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Does anybody really need more than 500 watts?

Getting more than you think you need is usually a good idea with anything.

Played an outdoor gig. Bass and drums not into the PA.

Sure glad I had my 800w Mesa with 2 15's.
That rig should cover pretty much any need. Just curious, how hard did you have to push the amp? Those linear pots just keep on giving!
 
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Not sayin ya don't, but wondering.

I currently have a 700 watt Carvin that I love, but no longer trust. I'm considering replacing it with one of these 500 watters...

View attachment 4032359

...but wondering if I'll ever need more wattage.

In my experience all that's ever necessary in any band/gig situation is enough volume to get a comfortable mix on stage. Anything louder than that is going through the house anyhow.

SO... does anyone here feel they really need more than 500 watts, and if so, please convince me. I am open to dropping $150 more for the higher watt version. I just think right now its might very well just be a waste.

Whatever the D800 is has proven to be enough for me.

*edit* Go figure - its 800 watts lol.

500 isn’t always enough through certain speaker cabinets, IME. There’s definitely a difference in how amp responds between 500 and 800 watts. Typically, I prefer the 500, but that Mesa just does the right things for me.
 
Not sayin ya don't, but wondering.

I currently have a 700 watt Carvin that I love, but no longer trust. I'm considering replacing it with one of these 500 watters...

View attachment 4032359

...but wondering if I'll ever need more wattage.

In my experience all that's ever necessary in any band/gig situation is enough volume to get a comfortable mix on stage. Anything louder than that is going through the house anyhow.

SO... does anyone here feel they really need more than 500 watts, and if so, please convince me. I am open to dropping $150 more for the higher watt version. I just think right now its might very well just be a waste.

More wattage does not mean more volume.

More wattage means more headroom, and better dynamics and transient response.

Always better to have it and not need it, than need it and not have it.
 
Had the same question a year ago if I needed more than 500 watts.

Always play though a FOH.

Settled on this.
Plenty of power!

FE0F0FED-0AFE-4449-A8A0-523EE572D41B.jpeg
 
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I currently have a 700 watt Carvin that I love, but no longer trust.
Curious: I've been playing Carvin amps since the early '90's. What do you not trust about your Carvin? My early '90's PB300 head is still going strong with no repairs or mods in my rehearsal space; concededly the capacitors are getting a little hissy, and that's the only reason I don't gig it in my heavier band anymore: new digital boards really pick up on the hiss on the XLR line out. It used to get compliments from sound guys that it was the cleanest line out they ever plugged into their boards, until digital technology. My MB12 combo I still gig, and even stack it on a 1X15 when I want more girth.
 
Are you playing in an aggressive metal band doing battle with 3 mesa triple rectifiers and a drummer who wields baseball bats for sticks?:hyper:
Does your tone make Bill Laswell blush?:bored:
If not, 500 is plenty.:D

My main band is a corporate/wedding/club band. I have a 250 watt backup that could cover it all. LOL... a 100 watt backup would do the job. We have our own sound people, and when we have horns they even put me in the monitors.

The thing is, since Covid I'm once again open to anything - and I've played in lots of different types of bands. I feel something loud and heavy coming on soon, too.

Just out of curiosity what is your Carvin head doing? I had a 500 watt Carvin head that periodically wouldn’t work.

I was one of the lucky people to get one of the very first BX500s. It gave me a hard time cutting in and out. I took all the suggestions, Deox-ed it and everything, and then it finally just crapped out on me. Traded it in for a BX700 and now I've been having similar issues. Volume drops out, when I bang on it, it comes back in. My sound guy is a certified tech for a bunch of companies he dove into it. He told me he hard wired all the computer cables, but then it happened again. We realized that the issue the last time it happened may have been a speaker cable - and we're not playing a whole lot lately, so... well... for peace of mind I think its time to pick up something I feel safe with. The BX700 might be fine, but I want something new. And I always loved Hartke amps, but never had one.

I may have missed this but, what cabinet are you going to be using?

With my main band I'm using a GK Neo 212. All my other gigs I use 2 Carvin 15" cabs.

More wattage does not mean more volume.

More wattage means more headroom, and better dynamics and transient response.

Always better to have it and not need it, than need it and not have it.

These are the words that have me tangled up :) . I believe this to be true also, but wondering if I'll ever even need that extra headroom. And or even ever notice it with above mentioned speaker cabs I have.
 
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Curious: I've been playing Carvin amps since the early '90's. What do you not trust about it? My early '90's PB300 head is still going strong with no repairs or mods in my rehearsal space; concededly the capacitors are getting a little hissy, and that's the only reason I don't gig it in my heavier band anymore: new digital boards really pick up on the hiss on the XLR line out. It used to get compliments from sound guys that it was the cleanest line out they ever plugged into their boards, until digital technology.
See above :) .

I should add to that post that I was playing lots. Averaging over 100 3 set gigs a year... till Covid. And the head lives on a truck.
 
