I just opened up a box with a Spector in it today and it's kept me happily noodling away for the last few hours.
Oh, I know
that feeling!

Ultimately after 7 years of lust my Mike Lull is still my "dream bass", regardless of what comes-and-goes in popular culture: I've found that other basses such as neck-throughs or soapbar-equipped ones may have a
larger sound but that most of the time live or in the studio the
cut of Jazz pickups in the mix is worth the trade-off, and the neck is sheer heaven to lay my hands on. Now the only need is for a fretless second.
However, I've been finding a certainly love in Spector's ReBop series recently - Spectors were the first bass I found attractive from a design point-of-view as I started playing and the ReBops were the first I found to fit
my sound as a bassist (the low-mid "hump" you get from a bolt-on, more traditional Jazz woods... it's the "Jazz" Spector, as PJ Rubal confirmed to me) and I've gone ahead and purchased a ReBop 5 DLX FM fretted, have a ReBop 5 DLX FM lined fretless on Special Order, and pretty much plan to sell off my collection so far to finance a ReBop 4 and Euro 6LX as well (no ReBop six-string unfortunately

) Also part of the plan is equipping them with EMG TW-series so I have the option of the full-on "Spector Sound" as well as a coil-cut "Jazz bass" as well as the BQC Control so that I have bass cut & boost, treble cut & boost, and concentric mids all on two pots so that I have all of these options as well as individual volumes which I greatly prefer to a pan pot.
So those, along with a modified MIM Fender Jazz (Bassline SJB-2 hot for Jazz Bass, Gotoh 201 bridge, white pearloid pikguard) for the option of a quality
passive bass for recording and other purposes, I've pretty much foun my two styles of basses.
