My first bass was a Kalamazoo with a mud bucker on it and the neck position, it did the job but it really was a piece of s***.
My next bass was a Vox cougar 335 semi with tape wounds.
High School intervened and it was double bass in the orchestra.
and of course I had to have a fretless and Rick Laird with Mahavishnu was playing the resin Ampeg fretless.... so I had one for quite a while. Then lucked into a huge trade for a EB3 and a Sunn 2000.... it was Jack Bruce meets Felix Pappalardi. Later on I did eventually get a 72 P and 74 J both suffered QC issues and reminded me of frame carpentry level of workmanship.
Horse traded a lot of stuff... alot of which I kick myself in the arse for going there... but it is what it is. Now the selection is considerable and alot of it is goes right back to Leo.
Does "Every true bassist needs a P-bass"
People are sort of going there by buying just about any other bass that can be related to that Leo Fender design concept. What everybody really needs is... to start eating egg salad sandwiches every day for lunch like Leo Fender did.
My next bass was a Vox cougar 335 semi with tape wounds.
High School intervened and it was double bass in the orchestra.
and of course I had to have a fretless and Rick Laird with Mahavishnu was playing the resin Ampeg fretless.... so I had one for quite a while. Then lucked into a huge trade for a EB3 and a Sunn 2000.... it was Jack Bruce meets Felix Pappalardi. Later on I did eventually get a 72 P and 74 J both suffered QC issues and reminded me of frame carpentry level of workmanship.
Horse traded a lot of stuff... alot of which I kick myself in the arse for going there... but it is what it is. Now the selection is considerable and alot of it is goes right back to Leo.
Does "Every true bassist needs a P-bass"
People are sort of going there by buying just about any other bass that can be related to that Leo Fender design concept. What everybody really needs is... to start eating egg salad sandwiches every day for lunch like Leo Fender did.
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