It was the year 2000 (I think). Maybe it was 1999.
I was a law student slumming in the undergrad jazz program (or maybe I was an unregistered jazz student slumming at the law school). My trusty steed had thus far been a Realist (which I couldn't afford, but I could afford a fishman AND a preamp even less) and an SWR WM12. I was young, dumb and full of...but I digress.
I heard from somebody that there was a new amp out that weighed 5lbs; that was the size of a He-Man lunch box; that would get loud enough to make your ears bleed; that actually sounded good with DB and BG (In The Bottom Line speak -- there was no TB -- URB and EBG). No, I had never really heard of a Walter Woods.
The original Clarus cost an exorbitant $439.00 when it came out. (I think). $439.00 is alot of money for someone more or less living on generic raisin bran and watered down skim milk (don't worry about me, I've put on a few lbs since then!) But, I was curious. And the WM12 is pretty damned heavy when you're malnourished.
I found a cheap 1x10 cab and hucked it and my lunch box around for the next few years. The Clarus was my buddy. It never failed me. It never made a hiccup. I treated it bad, I'm sure. I probably pushed it way too hard, for way too long, way too many times.
The cabs came and went. I tried other amps. They didn't sound as good. As I told somebody one time "I tried XX amp, and it was fine. But I didn't feel like I was ever hearing 'the note'...just an approximation of the note...with the Clarus I hear 'the note'." Looking back, AI did kind of what Apple does now...it put innovative, cutting edge technology into the hands of the people at an affordable price. Pretty cool.
I even bought a Focus, which I later sold. It sounded great, but I never needed all the volume...and I knew the Clarus had a few more gigs in it.
Tonight, the Clarus seems a little sickly. It's distorting out a little bit. It's making the plaintive, tired noises of an amp which is clearly about to crap itself. I'm not mad. I'm not frustrated. (But I am a little panicky, because I have like three gigs next weekend and I'm out of town on business all this week).
I know it's time to put it to rest. It's time to get something else. I'm not sure what (but I'd probably better figure it out, eh?). Right now I just want to think about all the gigs we played together, all the places we went, and all the music we made.
Thanks, lunchbox.
Will
I was a law student slumming in the undergrad jazz program (or maybe I was an unregistered jazz student slumming at the law school). My trusty steed had thus far been a Realist (which I couldn't afford, but I could afford a fishman AND a preamp even less) and an SWR WM12. I was young, dumb and full of...but I digress.
I heard from somebody that there was a new amp out that weighed 5lbs; that was the size of a He-Man lunch box; that would get loud enough to make your ears bleed; that actually sounded good with DB and BG (In The Bottom Line speak -- there was no TB -- URB and EBG). No, I had never really heard of a Walter Woods.
The original Clarus cost an exorbitant $439.00 when it came out. (I think). $439.00 is alot of money for someone more or less living on generic raisin bran and watered down skim milk (don't worry about me, I've put on a few lbs since then!) But, I was curious. And the WM12 is pretty damned heavy when you're malnourished.
I found a cheap 1x10 cab and hucked it and my lunch box around for the next few years. The Clarus was my buddy. It never failed me. It never made a hiccup. I treated it bad, I'm sure. I probably pushed it way too hard, for way too long, way too many times.
The cabs came and went. I tried other amps. They didn't sound as good. As I told somebody one time "I tried XX amp, and it was fine. But I didn't feel like I was ever hearing 'the note'...just an approximation of the note...with the Clarus I hear 'the note'." Looking back, AI did kind of what Apple does now...it put innovative, cutting edge technology into the hands of the people at an affordable price. Pretty cool.
I even bought a Focus, which I later sold. It sounded great, but I never needed all the volume...and I knew the Clarus had a few more gigs in it.
Tonight, the Clarus seems a little sickly. It's distorting out a little bit. It's making the plaintive, tired noises of an amp which is clearly about to crap itself. I'm not mad. I'm not frustrated. (But I am a little panicky, because I have like three gigs next weekend and I'm out of town on business all this week).
I know it's time to put it to rest. It's time to get something else. I'm not sure what (but I'd probably better figure it out, eh?). Right now I just want to think about all the gigs we played together, all the places we went, and all the music we made.
Thanks, lunchbox.
Will
