Yeah, but that doesn’t leave me pondering things, LOL.Just multiscale fretless.
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Yeah, but that doesn’t leave me pondering things, LOL.Just multiscale fretless.
Not that I’ve found but the high band extends well into the usable range for a bass so it has to be an incredibly wide Q and can’t be a shelf. Beyond that all I know is that it’s effective at adding shimmer and air without getting into any nasal or ganky frequencies in the upper mids.Woah that is weird that it's that high.. Do they have any eq charts/graphs out there for their stuff?
My musing of the day: a multi-scale fretless bass cannot be called a fanned-fret bass (obvious). So, would it be a fanned-fretless bass? If so, what is it that is “fanned”, the intonation?
Just multiscale fretless.
The glock, to me, is more "musical" in the sense that I can use it as an engineer would. Not for "tone" or for "my sound" per se - hard to describe what I'm trying to get at, but, I think @silky smoove kinda nailed it -- it's a problem solver first. The EQ points read as if they should be horrible, but, in practice, work SO DANG WELL. A little goes a really long way with each EQ point. I rarely go past a 1/4 turn on anything.
I'd love to see you put a newer 3-band Glock through it's paces!There are a whole lot of ways of spec'ing EQ points, some of my amp builds peak at anywhere from 10K-30K at full boost but in some cases you can still hear something happening at ~2K when boost is cranked. It's been a while since I bench tested a few Glock preamps but I remember them being a bit like that. I liked them quite a bit in any case.
I really shouldn’t be stabbing at this but it sure looks like a ground to me.Silly question because I don't know much about electronics:
Is this a ground soldered to this pot?
View attachment 4303509
I'm trying to replace the stacked treble/bass and stacked variable mid with solo bass and treble pots. The black wire is coming from the bridge pickup, and there is not a similar wire coming from the neck pickup.
Yeah, but that doesn’t leave me pondering things, LOL.
I really shouldn’t be stabbing at this but it sure looks like a ground to me.
Where does it go?
Maybe Tech@dingwallguitars can help you out with drawing it out.It's coming from the bridge pickup and is soldered to the one of the pots of the Tone controls I want to replace. I had tried following the installation instructions per EMG with no luck. Which is weird, because looking at their layout vs how the bass is currently wired looks different to me.
FWIW, my GK Legacy 800 showed up today. Took no time at all to dial in the tone I was looking for. I can say that the over abundance of scoopness is gone. Sorry Mesa. Anyway, I now have a useable (for me) tone in both series and parallel settings. Awesome!
I think the real question is, do you have to pay a novax license on a fretless multiscale ?![]()
I'd love to see you put a newer 3-band Glock through it's paces!
You don't have to pay it on the fretted ones either these days. I know that Sheldon did (possibly still does, I dunno) license well after the the patent had passed away because he's like that...but not needed legally anymore.
The patent expired ~ 12 years ago, thought it was more recent. US4852450A - Fingerboard for a stringed instrument - Google Patents