The Bass VI can function as either a bass or as a baritone guitar. Very few people consistently used it as a "normal" bass guitar (John Lennon, George Harrison, and Jack Bruce as mentioned before spring to mind), but the one that blew me away was Roy Babbington of later (and current!) Soft Machine - check out this footage (the second clip has Allan Holdsworth!):
I have one of the '96-'97 MIJ reissues that I acquired in a trade in 2006. I finally dove in and started using it as a bass with other people this past year, trying to play it exclusively with standard finger style. The string spacing makes it challenging but it was fun! I managed to record a couple of things - no drums, but I think it still would have worked. The first one is fingers, the second pick:
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(Played through a Vox VX50BA mic'd with a Shure Beta 52A into a Zoom H6)
So my conclusion - for me, it's an ERB - an extended range bass - that covers the normal 4-string bass range with an extra two strings on top.
Glen Campbell's Wichita Lineman is a classic use of it as a baritone:
(It looks like he's "lip-sync" strumming along at the beginning but then he starts turning knobs and plays the low melody part in the middle at 1:42)
I have one of the '96-'97 MIJ reissues that I acquired in a trade in 2006. I finally dove in and started using it as a bass with other people this past year, trying to play it exclusively with standard finger style. The string spacing makes it challenging but it was fun! I managed to record a couple of things - no drums, but I think it still would have worked. The first one is fingers, the second pick:
[Invalid or Expired Link Removed]
[Invalid or Expired Link Removed]
(Played through a Vox VX50BA mic'd with a Shure Beta 52A into a Zoom H6)
So my conclusion - for me, it's an ERB - an extended range bass - that covers the normal 4-string bass range with an extra two strings on top.
Glen Campbell's Wichita Lineman is a classic use of it as a baritone:
(It looks like he's "lip-sync" strumming along at the beginning but then he starts turning knobs and plays the low melody part in the middle at 1:42)