TI flats just have their own thing going on. After the painfully bright break in period, they seem to loosen up and mellow. I like the dynamic range. TI’s like a light touch, but you can dig in. Really dig in, and they get kind of a sneezy thing going. Big, clear dynamic range. I really like them on the longscale AB, but you’ll need a special mixed set for that length.
They slap with their own flavor. I really like how soft and bendy they feel. Funny thing is since I’ve found my light set up, the TI’s now feel fairly stiff, and that’s the Super P. Especially after I had Boomer .030 nickel rounds on it.
The Payson flats do a very good job. On the Dbird, they feel just the tiniest bit stiffer than the TI’s on the Dbird. Probably has to do with the longer scale.
I don’t think there is another string out there like the TI flats, probably because of the expensive construction. They just have their own thing going on. I never really liked the TI flat B string. It’s a whopping .136 with no taper at the ball end. I’d run five strings E-C. TI flats last forever, so I don’t even blink at the price.
Id like to try the La Bella low tension flats, but they don’t seem to make a long enough set. I really liked these on a buddy’s short scale.
Im not complaining about the Payson flats. They sound and feel great, and go right on a Dingwall longscale. No problem recommending them, and I switch them out between the AB and Dbird.
Most other flats I’ve run into are just way too stiff and bright, I’m thinking chromes and other common flats.