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A few come to mind:

Alphonso Johnson, on John McLaughlin's "Every Tear From Every Eye". Bass solo starts at 4:34 ...but there's so much wonderful multiway improvised conversation going on in this entire tune that it'd be a shame to just skip ahead to the bass solo!


Conversely, I would strongly advocate skipping ahead to the 5:40 mark on Stanley Clarke's "Concerto For Jazz/Rock Orchestra". The bass solo section from 5:40-7:40 is stunning, not so much for Stanley's bass per se but for the incredible telepathic rapport between Clarke, George Duke on Fender Rhodes piano, and Steve Gadd on drums. An astounding glimpse into improvisors with huge ears and copious chops interacting, provoking, cajoling, inspiring one another. I've been listening to this tune for ~40 years and my jaw still drops every time I hear this section.

(The rest of the tune aint too shabby either -- though I could do without the vocals -- but man, that two minute stretch is just sublime.)

Is this a "bass solo" or is it just a remarkably talented musician embellishing the melody? Who cares? This is quite possibly the absolute pinnacle of bass playing imho. Jeff Berlin, on Bruford's "Palewell Park"


Always enjoyed Partick O'Hearn's solo on this live version of "The Purple Lagoon" from Frank Zappa's Live In New York album...though I'll admit I'm torn; is it a brilliant example of a musician exploiting a limited set of materials via motific development? or is it just a guy rattling off a few variations of the same canned lick? :) Meh, it's fun to listen to either way. Bass solo is from 8:30-10:23 but check out the bass cadenza at the very beginning also!



And bravo to Les Ismoor for citing "Ashes Are Burning" !


There should be a mega triple like for your picking of Patrick O'hearn on the Purple Lagoon. I was at that concert.

And the Brecker Brothers playing is pretty amazing at that as well, oops, innocent derail.