• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

early post CBS vs modern fender quality??

+1.
it's obvious that big old harry doesn't care for 70's fenders, and that's fine, but the misinformation that he often posts about them bothers me too.

I think they call that "the plural of anecdote is not data", which is why I never extrapolate my own experience to others. Too many do, and some call themselves experts.

"I dislike '70s Fenders" != "'70s Fenders are poor instruments"
 
So, ive been wondering about this, and ive heard different things from different people about this topic- How drastic is the quality shift between early post CBS fender basses from 1966-1974 and modern USA basses from 2000 on?

25-30 years from now we will be:
-Relishing our opportunities we had today in 2010 to buy "cheap" $1,000-$1,500 jazz basses.
-Talking about the "old" good ones from 2010, before they "got bad".
-Realizing that the "good" old ones from the 60s were good in large part because they aged, and were around so long and NOT because they were from a certain decade or year.
-The CBS era "bad" ones which are now affordable today will be tomorrow's unobtainium basses priced out of the hands of normal people who would otherwise want them, much like most of the pre-CBS ones are now.

This is what I predict. We'll see.
 
25-30 years from now we will be:
-Relishing our opportunities we had today in 2010 to buy "cheap" $1,000-$1,500 jazz basses.
-Talking about the "old" good ones from 2010, before they "got bad".
-Realizing that the "good" old ones from the 60s were good in large part because they aged, and were around so long and NOT because they were from a certain decade or year.
-The CBS era "bad" ones which are now affordable today will be tomorrow's unobtainium basses priced out of the hands of normal people who would otherwise want them, much like most of the pre-CBS ones are now.

This is what I predict. We'll see.




Interesting..hope we all make it to see if your right :smug: I really see only the 60's and 70's and maybe a few odd lots from the 80's ,special issues, MIJ squiers etc going for big buck's someday. There are just so many models these day's ,RIs etc that i feel will weigh the market down. We shall see..hopefully.
 
Interesting..hope we all make it to see if your right :smug: I really see only the 60's and 70's and maybe a few odd lots from the 80's ,special issues, MIJ squiers etc going for big buck's someday. There are just so many models these day's ,RIs etc that i feel will weigh the market down. We shall see..hopefully.

While there are bargains, relatively speaking, surrounding any era's products, the trend for most is to go up. Price a nice, body-off-frame restored Edsel lately? And those things were HATED when new. Conversely a nice and original 1965 Mustang fastback with a 289, despite it's popularity is an increasingly expensive proposition. Buy the 1977 Burt Reynolds Smokey and the Bandit Trans-Am NOW if you can possibly afford it... ...before it really becomes unobtainum and in the financial stratosphere.

I see so many parallels between the collector car business and musical instruments.

We shall see.
 
While there are bargains, relatively speaking, surrounding any era's products, the trend for most is to go up. Price a nice, body-off-frame restored Edsel lately? And those things were HATED when new. Conversely a nice and original 1965 Mustang fastback with a 289, despite it's popularity is an increasingly expensive proposition. Buy the 1977 Burt Reynolds Smokey and the Bandit Trans-Am NOW if you can possibly afford it... ...before it really becomes unobtainum and in the financial stratosphere.

I see so many parallels between the collector car business and musical instruments.

We shall see.

As i said I agree but the big diff is the amount of instruments made today v.s. back in 60's and 70's. Some things are not as collectible due to too many items still on the market and if allot of the item was produced. It takes years for those high mass produced items to fade away and become rare enough to get profitable. Fender's production is allot larger today then that of the 60s' and 70s' and probably 80's making today's basses and guitars a long shot to be collectible for years and years to come. IMO..we shall see.
 
As i said I agree but the big diff is the amount of instruments made today v.s. back in 60's and 70's. Some things are not as collectible due to too many items still on the market and if allot of the item was produced. It takes years for those high mass produced items to fade away and become rare enough to get profitable. Fender's production is allot larger today then that of the 60s' and 70s' and probably 80's making today's basses and guitars a long shot to be collectible for years and years to come. IMO..we shall see.

The question, I think, is not IF there is a profit, but when will such a profit be recouped, and for how much at that moment of recouping. Even like buying a house- whether you buy in a buyer's market or whether you buy in a seller's market has huge implications of WHEN, not IF you can recoup your expenses.

Just my two cents (or more...) on this...
 
As i said I agree but the big diff is the amount of instruments made today v.s. back in 60's and 70's. Some things are not as collectible due to too many items still on the market and if allot of the item was produced. It takes years for those high mass produced items to fade away and become rare enough to get profitable. Fender's production is allot larger today then that of the 60s' and 70s' and probably 80's making today's basses and guitars a long shot to be collectible for years and years to come. IMO..we shall see.

