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Entwistle/Redding sound

V

Vendele197

Jul 22, 2009
131
0
Salt Lake City, UT
#1
After playing bass for a few years, I've decided what kind of tone/sound I want, and as you can probably tell, I'd like a mix between Jon Entwistle and Noel Redding. Basically, a good, powerful classic rock sound.

Now, I know that in order to achieve that sound, strings are only one part of the equation. However, an old teacher of mine once told me that strings are the cheapest and easiest way to change your sound, so I was wondering if there are certain brands/types of strings out there that will bring me closer to getting the sound I want.

Any suggestions are welcome. Right now I'm playing a Schecter Stiletto 4 string, but will be upgrading to a Fretless Fender Jazz soon, if that helps.

Thanks.
 
#3
Yea, he gave some awesome advice when I studied with him. I played DB for about a year and half in my high school jazz band, and loved it. There were only two things I didn't like: Vertical vs. horizontal, and the thickness of the neck. Remove both those and you basically have a fretless BG, IMO. However, I can definitely understand how I might lose a good deal of rock sound using a fretless. Guess I should try both.

Also, how do you figure out what kind of strings, or just gear in general for that matter, certain players use?
 
#4
Entwistle used Rotosound RS-66 for decades, until they spurned his request for different gauges but made a Billy Shehann set... Anyway, try a couple of sets of RS-66, and other good stainless steel rounds. The Rotosound ones have a reputation for short string life (as Entwistle and Chris Squire both repeatedly commented even though they used 'em- neither ever made any bones about the fact that they change strings every gig, and Anthony Jackson even changed them between takes in the studio).

I like DR Stainless on a round core ,the Hi-Beams set. Not quite the same piano sound that Rotos give, but the alloy is a bit easier on the frets and the sound is a bit warmer.

But there's lots of good stainless rounds, so some experimentation is in order to find what works best for YOU.

John
 
#5
In the 60's and 70's Entwistle and Noel Redding used NICKEL STEEL Rotosound swing bass. Those are sold as RN66LD today.

The stainless steel are the Rotosound RS66LD and although they sometimes stay bright sounding longer, I don't think they sound as good as the nickel steel.

The stainless steel versions came out much later. In the 60's and 70's nickel steel was all they made and that's what Entwistle, Squire, Geddy ... used.

BTW, re fretless, forget an Entwistle type sound with that.

Vendele197 said:
After playing bass for a few years, I've decided what kind of tone/sound I want, and as you can probably tell, I'd like a mix between Jon Entwistle and Noel Redding. Basically, a good, powerful classic rock sound.

Now, I know that in order to achieve that sound, strings are only one part of the equation. However, an old teacher of mine once told me that strings are the cheapest and easiest way to change your sound, so I was wondering if there are certain brands/types of strings out there that will bring me closer to getting the sound I want.

Any suggestions are welcome. Right now I'm playing a Schecter Stiletto 4 string, but will be upgrading to a Fretless Fender Jazz soon, if that helps.

Thanks.
Click to expand...
 
#7
JTE said:
But there's lots of good stainless rounds, so some experimentation is in order to find what works best for YOU.

John
Click to expand...

I agree completely... and if you are bent on getting a fretless I would try DR Sunbeams because they sound good and wont chew up the fretboard as bad as other strings. You could Youtube some Tony Franklin vids to get an idea of what they sound like (and Tony's Signature P bass has a bridge pickup like Jazz basses so it might be similar to what you would sound like).

Entwhistle in particular used a ton of expensive outboard gear- and he also constantly changed things up, so be prepared to experiment :)
 
#8
KPAX said:
In the 60's and 70's Entwistle and Noel Redding used NICKEL STEEL Rotosound swing bass. Those are sold as RN66LD today.

The stainless steel are the Rotosound RS66LD and although they sometimes stay bright sounding longer, I don't think they sound as good as the nickel steel.

The stainless steel versions came out much later. In the 60's and 70's nickel steel was all they made and that's what Entwistle, Squire,
Click to expand...

I highly doubt this based on everything I have ever read, can anyone who was around in the 60s + 70s let us know if they were ever Nickel plated?
 
#12
KPAX said:
In the 60's and 70's Entwistle and Noel Redding used NICKEL STEEL Rotosound swing bass. Those are sold as RN66LD today.

The stainless steel are the Rotosound RS66LD and although they sometimes stay bright sounding longer, I don't think they sound as good as the nickel steel.

The stainless steel versions came out much later. In the 60's and 70's nickel steel was all they made and that's what Entwistle, Squire, Geddy ... used.

BTW, re fretless, forget an Entwistle type sound with that.
Click to expand...

Gotta love the intentional dis-information on this website.
 
#13
I to agree that Rotos are key to that tone and think you may not like them with a fretless
Also, a big honkin amp and incredible talent was also part of their signature
 
#18
I've used Rotosound's round wound stainless steels for well over 30 years. A friend of mine suggested getting off the flatwounds back around '72 and moving to Roto SS's for the same reasons you're looking into. It always amazes me how whenever I try a new instrument, I can't seem to make a valid judgement on it's "voice" until I string them up with my old familiar favorite. The strings that most manufacturers put on their stock instruments these days always seem so "polite" and "rubbery". Rotosound stainless steel roundwounds for me get a harder, brighter and richer attack with more "read-able" higher harmonics. Of course there are lot's more great string choices out there these days (30 years later) and I encourage experimentation but I've always found Rotosounds for me, suit that old familiar classic rock sound to a tee. Oh, and yes, if you want to replicate that old Entwistle sound, you'll need frets. A big part of his familiar classic sound is based on striking those Roto's against the upper frets with his right hand fingers, a lot like a drummer strikes the rim of his snare for each "rim shot" attack. However. I also believe that Jaco used the same sort of strings on his '62 fretless Jazz, so that might give you more of an idea of what the potential could be and what you could be be getting into (sonically) with your bass.
 
#19
Alright, just so there is no more confusion and to prove KPAX is entirely clueless, from Rotosound:

"RS66's have always been stainless right from the start. We never made nickel strings until the mid 1980's.
Hope this helps !
Jason C.How"
 

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