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Do I need a "good" bass for auditions?

I lost a gig by showing up with a booteeky 5 once. Would have never dreamed of showing up with my current band with anything but my best Fender. Once I got the gig, though, I can bring anything I want. Except the booteeky 5, but I don't want to :D Some are particular, some aren't. But darn right there's psychology involved in landing gigs, and you're best to do your homework if you want the gig bad enough.
 
I lost a gig by showing up with a booteeky 5 once. Would have never dreamed of showing up with my current band with anything but my best Fender. Once I got the gig, though, I can bring anything I want. Except the booteeky 5, but I don't want to :D Some are particular, some aren't. But darn right there's psychology involved in landing gigs, and you're best to do your homework if you want the gig bad enough.
You can't go wrong with a p-bass. Mine is a Carvin, but no one bats an eye. If I brought my green 7-String to a country gig, I'd get looks and probably not the gig. Plus, that thing is heavy. Conventional is the thing for auditions. You can get your freak on (if you like) after a bit. It's like anything else. Go to a job interview wearing ripped jeans, natty Air Force Nikes, and a Slayer T-shirt? Probably not getting the job.
 
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I did give this entire thread some more thought.
If the band is some type of theme group and only specific styles of instruments will work...........well that's a bit different.

If the only priority is landing the gig then I guess you better ask up front what type of equipment did yall think will work best in the mix? Hopefully you have that type of equipment already, can afford it or steal it from you kid brother (LOL Just kidding steal it from your sister she is really a drummer faking her way as a bass player)..

If the band turns their nose up because your not walking in with a boutique instrument then I still have the same thought, the long term potential is doomed.
That's all presuming your a good player and can provide the low end support they need. Music is for the ears not the eyes.
 
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I recently sold my Lakland Skyline as I couldn't stand the weight anymore and started looking for a MIM Fender P to replace it. While I'm waiting to find the right one I thought I'd upgrade the pups on my first bass, an Ibanez GSR180. I installed a set of Fender Pure Vintage 74s and it sounds so full and great, especially with the bridge soloed. I'm now in no rush to get the Fender. I still want a P but the question is, do I need it right now? The Ibby honestly sounds massive for a lightweight and what you might call "an entry level" instrument. But there are expectations when you audition. What you pull out of the gig bag surely goes some way to the band members forming their initial perception of how good you are, or am I wrong?

Does bass prejudice exists when auditioning?

Should I have an instrument with some status to help me get in a band?
I haven’t had to auditioned for anything in a while because the rhythm guitarist in the band I play in has been in most projects with me over 20+ years so we are normally the core of every new project I’ve been in. But I can talk about what it’s like from the other side of things. We have had auditions for lead guitarist, vocalists, and drummers. Lead guitarist as recently as a few months ago. The guy who got the job did happen to have really nice gear. We were pleasantly surprised when this guitar player showed up with two PRS guitars (a really nice high end one as his main player and the se signature version of the guy from periphery as his backup) and a PRS archon combo. It was particularly meaningful to us at the time because we had previously been in different band with a singer/guitar player that basically played hand me down guitar gear and never even learned how to change his strings. That said having nice gear was not really what got him the job. It was a nice bonus but it didn’t get him the job. He got the job because he can play and personality wise he fit right in. The rhythm guitarist I play with has used everything from cheap line 6 amps and Ibanez guitars that were under $300 new to top of the line Mesa boogie stuff and les Paul’s. Gear has never kept him from constantly playing in bands.

The only experience where gear was an issue for me personally was because my rig was too big basically. I only had an ampeg 810 at the time and they wanted a bass player present but not heard type of situation. And even though I got that gig there were constant arguments over levels at rehearsals and it didn’t last long because as soon as we started talking about recording mixes I was like “yeah this isn’t for me, I actually like the bass to be audible in the music I listen to”

I’d say play what you want. See if personality wise and playing level wise you are a good fit. Dress the way you would dress onstage. Not necessarily for every rehearsal but at least show them that you care about image for the audition. Lot of people can play but there’s a difference from being a “bedroom rockstar” and being in a gigging band that is at least semi professional. I personally am not into going overboard with image and making a circus of it. For example I prefer more of a jeans and black shirt simple kind of look (like Metallica or Pink Floyd basically) but there’s a difference between that and showing up to a gig looking like you just don’t give a damn at all.
 
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Here's an epic thread where the auditionee was rejected because the band didn't like his Squier.

Got turned down
It struck me that the majority of respondents said something like “those guys aren’t worth your time.” It’s like a test, part of your audition of them.

it’s important to draw a distinction between weekend warrior/hobby play (which is what I do) and true professional musician. In the former, play what you want! In the latter, you best have a Fender P, J and then some.

I also find it fascinating that a Fender bass is the standard. In most cases a MIM will do, a bass I can pick up used for $500 any day of the week. High end Fender clones will not turn heads like a “real” Fender. So much of this is about image, and if the band organizers are trying to cultivate a certain image.
 
I used to play in sort of a hipster old-school country and honky-tonk band. The band's look was somewhere between rockabilly and 60-70's country--the clothes, the gear, etc. I played a regular 'ol Pbass. A guy subbed for me once and had a modern coffee-table-looking bass, and man, people were dissing the look of the thing to no end. Played fine I imagine but that's not what stood out to people. A beater Bronco with stickers all over it would have been more "acceptable". C'est la vie.
 
You can't go wrong with a p-bass. Mine is a Carvin, but no one bats an eye. If I brought my green 7-String to a country gig, I'd get looks and probably not the gig. Plus, that thing is heavy. Conventional is the thing for auditions. You can get your freak on (if you like) after a bit. It's like anything else. Go to a job interview wearing ripped jeans, natty Air Force Nikes, and a Slayer T-shirt? Probably not getting the job.

Unless you're applying for the roadie for 'DEATH CHEEZ'
 
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If it looks like this
images?q=tbn:ANd9GcSIZUFQv5Ytj49j_khfg_V4d43SfOUCmsvQ1tDzE3ZxI5O1qp1w&s.jpg
maybe.
 
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I just had some nitwit tell me I didn't know about a high end bass because I said I didn't need one. That's hilarious because I've played decades and none of my basses were over 2,000USD. Matter of fact, my two favorite basses are under $1,000 Ibanez basses. They look nice but not fancy. If you got the chops don't worry about pulling out your Ibanez. It's a popular brand nowadays.
 
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Some bands and some artists want what they want and it’s their prerogative.
I know artists that only will use Ken Smiths.
Some that only use Fenders.
Musicman , Sadowsky, etc ........ they are artists.
I give people what they want.
I don’t like P bass but I bought one to get a gig in a 70’s rock band.
 
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Yes, you absolutely need a good bass. You don't need an expensive one, but you need a good one.

I held auditions for bass players a while back for my rockabilly band. I had several people show up with instruments that looked they were purchased from a Sears catalogue. Unfortunately their playing matched their basses. I also had someone show up with a Fender Custom Shop who couldn't follow a simple 12 bar progression.

I knew a teacher that said, "Never give them a reason not to hire you." Show up with good equipment in good repair that doesn't look like you pulled it out of a dumpster. Whether it's fair or not, you will encounter situations where you will be judged by your equipment.