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Does anyone else play like this, or am I just weird...?

Do you do this too?

  • Yeah I do that too.

    Votes: 19 59.4%
  • You're a loser.

    Votes: 13 40.6%

  • Total voters
    32
I've gotten it drilled in my head from day 1 that all the strings had to be muted at all times when I'm not playing them, and basically never give a string the chance to ever ring out or make any noise ever. so I developed this technique on my own that I have never seen anyone else do.

Most people do floating thumb, or use their plucking/picking hand, or their fretting thumb, etc... Well I don't do any of those things to mute my strings.

Basically, take the tip of your pinky and put on the E string. Now put your ring finger on the A string and just let them rest. That's how I play, always. If I have to go down to those strings, say the A string, my ring finger moves to the E string and my pinky just chills in the air (but it's not flying). If I have to play the E string, then it's just my thumb on the pickup. So basically, at pretty much all times, my other two fingers mute the bottom two strings when I don't use it and I switch them around quite often when playing all of the strings a lot.

It's strange because I haven't seen one person do this besides me, and hopefully I'm not completely alone. It's not a technique I'm going to try to get out of either unless some doctor on this forum tells me I'll get hand cancer or something. It really well for me and it doesn't compromise any of my playing at all.

So pretty please with a cherry on top, tell me that you're also doing that. If not, feel free to call me a loser. :laugh:

TLDR: my ring finger and pinky are always on strings on not using as my only way to mute them, at the same time, my thumb always anchored on either the pickup or E string.
 
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Reactions: BigBobbyBass
Interesting...being a pick player who likes to hit open notes, myself, I need to mute strings...often with the pinky or any other finger, on a non-harmonic fret if possible. I'm speaking of stopping a note of course, sounds like you are squelching a string before it gets a chance to ring which seems like awesome technique.
 
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Reactions: Zkenny99
I was just watching a video on muting last night at scottsbasslessons.com. He was talking about just such the type of muting you were doing. He said Jaco used it, so you are in good company. You are lucky it came naturally to you. Myself, there is no way I will ever be comfortable using the floating thumb I don't think. And I pluck with three fingers so I'm becoming concerned about my muting technique or lack thereof.
 
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Reactions: Zkenny99
So pretty please with a cherry on top, tell me that you're also doing that. If not, feel free to call me a loser.

I do something similar, except I jam my ring finger between the E and A strings.

It's a bit more efficient because I can mute either or both strings with just the one finger.

Any effective muting technique that doesn't hurt your hands is good muting technique.
 
I use a subtle variation of that since I play a six with a 3 finger technique. My thumb floats between my B E and A strings muting the strings below it. My pinky usually mutes 2 strings below where I'm playing and I'm also muting unplayed strings with part of my left hand index finger.

C/S,
Rev J
 
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Reactions: BrBss
I change my right hand playing position up quite a bit, depending on the sound I'm going for, so I end up using a lot of different muting techniques - both left and right hand - throughout the course of a set. Sometimes I do something similar to what you're describing, though not identical. Other times it's almost all left hand muting. It just depends on the tune. I think everybody ends up developing a muting system that works for their physiology and the way that they play and everyone tackles the problem a little differently.

Now, as to whether or not you're weird... well, let's just say that might not have anything to do with muting. ;)
 
Nothing wrong with that! I like the left-hand mute personally. My right hand may be anchored on a pickup or "floating" at any given moment. There's a sweet spot on my jazz bass that I like, but it isn't really comfortable to get at from an anchored position. Placement totally depends on what sound I need at that moment.