Good points.
 
Wow.... I wish I had $3,500 to blow on a bass when I was a student...

Most of what you hear about the mythical qualities of pre-CBS Fenders is just that. Myth. I have or have owned Precisions from '65, '71, '72, '89, '94. All were US made, all were good basses. The early 70's Precisions were super nice. As nice as any 60's P-basses I've seen. But would I pay $3,500 for one of them?? No way on God's Green Earth.

Buy a US-made Fender vintage reissue for 1/3rd of you budget. You'll be just as happy, and have a boatload of money to spend on, well... another US-made Fender vintage reissue.

i dont actually have $3,500 sitting around ready to blow, but its not a crazy stretch. I work almost full time. Its entirely possible to have extra money and be in grad school if youre motivated and really WANT to have it.

That being said, i appreciate the responses a lot. From everyone. And Cars!
 
I'm a younger player(24) and while i didnt grow up in the "good ole' days" or what have you, i think the quality of todays fender's are quite good. Sure they don't have mojo or whatever, but the chance of getting a lemon is quite low. I've been playing since i was in high school and even in that time frame I've seen the Americans and Mexicans get better. The Mexican's in particular. They used to have crappy knobs, thin pickups and came in boring colors. Now they look and sound much better. When i was younger, i was in guitar center every day after school, week after week, year after year, playing fenders. Old used ones, new American ones, cheap Squiers. I felt like every year they got better and better.

Two of my uncles grew up in the 70's and 80s. They both play bass. Their consensus is that Fender along with Gibson, were putting out lots of dogs. Both Guitars and bases. It wasn't just the thick paint or weak pickups or the 3 bolt kneck. It was the horrible routing jobs, Ugly paint jobs(70s sunburst anyone...), crooked hardware, poor tuners(on the guitars), and lesser tone woods being used. They say they remember a big trend amound playings moving towards Imports, like peavy and other brands, because while taste in tone was changing(hi fi sound, new wave) people also felt they were getting better value for their money, even when paying for a cheap japanese instrument.

Now personally, most of my favorite actively performing bassists, such as Carlos Dengler, Peter Hook, or Tim Commerford, etc don't use vintage basses, and yet they have great tone.(Commerford recently even switched to Lakland) This leads me to think that the sonic "superiority" of older bases/guitars is a bit over rated. Sure they look cool, and if you want a funky broken in bass, two thousand bucks ain't bad, but don't kid your self into thinking that 70s basses in general are better than modern fenders or sadowsky's laklands, G&Ls etc etc.

I think market changes have made 70s more expensive. I think their popularity has been constant at least among the bassists i know. Some people love the big headstock, block inlays, binding, etc. No one i know thinks they sounded better, just looked better. But prices are going up, and i don't think many of those same people are willing to shell out just for those features when they can have a better playing/sounding reissue. Some people just want a reliced, beat up "old bass" and since 60s fenders are recockulously expensive, some people ignore the cognitive dissonance and forget CBS and glow over their "vintage" fenders"
 
I'm a younger player(24) and while i didnt grow up in the "good ole' days" or what have you, i think the quality of todays fender's are quite good. Sure they don't have mojo or whatever, but the chance of getting a lemon is quite low. I've been playing since i was in high school and even in that time frame I've seen the Americans and Mexicans get better. The Mexican's in particular. They used to have crappy knobs, thin pickups and came in boring colors. Now they look and sound much better. When i was younger, i was in guitar center every day after school, week after week, year after year, playing fenders. Old used ones, new American ones, cheap Squiers. I felt like every year they got better and better.

Two of my uncles grew up in the 70's and 80s. They both play bass. Their consensus is that Fender along with Gibson, were putting out lots of dogs. Both Guitars and bases. It wasn't just the thick paint or weak pickups or the 3 bolt kneck. It was the horrible routing jobs, Ugly paint jobs(70s sunburst anyone...), crooked hardware, poor tuners(on the guitars), and lesser tone woods being used. They say they remember a big trend amound playings moving towards Imports, like peavy and other brands, because while taste in tone was changing(hi fi sound, new wave) people also felt they were getting better value for their money, even when paying for a cheap japanese instrument.

Now personally, most of my favorite actively performing bassists, such as Carlos Dengler, Peter Hook, or Tim Commerford, etc don't use vintage basses, and yet they have great tone.(Commerford recently even switched to Lakland) This leads me to think that the sonic "superiority" of older bases/guitars is a bit over rated. Sure they look cool, and if you want a funky broken in bass, two thousand bucks ain't bad, but don't kid your self into thinking that 70s basses in general are better than modern fenders or sadowsky's laklands, G&Ls etc etc.

