• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Dingwall Owners Club

Yep. It was finally delivered this afternoon :bassist:

I'll now be able to keep my sanity until my P/FD3 build arrives in the fall ;)

Hallelujah!!! My blue beauty just begs to be picked up and played for hours. It's a blessing to have an instrument that inspires you to take it to the next level. :)

Man, I'm getting :hyper: to see and read about the soon-to-be crafted Supers that will be landing in the club!
 
Well from Canada to me it managed to break a knob. The bass moved around inside of the case. I cleaned it up and put a new set of strings on it. However I just could not get the action right. I like it low where it is just about to rattle. I did everything I do with all my basses and it just was not right.

I wrote the seller and he told me that he had a business card under the neck to help it not rattle. All it did was cause it to have horrible action, IMO. I thought I had purchased a lemon with a warped neck.

I took out the cut in half and doubled over business card and presto change-o. I had a neck I could properly adjust. So aside from needing to purchase a new knob I ended up with a good deal on a great bass. Blonde Combustion #79

1395376795795.jpg
1395376820214.jpg
 
Well from Canada to me it managed to break a knob. The bass moved around inside of the case. I cleaned it up and put a new set of strings on it. However I just could not get the action right. I like it low where it is just about to rattle. I did everything I do with all my basses and it just was not right.

I wrote the seller and he told me that he had a business card under the neck to help it not rattle. All it did was cause it to have horrible action, IMO. I thought I had purchased a lemon with a warped neck.

I took out the cut in half and doubled over business card and presto change-o. I had a neck I could properly adjust. So aside from needing to purchase a new knob I ended up with a good deal on a great bass. Blonde Combustion #79

View attachment 401709
View attachment 401710

Welcome to the Dingwall club. Love my Combustion (Natural no PG, Rosewood board). The only way it will stop being my #1 is when I can upgrade to either an ABZ or ABII.
 
That sucks the knob broke. I like those black ball ends on your strings though. :cool:

Well from Canada to me it managed to break a knob. The bass moved around inside of the case. I cleaned it up and put a new set of strings on it. However I just could not get the action right. I like it low where it is just about to rattle. I did everything I do with all my basses and it just was not right.

I wrote the seller and he told me that he had a business card under the neck to help it not rattle. All it did was cause it to have horrible action, IMO. I thought I had purchased a lemon with a warped neck.

I took out the cut in half and doubled over business card and presto change-o. I had a neck I could properly adjust. So aside from needing to purchase a new knob I ended up with a good deal on a great bass. Blonde Combustion #79

View attachment 401709
View attachment 401710
 
I'm pleased to introduce you to "Violet", my first Dingwall! This gorgeous ABZ5 with a wedge neck/board arrived to me Wednesday from the great people at Bass San Diego. She'll be accompanying me to rehearsal this evening to meet the rest of the band.
 

Attachments

  • abz5-ib-wengewenge-e.jpg
    abz5-ib-wengewenge-e.jpg
    51.2 KB · Views: 130
I'm pleased to introduce you to "Violet", my first Dingwall! This gorgeous ABZ5 with a wedge neck/board arrived to me Wednesday from the great people at Bass San Diego. She'll be accompanying me to rehearsal this evening to meet the rest of the band.

Congratulations. That color & neck are what's on my wish list.

I've pretty much settled on an ABZ5 as my next Dingwall when I can save up some funds. The only other thing I may add is the Active electronic with a passive switch. I've been playing Active basses for so long I like having that option available.
 
Congratulations. That color & neck are what's on my wish list.

I've pretty much settled on an ABZ5 as my next Dingwall when I can save up some funds. The only other thing I may add is the Active electronic with a passive switch. I've been playing Active basses for so long I like having that option available.

Man!! The beauty of an ABZ is the fact that it's passive and kicks ass as it is, trust me you loose the "color" of the tone if you add a preamp to an ABZ, keep it real and use pedals and amps to provide oomph!

I have an abz, an abII and a preamped Super J/P I find myself playing the abII and Super J always passive. Very rarely I use a pre on the Super J when I need to offend a bad drummer. :)
 
Don't mean to high jack this thread but I'm considering jumping into the world of Dingwalls. I have issues with my left wrist which the pain sometimes hampers my playing especially when I'm high up on the neck.

What is the advantage of the fanned fret board?

First, this thread is about anything related to Dingwalls so you are far more on topic than the rest of us at times.

I can only give you my personal opinion. Fanned frets allow a far less severe wrist angle. I did not notice when I switched to Dings full time. Then I picked up a straight fretted instrument and was shocked at how severe my wrist angle had to be in order to move up the standard fret board in to higher register.

I cant imagine that it would cause you additional discomfort. My money is on it potentially reducing pain, depending on your problem/injury.
 
Man!! The beauty of an ABZ is the fact that it's passive and kicks ass as it is, trust me you loose the "color" of the tone if you add a preamp to an ABZ, keep it real and use pedals and amps to provide oomph!

I'm going to be the (mostly ;) ) genial contratian and say that it depends on what device you use to 'activate' it. If you simply add a buffer (preamp with no active tone control), you can activate the instrument without altering the tone/color palette.

Very rarely I use a pre on the Super J when I need to offend a bad drummer. :)

:D :D :D
 
I believe that the non-gloss finish is less expensive to produce, allowing Dingwall to offer the ABZ's at a lower price point. This would be why the Ferrari Yellow is not offered on them. :)




Zoomie's passion for his reverse Super P5 reminds me of a picture I saw of a famous bassist (sorry, don't remember exactly who) lying in bed with his bass... ;)

Pure truth ! It is virtually impossible to see me on a stage or even at the Doctor's office without the Super P5. We're tighter than ten toes in a sock.

HOWEVER, I am wrenching on the Super J5............
 
My thought exactly, I'm thinking it may help with my arthritic wrist. I'm thinking the fanned fret board wouldn't take that much to get use to ?????

It is purely individual as to how long it takes but the general consensus seems to be that it takes an average of 5-10 minutes tops. A little more for anything above the 12th fret.

This would apply to the Super Series. I would think that settling in to the other models is more about moving to a 37 inch scale.
 
First, this thread is about anything related to Dingwalls so you are far more on topic than the rest of us at times.

I can only give you my personal opinion. Fanned frets allow a far less severe wrist angle. I did not notice when I switched to Dings full time. Then I picked up a straight fretted instrument and was shocked at how severe my wrist angle had to be in order to move up the standard fret board in to higher register.

I cant imagine that it would cause you additional discomfort. My money is on it potentially reducing pain, depending on your problem/injury.

I agree with Zoomie that the Dingwall designs are a firm step in the right direction for a more body-friendly bass. In addition, the improved clarity and evenness of response means that you don't have to 'work' as hard to be heard. :cool:
 
...
..... I would think that settling in to the other models is more about moving to a 37 inch scale.

I switch back and forth between Fenders and my Dingwall frequently. Even though the B string is 37" the basses orientate themselves, or "hang on you" much the same way. FWIW, I use the same flight case for my Fender P's and my Dingwall. Grabbing the first fret on the B string probably takes a little getting used to based on watching other bassists play my bass for the first time, and that's about it. I don't do a lot of "shredding" or running down low on B and E strings, most of the time when I'm more "active" it's in the higher registers so YMMV.