Lowendtech
Happily trending in my own peculiar direction.
Looks fantastic as is. And I love a good tort on white.I have the tort, it just hasn't been on it in many many years.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Looks fantastic as is. And I love a good tort on white.I have the tort, it just hasn't been on it in many many years.
It's a neat pot, but I prefer having a full range tone control. I also found that I got enough mid-cut on my SPJ on the bridge+neck parallel setting.Interesting. I did the opposite. I replaced the regular pot in my SPJ with a SP tone fusion pot.
I have the tort, it just hasn't been on it in many many years.
I also has a little active/passive mini toddle switch. Yours is probably a push/pull pot.
It's a neat pot, but I prefer having a full range tone control. I also found that I got enough mid-cut on my SPJ on the bridge+neck parallel setting.
I really wish they still offered PJ in a jazz body…
Yeasss.I really wish they still offered PJ in a jazz body…
Yeah, I’m the opposite - I get options paralysis at a certain point.Yes but my thought process was there’s 3 other settings. P2 (both in series) and P1 give me more options with the T/F control. I’m an option junkie. P4 (bridge) only gets used very rarely.
I swing wildly between the two states.Yeah, I’m the opposite - I get options paralysis at a certain point.

yup. Push pull.
Do you have a jazz PG? and a jazz neck pup?
Super obvious: the Tone Fusion has a detent at center.How do I know if my Super P has a tone fusion or normal tone (I think it's a standard). Is it obvious? Is there a detent or something?

Just for clarity and eventual accountability... I grabbed this with the intent to re-try the DGTC, which will finalize my specs on my upcoming Z. So I'm going to put it in a 2x Z w/ FD3s, and then a 3x AB1 with FDVs. I'll be doing rehearsals and gigging with both, and at some point make a choice on what way to go.EDIT: Claimed!
I have a Darkglass Tone Capsule that I had in an AB I. It really wasn't my thing and I swapped it out for an East MM preamp. Anyways, if anyone wants it, let me know and I'll send it to you. I'll put it in the Classifieds to make it legit, but I wanted the Dingwall Club to have dibs. Free, I just ask that it goes to someone that wants to use it and not someone that's going to flip it. Also has a 4x rotary for 3 pickups. DM me, first DM gets it.
View attachment 5409292
I really wish they still offered PJ in a jazz body…

Interesting. I did the opposite. I replaced the regular pot in my SPJ with a SP tone fusion pot.
Well here some user error for ya…. Context: I was wondering where all the heft was with the super p and it was just something new. Figured out the issue. I always play with a backbeat now no matter what and I hadn’t setup my dingwall strap with one yet so I was perceiving the heft with the rumble. If you take the backbeat out of the equation it balances out. Lol.
I’ve owned a few different dingwalls over time but the super p is seriously on another level. (Repeating myself from an earlier post but it’s true)!
What's a "backbeat"? (Yes, I tried googling it but couldn't find anything related to bass).