• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Eberhard Weber

So I've been hearing a lot of Eberhard Weber on Pandora lately, and I'm absolutely in love with that gorgeous tone and his melodic playing style. (I'm a solo player.:hyper:)

Unfortunately, I think such a beautiful tone only comes from an upright bass.:bawl::bawl:

What do you guys think of Eberhard Weber?
I know nothing about him, so educate me!:hyper:
 
I've dug his playing for a long time, The first record I remember having with him was Pat Metheny's Watercolors, and that led me to his ECM solo catalog. Very lyrical and haunting player, I also love his work with Jan Garbarek.
Some of my favorite late night listening!
 
I've dug his playing for a long time, The first record I remember having with him was Pat Metheny's Watercolors, and that led me to his ECM solo catalog. Very lyrical and haunting player, I also love his work with Jan Garbarek.
Some of my favorite late night listening!

While I still dig the Watercolors CD, my gosh, his intonation is awful. Sounds like me trying to play fretless:D
 
While I still dig the Watercolors CD, my gosh, his intonation is awful. Sounds like me trying to play fretless:D

Ha, I knew somebody would bring that up.;) That's one of the things I dig about his playing, makes it sound more human to me. The same with some of Mick Karn's work. I've had this debate with bassist friends for almost 35 years, Eberhard might not be for everybody, but there is something in his playing that speaks to me.
 
Ha, I knew somebody would bring that up.;) That's one of the things I dig about his playing, makes it sound more human to me. The same with some of Mick Karn's work. I've had this debate with bassist friends for almost 35 years, Eberhard might not be for everybody, but there is something in his playing that speaks to me.

I agree (in a way). The intonation is pretty rough though:hmm:
 
I saw Eberhard Weber live in Gary Burton’s band, with Pat Metheny, in the summer of ‘76 (might have been 77). It was right around when Watercolors came out. He was playing a black Electric Upright Bass, and I think it’s likely the same bass as on Watercolors. My point being it wasn’t a double bass.