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DR Lo-Rider nickels are NICE, wow

songwriter21

I have an obsession for wood. The musical kind.
Jul 31, 2005
6,786
9,722
Baltimore-ish, MD
Recently got a Schecter Stiletto Studio 5, of which came with EB Slinky nps strings. Those strings sound great, but they don't last. So, I remember DRs having good lifespan, from history with SS Lo-Riders and then Pure Blues. I recently switched out the EBs for DR Fat Beams, and then put the EBs back on. The Fat Beams weren't defined enough with the B-string, they were too flexible (round core), and felt too rough.

Took a chance, this time, on some nickel Lo-Riders. They are fantastic...full spectrum, imo, and they feel great, even if a little grippy for a nickel-plated kind. I definitely like the stiffer feel of hex core strings, too, and the DRs are a little more of that than the Slinkies (I suppose appropriately with "Slinkies"). The pull/tension doesn't seem to be more on the neck, though, so no truss adjustment needed. They didn't need much tuning break-in, as they seem pretty stable. My EBs are stable, too, but the main factor could be my Gotoh Resolites. Gotta say I'm sold on those now....really smooth and robust.

Anyway, these strings are defined from top to bottom. They're not pingy like steel strings can be, and I love a piano-like tone. These have just the right amount of that, along with serious booty on the B-string...definition AND impact. The midrange is indeed impressive and pronounced, like the company basically states, and I can turn down the volume a good bit, once I've set my levels. Mids on my amp were able to be reduced by about 1/8, compared to the Slinkies. The treble is nice and crisp, but like I said, not over-the-top bright. I added a slight boost on my amp, along with the bass band, while going flat on my bass. They didn't need much, so I'm pleased.

Again, I also have more definition, or just punch from the non-floppy feel, and less buzz in the higher ranges, too. Let's hope these strings last!
 
I don't know why. I have always been most impressed with stainless steel round wounds on a hex core since my first set of Roto 66s. I love the punch and the piano like tone. I had tried nickel low riders several times and never liked them. They didn't sound like any nickel strings I have ever tried and lacked the high frequency luster of the SS version.

For some reason, I tried a set on a P-bass build and it occurred to me that these strings are unique. And for some reason, I love them now. They seem to have a lot of qualities of a great flatwound, with a bit more definition up top and a very impressive and musical mid response. I think I just needed to get over that they don't sound anything like DR SS Low Riders (my longtime preferred string).

I haven't gigged with that bass yet. A little nervous about it. But I have definitely warmed to them after a long period of trying them on basses and taking them off.
 
I don't know why. I have always been most impressed with stainless steel round wounds on a hex core since my first set of Roto 66s. I love the punch and the piano like tone. I had tried nickel low riders several times and never liked them. They didn't sound like any nickel strings I have ever tried and lacked the high frequency luster of the SS version.

For some reason, I tried a set on a P-bass build and it occurred to me that these strings are unique. And for some reason, I love them now. They seem to have a lot of qualities of a great flatwound, with a bit more definition up top and a very impressive and musical mid response. I think I just needed to get over that they don't sound anything like DR SS Low Riders (my longtime preferred string).

I haven't gigged with that bass yet. A little nervous about it. But I have definitely warmed to them after a long period of trying them on basses and taking them off.

I have an extremely low-action setup, so no problem here with good treble. The nickel-plated LRs are very good strings, imo. Not harsh up top, nice hi-mids if I want, strong lo-mids, and a BIG low end. I do wish the B had some more definition, but nothing that can't be remedied by smart eq-ing. The slightly rough feel became easy after not too long, either (long-time Elixir user).
 
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I recently got to a bass-playing project again (bar band) so I ended up just changing strings on all four basses (sporting various sets of whatever rounds I found on sale years ago) at once with DR Nickle LowRiders... ~$36x4 was a bit of an "ouch", but I'm happy about it. :)

Like @michael_t said, man, wherever is charging you $36 is ripping you off.
 