I think market changes have made 70s more expensive. I think their popularity has been constant at least among the bassists i know. Some people love the big headstock, block inlays, binding, etc. No one i know thinks they sounded better, just looked better. But prices are going up, and i don't think many of those same people are willing to shell out just for those features when they can have a better playing/sounding reissue. Some people just want a reliced, beat up "old bass" and since 60s fenders are recockulously expensive, some people ignore the cognitive dissonance and forget CBS and glow over their "vintage" fenders"

To some point i agree and there is nothing wrong with both sides of the fence. Todays basses should be better with the high tech machines and QC companies like Fender and others lacked at times.
I am not going to say a 70's Fender is better than say a Sadowsky or Lakland or another high tech bass made today...they shouldnt be. What I will say is the basses today are still trying to copy the vibe and mojo of that time when those basses were made and improving on them. Thats why fender has RI's and folks like Nash relic. Some people go for a moderen sound with basses made today, some need a bass to look old but is really new and others go back and find the real deal. Its all good.

I have owned several new basses and always felt a bit flat with them. I enjoy a used well played bass with history. This might of been someone elses bass once but it is a broken in bass with a story...I like that and i am willing to pay just a tad more for it. The problem becomes when people just bash anything from say the 70's that Fender put out calling all the basses dogs ...not true! There are dogs put out by every bass company even today and if you buy one you will never look at that company the same way again.
 
I hate to nit pick, well no OK, I don't really mind it, but I am sure others will find it annoying, but here goes...

Pre-CBS = before CBS
CBS = during CBS
Post-CBS = after CBS

Yes, I suppose post-CBS might imply "after CBS took over," but most discussions just say CBS, not post-CBS.

Think of it like this: pre-war, war, post-war or pre-game, game, post-game or pre-CBS, CBS, post CBS---Ad Nauseum.

So early post-CBS as in the thread title would be like 1983, no?
 
I hate to nit pick, well no OK, I don't really mind it, but I am sure others will find it annoying, but here goes...

Pre-CBS = before CBS
CBS = during CBS
Post-CBS = after CBS

Yes, I suppose post-CBS might imply "after CBS took over," but most discussions just say CBS, not post-CBS.

Think of it like this: pre-war, war, post-war or pre-game, game, post-game or pre-CBS, CBS, post CBS---Ad Nauseum.

So early post-CBS as in the thread title would be like 1983, no?

yes, its a bit confusing. I eliminated the middle qualification of "CBS" and instead had two categories in mind when i posted this: Pre-CBS and post-CBS. I took post-CBS to mean after CBS took over to the present day. This is probably inaccurate, this is what i meant.

Regardless of the terminology, everyone knew what i was getting at. its all splitting hairs at this point.
 
My take: Today's P/J basses are the best that Fender has made, period. Better electronics, better materials, better finishes and MUCH better QC.

However, a bass that survives from say 1969 to today is likely VERY broken in and could be quite nice - nice in a way that a new bass can not duplicate.

Pre-CBS Fenders had QA issues as well, but they were a MUCH smaller company, so the examples in the market are smaller... scarcity = price. And some were pretty darned cool (Some were awful, like any mass-production situation with so-so QC).

Also, I have to comment on this:


Well, the "Drivel" I have been happy to sprew comes from personal experience as a gigging musician in the 1970s. I owned a new '77 J bass that was an utter piece of back-breaking firewood. I personally owned a '78 P-bass that was better, but not in any way great. I picked-up, checked-out, borrowed and noodled on countless 1970's Fenders in the store, when they were hanging on the wall brand new or slightly used - So, from my perspective, it is no "Wife's tale". In fact, I saw three - count 'em, three - 1970's P-basses hanging on the wall at the GC in Pasadena, so I decided to challenge my memories - - I played all three, just to make sure my recollection of their crapulance was NOT exaggerated. I was relived, and a bit saddened, to see that it was not. They were all dogs. That doesn't mean that there weren't good examples out there - that just means I have yet to play one.

Just because something is old, does NOT make it great.

Perfect description! I had a pristine 66 I sold for big dollars that didn't play, or feel as well as my leave in the car back up SX. Back in the 70's we laughed at some of the stuff coming out of Fender.The QC was questionable at best. Finishes were not nearly as good as some of the stuff from the 60's. There WERE and still ARE some great pieces made back then, but as stated, being old means just that, old, and little else. Two of the basses that I've owned over the years that I sold and regretted almost the moment they were gone, were both made since the year 2000.
As a side note, I've recently played a few different American Standard series Fenders, (both P and J, 4's and 5's) that I would stack up to any Fender I've owned throughout the years. That includes 3 pre CBS and 4 post. I'm still looking for the right AMS P5 to come along. I've played two of those, and they both sounded great and felt very consistent bass to bass.
 
