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Definitely the C4! The number of parameters to work with, the ease of workflow in the editor to see how sounds are built piece by piece (using a computer or tablet/phone, though the computer editor is definitely easier to work with especially for burning into the pedal), and the ability to take hundreds of existing community presets and dissect them to see how the sounds were made. The C4 is a perfect quarantine project in my opinion!@sunbeast I'm looking for something to play around with while in quarantine to learn more about how pedals work and creating my own patches. I was thinking either the C4 or the Enzo. Which would you choose for that?
@sunbeast I'm looking for something to play around with while in quarantine to learn more about how pedals work and creating my own patches. I was thinking either the C4 or the Enzo. Which would you choose for that?
Between the two I'd say the C4. However the Panda Audio Future Impact is the best sounding of the three by far.
Have you owned all three and compared them directly? They all do things that the others don’t, so I can understand feature preferences, but a qualitative “sounds better” is definitely subjective and dependent on actually finding equivalent settings (which is harder than what’s apparent).Between the two I'd say the C4. However the Panda Audio Future Impact is the best sounding of the three by far.

The volume spike isn't an issue anymore, as they have implemented a mod in all new models (those with a barcode above the serial number) and can be retrofitted in older models. It does require sending the unit to Meris, though.
And I agree that the Enzo only really works with a midi controller.
I got in a waitlist in August of last year to send mine back for the upgrade and have still not heard back about being able to bring it in (I live 30 minutes away from Meris). I just ended up selling mine and may one day pick up an updated version. I have both a C4 and Future Impact now and prefer them for the majority of functions due to ease of adjustment, but do really miss the ARP mode of the Enzo for any instrument and Poly mode for guitar.The volume spike isn't an issue anymore, as they have implemented a mod in all new models (those with a barcode above the serial number) and can be retrofitted in older models. It does require sending the unit to Meris, though.
And I agree that the Enzo only really works with a midi controller.
The C4 & Future Impact combo is going to be hard to beat. I found the Enzo more frustrating than anything... reminded me of my MOOG MF-101 days. find the perfect sound then move any control 1/16th of an inch and it's completely obliterated... for live use I needed 4 MF-101's with their knobs all hot glued in place... but I could only afford one ;-)
The MF-101 is the only pedal where I was able to get Tuba. Still looking for that in my current Sectrum, C4, FI rig.
There is a juicy fat 'electric' quality to the FI that to me is very reminiscent of MOOG. I haven't been able to quite get there with the C4.
The ADSR in the C4 though seems to be closer to the ARP Oddessy that my key's players in the 70's and 80's had (along with their Mini's, Clavinet, Rhodes, String Ensemble and C/B3's & Leslie and Twin.. lord I do not miss the full keyboard pit).
I struggled to find a good filter sound in the FI, that was a while ago tho, not updated firmware. The Enzo nails it for me as long as I add a little grit to the input and output.