I have an extremely low-action setup, so no problem here with good treble. The nickel-plated LRs are very good strings, imo. Not harsh up top, nice hi-mids if I want, strong lo-mids, and a BIG low end. I do wish the B had some more definition, but nothing that can't be remedied by smart eq-ing. The slightly rough feel became easy after not too long, either (long-time Elixir user).

Have you tried both the steel and nickle lo riders? Comparison?
 
Recently got a Schecter Stiletto Studio 5, of which came with EB Slinky nps strings. Those strings sound great, but they don't last. So, I remember DRs having good lifespan, from history with SS Lo-Riders and then Pure Blues. I recently switched out the EBs for DR Fat Beams, and then put the EBs back on. The Fat Beams weren't defined enough with the B-string, they were too flexible (round core), and felt too rough.

Took a chance, this time, on some nickel Lo-Riders. They are fantastic...full spectrum, imo, and they feel great, even if a little grippy for a nickel-plated kind. I definitely like the stiffer feel of hex core strings, too, and the DRs are a little more of that than the Slinkies (I suppose appropriately with "Slinkies"). The pull/tension doesn't seem to be more on the neck, though, so no truss adjustment needed. They didn't need much tuning break-in, as they seem pretty stable. My EBs are stable, too, but the main factor could be my Gotoh Resolites. Gotta say I'm sold on those now....really smooth and robust.

Anyway, these strings are defined from top to bottom. They're not pingy like steel strings can be, and I love a piano-like tone. These have just the right amount of that, along with serious booty on the B-string...definition AND impact. The midrange is indeed impressive and pronounced, like the company basically states, and I can turn down the volume a good bit, once I've set my levels. Mids on my amp were able to be reduced by about 1/8, compared to the Slinkies. The treble is nice and crisp, but like I said, not over-the-top bright. I added a slight boost on my amp, along with the bass band, while going flat on my bass. They didn't need much, so I'm pleased.

Again, I also have more definition, or just punch from the non-floppy feel, and less buzz in the higher ranges, too. Let's hope these strings last!

Did you go with NMH5-130 (45-130) or NMH5-45 (45-125) ?
 
Have you tried both the steel and nickle lo riders? Comparison?

Used the ss around twenty years or so ago. They were the strongest bright string to date, alongside the much-missed D'Addario Prisms. The nickel ones simply don't have as much of a sheen to them right out of the gate, along with a little less definition overall (mostly the B), and then the steel ones basically equal the nickel ones after they break in a while.

I honestly don't need the ss ones, considering my sound with the setup is plenty defined, especially after eq'ing.
 
Used the ss around twenty years or so ago. They were the strongest bright string to date, alongside the much-missed D'Addario Prisms. The nickel ones simply don't have as much of a sheen to them right out of the gate, along with a little less definition overall (mostly the B), and then the steel ones basically equal the nickel ones after they break in a while.

I honestly don't need the ss ones, considering my sound with the setup is plenty defined, especially after eq'ing.
Appreciate it.
 
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Used the ss around twenty years or so ago. They were the strongest bright string to date, alongside the much-missed D'Addario Prisms. The nickel ones simply don't have as much of a sheen to them right out of the gate, along with a little less definition overall (mostly the B), and then the steel ones basically equal the nickel ones after they break in a while.

I honestly don't need the ss ones, considering my sound with the setup is plenty defined, especially after eq'ing.

Got these swapped on a Warwick Corvette, swapped same gauge three week old stainless for nickels. Definitely sound as described in comparison as folks have done in this an other threads on Talkbass. More focused low mids a little less highs. Artificial harmonics are pronounced just like the ss.

Not noticing any appreciable tension difference, though that Warwicks Ovangkol neck is very settled.

Really nice sound subjectively.
 
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I have had these saved on amazon for a while, and after swearing to not spend any more money on random string sets, I let the 45-100 set slip into our last order.

Really nice. With a pick and a p-bass they are huge but with a ton of mid punch and grind. They feel nice to boot. I am thinking about grabbing a heavier set for my Eb bass.