• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Do you own multiples of the same bass? Why?

IMG_1627.JPG
 
  • Like
Reactions: saltydude
I don't. I do have 2 PJs, and I'm selling / trading one of them (the nicer one) because all I ever play is my 5er. This would leave me with a 4 string jazz, 4 string PJ, and 5 string MMJ. I'd like to add a lightweight 5 string J (currently gassing for G&L Empress MJ5).
 
I always have two of whatever my current gigging basses are for standard and half step tuning options.

THIS!

I have two Valenti S24FJ5s and, soon, I'll have two Kiesel Vader VB5s. The only difference in my basses is colors. I firmly believe that if you are gigging regularly, you should find one instrument that covers all the sonic ground you need, and buy two of them. I also keep one tuned standard and tuned down 1/2 step. Switching basses is faster than retuning(if it's not, you're doing something very wrong), and having a backup is just a prudent thing to do.

If you're not gigging or if you're a studio musician, having basses that all sound different makes sense. My Valenti and my Kiesel basses sound different, but I have two of each so I can gig whatever sound I prefer that night with a backup...
 
  • Like
Reactions: MoeTown1986
I already own a Bongo 5 and every time I think I'd like to have another bass, I keep coming back to mine and falling back in love with it. I started with halfwounds and then moved to flats. I keep a modest action on the bass as well. But this leaves much to be desired for a nice bright and in your face bass with low action for noodling. So I've been periodically poking around the classifieds in my area and saw another Bongo 5 for cheap. I want to grab it and put some rounds on it and lower the action as much as possible to have that diversity of tone I already know I like. I'm not sure if this sounds crazy though?

But my question is, do you have multiples of the same bass for either different configurations, cosmetic reasons, fretted/fretless version, ... ?
I own two Rickenbackers. One is set up in EADG tuning, the other in BEAD.

That's why.

Also because I like them.
 
I already own a Bongo 5 and every time I think I'd like to have another bass, I keep coming back to mine and falling back in love with it. I started with halfwounds and then moved to flats. I keep a modest action on the bass as well. But this leaves much to be desired for a nice bright and in your face bass with low action for noodling. So I've been periodically poking around the classifieds in my area and saw another Bongo 5 for cheap. I want to grab it and put some rounds on it and lower the action as much as possible to have that diversity of tone I already know I like. I'm not sure if this sounds crazy though?

But my question is, do you have multiples of the same bass for either different configurations, cosmetic reasons, fretted/fretless version, ... ?

YEp45ZG.jpg


I have these two 4004s because of luck. They are the only two 4004s I have ever seen in person. Ruby 2012 4004Cii Cheyenne and Jetglo 1993 4004L Laredo. DR Sunbeams on the Cii, DR Pure Blues on the L. Ruby has maple/walnut sandwich body plus walnut headstock wings, Chechen board, and current 4003/4004 two-piece neck. Jetglo is all maple, single piece neck, that is both wider and flatter at the back than Ruby's. Its one-piece neck cannot tolerate regular tension strings as they put a ski jump in the neck where it joins the body. They sound similar but different.
 
I have three Rickenbacker basses. The two in my avatar are both 4001v63 models. One (the Fireglo) is set up really low, which makes it sound like a chainsaw cutting through a chain link fence. The other (the Mapleglo) is set up for a cleaner tone, for kicking huge amounts of butt without as much snarl. I change them out depending on what the song requires. Plus, it's great to have a backup, as I like to tinker and one of them is likely in 'The Shop' (my workbench). This way, I always have a Rickenbacker available, which is essential. My third Rickenbacker is a 4001CS Chris Squire Signature model (bought new, by me in '92), that has many, many hours on it and is badly in need of a restoration. It is currently semi-retired. Those three are the only basses I own.
 
2 Precisions, one is a Steve Harris MIJ neck on a MIM replacement body with Steve Harris pickups, the other is a MIM with GZR pickups.

2 Ibanez TMB 310s one silver sparkle, the other turquoise sparkle...I wanted both.

2 Jazz basses...one a USA Geddy Lee the other a MIM.

2 Ibanez SRs, one a 4 the other a five.
 
I would love too, but it's more the combination of woods and electronics. I have a FrankenFender bass with EMG pickups and electronics, alder body and maple neck, and I am scrounging the parts together to recreate it as a backup. You never know when 1 goes down during a gig or performance. This way I feel I can just switch basses without tweaking the amp or pre amp settings.
 
I've never played an SX. I can't get my mind past the cheap part, like I think it won't take a good setup. I know that's not true so often anymore but it's hard to shake.

Do they take a good setup? How low does the action go? Do they need some fretwork?

Anyway, I like cheap but good things though. Fender Mexico convinced me they make great stuff now over the last few years.

SX necks are kinda chunky, I like chunky, and are stable. I play with a medium action (I don't like my strings a gnat's eyelash off the frets) so I'm not a good person to ask how low they can go. I have had to do a few fret levels, though.

Different strokes for different folks.