Sebastian Steinberg and Yuval Gabay from the now defunct Soul Coughing. Never was there a fatter groove than the loop that propels "Screenwriter's Blues."
Melvin Gibbs and Ronald Shannon Jackson. Was there ever a stranger conceptualist on drums than RSJ? Musical and odd. Oddly musical. Their work in the incarnation of The Decoding Society that featured a second bassist, Reverend Bruce Johnson, and a pre-Living Color Vernon Reid on guitar was amazing, but their free jazz meets rock power trio ensemble Power Tools was for me the apex.
Chris Squire and Bruford of Yes. "Heart of the Sunrise" particularly.
The cats in Red Snapper, whose names escape me at the moment. "Suckerpunch" on Making Bones just slams.
Marcus Miller and Al Foster on Miles' The Man with the Horn. "Fat Time" is one of the slinkiest, most insinuous tunes ever. It builds and builds.
As does the long tune that opens the Weather Report LP where Victor Bailey and Omar Hakim made their debut (Initiation? Is that the title? It's one of the only WR titles I can't seem to find on CD). Such a different sounding rhythm section from Jaco/Erskine--less lean and clean, more loose and muscular--but such worthy successors.
Michael Walden and Ralphe Armstrong from the much maligned Visions of the Emerald Beyond era of Mahavishnu Orchestra. Narada Michael Walden created one of the most distinctive acoustic drum sounds I've ever heard.