regardless of how technically challenging and chops-dependent a performance is, I can’t imagine one being musically rewarding or effective if the feel is wonky or not rhythmically cohesive.
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Perhaps I'll be the odd one out here, but I'll have to say that without chops, you probably aren't going to be able to present what you feel. That and the player who doesn't have good chops, but has a great feel, probably is limited to a very small scope of styles.
If I was was hiring a bass player for a bass, I'd take the guy with chops. You can always tell them to dial back the extra notes, but a player with limited chops can't be told to 'busy it up' with any success. And... a sterile bass line can always be covered up with other things in the arrangement.
If the comment is, 'what about solos', well, there are probably more successful recordings of music without bass solos that with.
Obviously the successful player needs both, so separating them is merely an exercise in discussion, and really this topic is the 'chicken or egg' of bass playing.
Not really. And not so easy. have seen it. Have live with it. You maybe right about someone not having or limited chops cant do tricks or intrincated lines. But someone with speed and intrincated lines (Slap & Pop, Tapping, double thump etc etc etc ) with no great feeling will sound dead, lifeless. How you came with the inverse conclusion? If you cant "chop" you cant be good at that. How can you "back off" to feeling someone who has not?
I once saw a Bass player with lots of chops and showoff techniques. Once we had to play just one note or even a chord was awful. You get what you get. Thats life. You choose. Its a balance, speed race and intrincated showoff will hevaier balance towards. Great feeling also. You choose what you like.
Now if you can be like lets say, Eric Jhonson, thats another story.... but thats not the OP question...
It depends on your definition of "great chops". For some reason, people equate speed and the number of notes a musician can play in a measure as meaning that they have great chops. This has never impressed me. Being able to play what is right for the song is what having great chops is all about. Knowing when to play more and when to play less is what's important. You can be more of a "feel" player than a technical player but you cannot have great feel without having great chops. You have to be able to play as well as feel, anticipate and play what is right for the song.
jaco didn’t have feel
edit: albeit he had an emotional disease/disorder
I agree. I’m not a huge Jaco fan, but he was a very expressive, lyrical player and had more “feel” than most players.He did have feel maybe it goes over your head but he did
What is feel? What do you consider to be feel? It's a very vague word. Can you determine feel simply by listening to the bass playing and not seeing the bassist?