They say they remember a big trend amound playings moving towards Imports, like peavy and other brands, because while taste in tone was changing(hi fi sound, new wave) people also felt they were getting better value for their money, even when paying for a cheap japanese instrument.

Hey there you young whipper-snapper, Peaveys were all made in the good old USA back then. :D
 
Perfect description! I had a pristine 66 I sold for big dollars that didn't play, or feel as well as my leave in the car back up SX. Back in the 70's we laughed at some of the stuff coming out of Fender.The QC was questionable at best. Finishes were not nearly as good as some of the stuff from the 60's. There WERE and still ARE some great pieces made back then, but as stated, being old means just that, old, and little else. Two of the basses that I've owned over the years that I sold and regretted almost the moment they were gone, were both made since the year 2000.
As a side note, I've recently played a few different American Standard series Fenders, (both P and J, 4's and 5's) that I would stack up to any Fender I've owned throughout the years. That includes 3 pre CBS and 4 post. I'm still looking for the right AMS P5 to come along. I've played two of those, and they both sounded great and felt very consistent bass to bass.

You and others are totally missing the point. While I generally prefer playing older Fenders to newer Fenders, the rise in cost of the older ones is due to much more than playability/sound! Think about it, is a vintage stack knob Jazz Bass worth 20k strictly as a player? Of course not! Is a first issue of Batman worth 100k just to read the story? um NO! What about baseball cards, stamps, civil war relics, etc... The psychology and sociology that go along with collecting include much more than sheer utility of the items collected, and are really beyond the scope of this forum -- obviously judging by some of the responses herein.
 
You and others are totally missing the point. While I generally prefer playing older Fenders to newer Fenders, the rise in cost of the older ones is due to much more than playability/sound! Think about it, is a vintage stack knob Jazz Bass worth 20k strictly as a player? Of course not! Is a first issue of Batman worth 100k just to read the story? um NO! What about baseball cards, stamps, civil war relics, etc... The psychology and sociology that go along with collecting include much more than sheer utility of the items collected, and are really beyond the scope of this forum -- obviously judging by some of the responses herein.
Point taken I guess. I don't collect cards, GI Joes, Barbies, or any thing else for that matter. And I sure as hell don't collect tools. (basses) Personally, I never got that whole thing. That is the reason I sold that mint 66. I bought it for $250 and let's just say, I turned a nice profit. Not only did I not regret selling it for a second, but I thought to myself, why would anyone pay that kind of money for a bass that's a dog? Like I said, I don't collect anything, and I'm not criticizing anyone that does. To each his own. The whole point of this was comparing old Fenders to new. IMHO, not only do I feel for the most part they are equal, but in many cases superior. Regardless of your feelings and attachments to your old bass, you can't honestly sit there and tell me that vintage bridges and tuners are better than what's being produced now.
 
Regardless of your feelings and attachments to your old bass, you can't honestly sit there and tell me that vintage bridges and tuners are better than what's being produced now.

I don't find all that much difference (from a functional standpoint) in the bridges or tuners except that I prefer the way the older ones look. To me gray bottom pickups sound better than any of the current Fender pickups, though. Hey, I don't know why anyone would waste money on a boat, motorcycle, or tattoo, but like you said, to each his/her own :)
 
Hey, I don't know why anyone would waste money on a boat, motorcycle, or tattoo, but like you said, to each his/her own :)

Being on 2-wheels (human or motor powered) is something you either have in your blood or you don't. And I have the scars to prove it :D

As for boats, I have an excellent sailboat simulator system set up in my apartment. I climb in the shower, turn on the cold water, and tear up $100 bills...
 
I don't find all that much difference (from a functional standpoint) in the bridges or tuners except that I prefer the way the older ones look. To me gray bottom pickups sound better than any of the current Fender pickups, though. Hey, I don't know why anyone would waste money on a boat, motorcycle, or tattoo, but like you said, to each his/her own :)

I agree on the tuners and bridge...simple machines that have proven they work for all these years...this we know from basses 30+ years old. I also like grey botoom pups and know the sound of them was a in allot of the bassline in the 70's and 80's. IMO a bass is pretty simple and built right will stand the test of time. Those Fenders from the 60's and 70's that are still around and still playing prove one thing..they made it this far. Dont know about any new basses today. Wait....30 + years form now :)
 
I have a 70s Telecaster bass and a 90s 60th aniversary J bass love them both but to be honest the J bass sounds to my ear better, but then the tele has a big humbucker in it so its a different sound but that said the neck is a dream and the sound is ****ing awsome . Love my old tele in great nick bought by myself, neck straight and all orig. but I would'nt pay what people ask for vintage