Four Jazz derivatives for me. That pans out to two passives: a 62 fretless copy (JP), one PJ with a P body which is mighty nice, and two active fives.
I didn't over-think this, just went with the flow really. There were fortuitous circumstances, played a part. Fate stepped in to lend a hand
The benefits can't be overstated though, accidental though they may be. While each is unique in so many ways, they still lend themselves to be stand-ins for one another, in a pinch, should one take a dive. So for each I have a back-up, more or less. And the sound spectrum is pretty wide and varied so there's a nice palette of possibilities there, despite the obviously leonine lineage.
I didn't over-think this, just went with the flow really. There were fortuitous circumstances, played a part. Fate stepped in to lend a hand