IMO not all 500 watt heads/amps are created equal. I’m very happy with the sound of my Aguilar TH500. But I don’t feel it’s 500 watts can equal the volume that my similarly rated Crest CA9 provides. I use my TH500 for smaller rooms that don’t require a lot of volume, and it does a wonderful job. Whenever I require more volume, I always take my CA9.
 
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Not sayin ya don't, but wondering.

I currently have a 700 watt Carvin that I love, but no longer trust. I'm considering replacing it with one of these 500 watters...

View attachment 4032359

...but wondering if I'll ever need more wattage.

In my experience all that's ever necessary in any band/gig situation is enough volume to get a comfortable mix on stage. Anything louder than that is going through the house anyhow.

SO... does anyone here feel they really need more than 500 watts, and if so, please convince me. I am open to dropping $150 more for the higher watt version. I just think right now its might very well just be a waste.


No, but why not?
 
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My main band is a corporate/wedding/club band. I have a 250 watt backup that could cover it all. LOL... a 100 watt backup would do the job. We have our own sound people, and when we have horns they even put me in the monitors.

The thing is, since Covid I'm once again open to anything - and I've played in lots of different types of bands. I feel something loud and heavy coming on soon, too.



I was one of the lucky people to get one of the very first BX500s. It gave me a hard time cutting in and out. I took all the suggestions, Deox-ed it and everything, and then it finally just crapped out on me. Traded it in for a BX700 and now I've been having similar issues. Volume drops out, when I bang on it, it comes back in. My sound guy is a certified tech for a bunch of companies he dove into it. He told me he hard wired all the computer cables, but then it happened again. We realized that the issue the last time it happened may have been a speaker cable - and we're not playing a whole lot lately, so... well... for peace of mind I think its time to pick up something I feel safe with. The BX700 might be fine, but I want something new. And I always loved Hartke amps, but never had one.





With my main band I'm using a GK Neo 212. All my other gigs I use 2 Carvin 15" cabs.



These are the words that have me tangled up :) . I believe this to be true also, but wondering if I'll ever even need that extra headroom. And or even ever notice it with above mentioned speaker cabs I have.

That is pretty much exactly what my BX500 was doing and it is a real shame because the tone was great; I literally loved everything else about it. Got a GK MB500 and only had one issue at a gig that was powered by a generator.
 
That is pretty much exactly what my BX500 was doing and it is a real shame because the tone was great; I literally loved everything else about it. Got a GK MB500 and only had one issue at a gig that was powered by a generator.
Yep, love my BX1500!
I used the bi-amping aspect exclusively. Have had the ribbon cable experience but usually, it's only about once every two years.

It usually reared its ugly head at a rehearsal before a gig, fixed it, and it would be good for another two years.
After Carvin Audio folded up and there was no more support for it, I figured it was time to get something new that would be supported over the long haul.

Enter a new Mesa WD 800 :) No bi-amping with the WD which is fine, as I don't drag around all the cabs I need for that anyway. I have run the Mesa into the still working BX1500 and tried the Mesa bi-amped through that, cool :) I like the power amp damping though and you don't get that bypassing the power amp in the Mesa.

Anyway...
 
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Curious: I've been playing Carvin amps since the early '90's. What do you not trust about your Carvin? My early '90's PB300 head is still going strong with no repairs or mods in my rehearsal space; concededly the capacitors are getting a little hissy, and that's the only reason I don't gig it in my heavier band anymore: new digital boards really pick up on the hiss on the XLR line out. It used to get compliments from sound guys that it was the cleanest line out they ever plugged into their boards, until digital technology. My MB12 combo I still gig, and even stack it on a 1X15 when I want more girth.

Capacitors don't get "hissy".

I was one of the lucky people to get one of the very first BX500s. It gave me a hard time cutting in and out. I took all the suggestions, Deox-ed it and everything, and then it finally just crapped out on me. Traded it in for a BX700 and now I've been having similar issues. Volume drops out, when I bang on it, it comes back in. My sound guy is a certified tech for a bunch of companies he dove into it. He told me he hard wired all the computer cables, but then it happened again. We realized that the issue the last time it happened may have been a speaker cable - and we're not playing a whole lot lately, so... well... for peace of mind I think its time to pick up something I feel safe with. The BX700 might be fine, but I want something new. And I always loved Hartke amps, but never had one.
I would hope he gives up on being a tech... certified or otherwise. Why on earth would anybody think hard wiring all of the connectors was a good idea? What happened to troubleshooting and actually identifying the cause before ruining a perfectly good amp?
 
In road bike forums "Do you really need a 12 lb full carbon bike?"

You'd be surprised at the number of yes answers and in real world, how many people climb with those bikes every week or can keep at 25mph pace for 2 hours. Most of the time they are used to pass parents pushing strollers in multi-use bike/walk paths. Same with music gear. But hobbyist keep the commerce going.

I wonder what the data looks like for say example Mesa and how many of the X-800s sold are used constantly in loud situations at least 2 nights a week (disregard covid for a minute).

I bought an Ibanez practice amp today for 10 bucks at Goodwill. I think it is 10-15 watt. Not bad
 

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