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Do what they say cant' be done...A Warmoth Build

I looked for a long time for some one that made an early 50s style Precision bass with a 1.5" nut width. Couldnt really find anything without going to a more custom expensive build, So i went with a Warmoth build
Heres what i ended up with. ITs got a Roasted maple/Roasted maple neck and Fret board (Both unfinished), Hipshot ultralite lollipop tuners, Warmoth swamp ash body with their yellow tint gloss finish. The pick up is a Seymour Duncan custom shop stacked coil wired series/single/parallel, Strung up with some D'addario tape wounds. Sounds and feels amazing, No regretsView attachment 3257994 View attachment 3257995 View attachment 3257997 at allView attachment 3257994 View attachment 3257995

Oh, yummmmm ...! Warmoth definitely has some good stuff. I've gotten a roasted maple neck for a Strat build I'm gonna put together - just beautiful, maybe the best feeling neck I've ever held.

Your 50's P really came together great ... superb.
 
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Id love to do another Warmoth. I was really impressed with the quality and finish. My fret ends were perfect. I've been really tempted to do a build with their Mooncaster hollow body. The tops on them are killer

Oh yeah...the Warmoth stuff is really top shelf. I've been playing this thing all day and tweaking pickup height and such. She's a big girl at nearly 10lbs. But it balances pretty well. Oh but it sounds great. I've been jamming along to classic songs featuring a P bass...and even with no rig to run through (I'm going direct to a instrument level input on my mixer) it sounds amazing. I've always heard good things about the Fralin P pickup, and it's all true! I'm normally a Nordstrand guy, but I wanted this bass to sound as authentic 60's P as it could. The only place I didn't go that direction was the bridge. I wanted a high mass over a bent steel.
 
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I’ve done three parts guitars... The first was a Carvin kit. There is a story behind it but suffice to say, I loved that guitar. Sold it to finance the second - all top shelf parts - warmoth neck (quartersawn maple with pau ferro fingerboard and SS frets), USA Custom Guitar body (alder with AAAA flamed maple top), high quality boutique pups and excellent hardware. I liked it... but didn’t love it even as much as the Carvin. Parted it out and sold it and bought another Carvin kit which I upgraded a bit and still have.

First, while the parts guitars do not hold the same resale as a factory built, I found that by parting the one out I actually made out better than selling the completed guitar. Obviously that requires top shelf parts.

For someone considering a first parts bass, the Kiesel bass kit is quite good for the price. The wood parts are very well shaped and high quality wood with multiple options. The pickups are what they are but the electronics are easily replaced if one wants. You may or may not be satisfied with them as included with the kit. The hardware likewise is mid quality level but not junk... but you can end up with a nice playing parts bass for well under $800 - $519 currently for the base model which includes an ebony fretboard and stainless frets.
 
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Update...

Having started out playing bass on a five string, I've never really had an affinity for 4 bangers. I owned a 4 string Jazz bass once and it hung on the wall unplayed in favor of my 5 string version. Same with my old MIJ P bass I had years back. I ended up buying a 5 string P and never played the 4.

But I have to say, there is something different about 4 vs 5 string. Not just in feel (which is still very odd to me), but something about not having to mute the extra string or something. I'm not ever giving up 5ers, but there is a really cool tone to the 4 string P. I've been playing along to familiar songs that I know feature a P bass and I am able to get the exact same tone easily. There is something to be said for a volume/tone setup. Not a lot of options.

On another note, the GHS Precision Flats I have on the bass are nice. A bit higher in tension than I was expecting. I'm used to Labella DTFs which I have on another bass, and the difference is noticible. I sort of enjoy higher tension strings. Lets me be a bit more ham fisted without string buzz.

According to the Tru Oil website, I can't do final buffing of the neck for a month. It actually feels pretty good. Only a light scuff and buff should be required to make it feel slick.
 
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Final Result

The project was mostly smooth sailing until it came to mounting the Fender tuners which have not one, but TWO locating pegs on the back. It was a major pain in the butt to get them drilled right, but luckily the ugliness is hidden by the tuners and no one will know how bad it is except me. Yes, it bugs me. Hopefully I forget in time. The tuner for the E string is ever so slightly crooked. Nothing wood filler and re-drilling it won't fix, but It's really not that bad and I wanted to play the dang thing. If I'd have done tuners with screws, it would have been a non-issue. Lesson learned.

After bolting it all up, I knew there would be adjustments, and there were. The neck needed a shim to allow the action to go as low as I like. Without the shim I could only get down to about 6/64" off the 17th fret and I like mine lower. Now my E is at 4/64" with some adjustment left. It's amazing what a business card can do.

The truss rod needed about a quarter turn to flatten it, and I suspect it will move some over the coming days. The frets seem to be dead level. No buzzing anywhere.

I eyeballed the pickup and set it by ear like I usually do. The Fralin pickup sounds really good. It sounds like a P bass should. Sadly, I don't have my rig at the house as I'm playing at church for Christmas services today and tomorrow, so I left it there. I'm sure it will thunder through the Noble DI.

So, did I succeed in having a bass as good as the $2000 Fender. I believe so. I certainly have a prettier bass. And P basses aren't complicated. It sounds like a P bass. It plays nice. I still have some neck finishing to do once the Tru Oil fully dries out. It's still a little sticky from the coats I put on last night. I made some mistakes I wouldn't make again if I did it over, but it's not bad for the first parts bass I've ever built.

So...without further delay....here are the finished pictures:

View attachment 3257762 View attachment 3257763 View attachment 3257764 View attachment 3257765 View attachment 3257766 View attachment 3257767

That is gorgeous man! It's actually fairly similar to my planned P build I'm hoping I can do next year. Building a 5 string Jazz this year. My plan is a LPB '54 body, with split P GZR pickups. Though I was thinking of possibly springing for a genuine Fender American Neck. It's very nice.

Sorry if I didn't read it, was the neck custom? Or was it a showcase find?
 
Oh yeah...the Warmoth stuff is really top shelf. I've been playing this thing all day and tweaking pickup height and such. She's a big girl at nearly 10lbs. But it balances pretty well. Oh but it sounds great. I've been jamming along to classic songs featuring a P bass...and even with no rig to run through (I'm going direct to a instrument level input on my mixer) it sounds amazing. I've always heard good things about the Fralin P pickup, and it's all true! I'm normally a Nordstrand guy, but I wanted this bass to sound as authentic 60's P as it could. The only place I didn't go that direction was the bridge. I wanted a high mass over a bent steel.

My 5-String in the end will be a beast. The body alone is 5 lbs 11 oz, before pickups, bridge and a neck.
 
Beautiful job... lovely bass!

You need to toss one of these on... a pre-requisite for all four strings IMHO. As a bonus, it'll make the slightly crooked E tuner less noticeable.

upload_2018-12-26_18-12-8.png
 
Beautiful job... lovely bass!

You need to toss one of these on... a pre-requisite for all four strings IMHO. As a bonus, it'll make the slightly crooked E tuner less noticeable.

View attachment 3260966

If I knew how the hell to play with one I would. But dropping my E string a full step would be absolutely mind numbing for my feeble brain.
 

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