load point and some production people would be out of sight driving our gear to the stage. Or on the occasion of 'eating out' it was untenable to bring our instruments with us, or any other number of issues. Also the more we played, both tiny & large stages, the chance of an instrument becoming damaged grew exponentially. Beyond that, even with travel in a van with hard case there's the rigors of the road to consider...accidents do happen. And while we always made a point to grab our instruments at every dive motel or 'friends couch' place we stayed...there are times when the van is packed and we can't be right there. These could happen in small no-name towns or in places like NYC, Boston, DC, etc.
Once we ramped up, I also made the move to insure with musicians' insurance my gear. I had to get a list together off all my road stuff, serial numbers and replacement values. I emailed Sheldon to find out what the replacement on the Rastaburst was...and the answer was 'well...we don't even do a bunch of those options and features anymore, but probably $12,000-14,000." This was a handful of years ago now (2017)...so add to that value now.
...THAT is the point that I moved to get a specific 'road' bass. Because not only the risk of damage & theft to a bass that I'm pretty emotionally attached to, but the sheer value and lack of actuall replaceability. There literally IS no other Rastaburst.
The same conversation that started with the value of the Rastaburst turned into a "should I buy an Afterburner or an Combustion/NG." Sheldon thought I'd get along with an EnnGee Just fine, and I really have.
It really only makes sense to me if the bass being left at home is super rare (like Bill’s Rastaburst) or you’re playing some place really sketchy.
...and you really can't live with your bass on your back ALL the time. It doesn't even have to be a dive bar. Festival settings are just as bad or worse, with easy backstage access and way too many people drifting around.
Way back when I first started road work in the early 1990's I learned...about my second gig in NYC, my guitarist's Kramer was stolen from a secure backstage gear cage in a well known name venue.
