You HAD to know that every bass player here, meaning everyone, was going to go straight for Sara Lee's KILLER KILLER KILLER KILLER of a line on Love Shack, and see how you handled it.
You didn't.
Don't get me wrong, I wouldn't want to have to sing and play that figure at the same time myself, but if I
couldn't, I
wouldn't, know what I mean?
The band is passable for a weekend warrior act, but just that: passable.
Sloppy, pitchy, and frankly amateurish beyond requiring a cover charge at times. But, that being said, there are some nice moments, and plenty of GREAT attitude and energy.
I would suggest a bit more wood-shedding with some of those lines, like Love Shack, that are very specific because they anchor the groove. The drummer gets the Love Shack beat BIG time. With your level of chops and stage presence, it should be a snap to get that together, right? And yes, it DOES matter!
I'd also suggest a vocal rehearsal, a vocal rehearsal, a vocal rehearsal, and then perhaps a vocal rehearsal. Even "singing" the Fred Shneider part requires artistry/ears. Fred may sound like he is just yelling, but he is yelling
VERY specific pitches, that are actually right in key for the harmony stacks the B-52s employ.
As Bob Babbitt always says: "serve the song, satisfy your soul."
So, where were your patented "stage moves"? For all your boasting, all I saw was a guy wandering around in shorts unfit for any stage, anywhere.
Hack bands can be a great deal of fun, but don't for a split second think you have one up on any band.
Really nice job with All She Wants To Do Is Dance, it outshines all the other tunes. You guys have all the right tones, and the girls sound tight!