• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

do people really hate ebmm bongo bass?

Status
Not open for further replies.
I think "Hate" is a bit too-string a word...
IMO:
Do they resemble a toilet seat with a bass neck = YES!
Do they sound great = YES!
Would I get one = NO!

That's the extent of my strong feelings towards the Bongo. Come to think of it, I could say the same things about the "Big Al", except for the toilet seat thing...
 
Played one in a store a while ago. I think the design is great and consistent, both visually, technically and ergonomically.

To me, it was a bass that was quite active sounding (tone is all in the active electronics), but a really really good sound that can be taken in every direction imaginable if active is your kind of thing.
 
Bongos are awesome basses. I currently have 3 and may be acquiring a 5 string this week. There are lots of good basses out there, and the Bongo (and the Big Al) would be included. Remember there are lots of players out there that can make a good bass go wrong ;-)
 
  • Like
Reactions: dkelley
I played on a 6 for a while before switching to Warwick. They are great basses, and most of the hate as has been said earlier, comes from online snobs that hate everything that isn't a fender P bass with tort pickguard and flats.

Appearance wise they are unique and they 100% look better in person. The finishes are great.

Tone wise they are very versatile and the 4 band eq can get you some great useable tones.

Playability wise they fit well in my hands, and i could slap the 6 string like a pimp slaps his....... Ill stop there.

Downsides: the woods. Basswood body dents if you look at it wrong. Maple neck and rosewood fingerboard, while classics, don't fit the "modern musician's bass" vibe that EBMM pushes for the bongo.

Don't get me wrong, those tonewoods aren't bad, but if they made a bongo with roasted swamp ash body, wenge neck and fingerboard, that would be killer. (Worth noting, if you can get your hands on the Premier dealer network editions, they have special woods like mahogany, roasted maple necks etc.)

If you are going to drop 2-3k on a bongo, try and grab a ball family reserve or PDN version, as it will hold its value more. But every person i have actually played the bongo in front of in a live setting has loved the tone and the funky, #&@$ the fender establishment design. (Again the finishes are AMAZING)

TLDR: great and useable tones, very comfy to play, weird but cool design, vanilla tonewoods , buy the Special editions as they have better wood.
 
I’ve had a ton a really good to great basses: Status, j and p basses, active, passive, Spector, Hotwire, etc., and the ONLY bass I’ve ever been complimented on for tone from every bass player that heard it was a hh Bongo. On the other hand, I only kept it a month because life is too short for ugly basses...

Vanity, vanity....
 
I have owned a couple Bongos. Love the playability and versatility. DO NOT like the looks at all. But I give EBMM all the credit in the world for going out of the Fender pattern box and MARKETING fresh ideas. When the Reflex came out, I considered it the Bongo with conservative heritage. Similar neck and electronics in a Reflex based package. I ditched the Bongos and now own several Reflexes.
 
Status
Not open for further replies.