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The headstock thing again, eh?
That's nothing, I knew a guy who agonized over the knobs on an amp. He didn't like the satin finish on them, thought they should have been glossy instead. Couldn't bring himself to buy the amp. Talk about anal...lol
I didn't like the knobs on my Shuttle 9.0, so I changed them.
Headstocks definitely make a difference with bass players. Remember when SX was all the rage here? Then they changed the headstock...
Agreed, never understood how Alleva-Coppolo survives with their boat oar headstock and $6k pricetags.
Evidently, there are enough serious players who don't find fault with minor cosmetic differences. Apparently, they're worth it for those who can afford them.
Evidently, there are enough serious players who don't find fault with minor cosmetic differences. Excessive pickiness about little things seems to be a Talkbass phenom. Like Fender bashing.
Same answer for the high $$ cost for an AC. Apparently, they're worth it for those who can afford them.
I remember that there was a article from "Forbes"
about Dan's business acumen. From having read it, I'm really kind of astonished that he would want all the headaches of running a musical instrument company again. Originally, it took Lakland 10 years to be profitable, and that was due, in large part to the success of the Lakland Skylines. For the original U.S. made Laklands, the bodies were cut and finished in California, the necks were made in Oregon, so much of the production was outsourced. They were assembled in Chicago. One of the reasons it cost more was
the outsourcing of so much of the production. You can read the article here. [Invalid or Expired Link Removed]
Ric
I agree. Aesthetics make a huge difference for me, It's gotta be attractive to me and play well. I also like traditional shapes and headstocks (Fender, Musicman, Lakland, etc.).I could be looking at the best playing, best-sounding and otherwise best-looking bass in the world but if it has an ugly headstock I'm not even going to pick it up. I think you'd be surprised at the number of people who feel the same way.


What was wrong with them? Wrong shade of black? Bad tone?
So . . . the moral of the story is "There's no accounting for taste".
How did they become "traditional" headstocks? Just stick around long enough. I wonder what people thought when they first saw all the tuners on a guitar in a row on the top side? Never!
To be fair though, the only thing that kept me from getting one of Brian Bromberg's basses, whether they be Peavey, Carvin, whatever was the headstock. I'm sure they are excellent basses.
More info to come. Stay tuned.............
It's now November. Define "soon."
Perfect example as, like your ring, I'm "oohing and ahhh'ing" over Dan's headstock design. Love it! I even dig Alleva-Coppolo's headstock design. Go figure.Being a jeweler for over 30 years, I have learned that there
is no accounting for "taste" or the lack thereof. I had a
ring in the showcase once that everyone remarked how
ugly it was . . . until one day a lady walked in and immediately
fixated on that same ring, let out a loud >GASP!< and
announced "That is the most BEE-YEW-TEE-FUL ring I have
ever SEEN!!!![]()
She tried it on, oooh'd and ahhh'd for ten minutes
about it, went home & got her husband, and
came right back with him and his eyes lit up and he said,
"you are RIGHT! IT's so BEAUTIFUL!!!"
He threw down his plastic and they left as happy campers with
her new ring on her finger.
Needless to say, I was thrilled.
So . . . the moral of the story is "There's no accounting for taste".
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