There is also a “paper-app”, a book from Lars Edlund - “Modus Vetus”, helpful for may who chose to adress eartraining via the singing way. He also has a book for atonal eartraining, but i cannot recall the title.
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I agree and have spent some time with it daily for awhile. Can you point me to a resource with help on when ro change do? For a simple example, if I'm singing the melody of All The Things (leaving out repeated pitches) - do, fa, ti, mi, la ti do ti la.....now what? Is that e natural (I'm in Ab) si? le? mi in the new key of C?Tonal solfège is the way. Moveable do… hearing within a context is absolutely crucial
Is that e natural (I'm in Ab) si? le? mi in the new key of C?
I am having issues differentiating diminished and augmented chords.