• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Feel vs Chops..which do you prefer or think is more important?

Perhaps I'll be the odd one out here, but I'll have to say that without chops, you probably aren't going to be able to present what you feel. That and the player who doesn't have good chops, but has a great feel, probably is limited to a very small scope of styles.
If I was was hiring a bass player for a bass, I'd take the guy with chops. You can always tell them to dial back the extra notes, but a player with limited chops can't be told to 'busy it up' with any success. And... a sterile bass line can always be covered up with other things in the arrangement.
If the comment is, 'what about solos', well, there are probably more successful recordings of music without bass solos that with.
Obviously the successful player needs both, so separating them is merely an exercise in discussion, and really this topic is the 'chicken or egg' of bass playing.

Not really. And not so easy. have seen it. Have live with it. You maybe right about someone not having or limited chops cant do tricks or intrincated lines. But someone with speed and intrincated lines (Slap & Pop, Tapping, double thump etc etc etc ) with no great feeling will sound dead, lifeless. How you came with the inverse conclusion? If you cant "chop" you cant be good at that. How can you "back off" to feeling someone who has not?
I once saw a Bass player with lots of chops and showoff techniques. Once we had to play just one note or even a chord was awful. You get what you get. Thats life. You choose. Its a balance, speed race and intrincated showoff will hevaier balance towards. Great feeling also. You choose what you like.
Now if you can be like lets say, Eric Jhonson, thats another story.... but thats not the OP question...
 
It depends on your definition of "great chops". For some reason, people equate speed and the number of notes a musician can play in a measure as meaning that they have great chops. This has never impressed me. Being able to play what is right for the song is what having great chops is all about. Knowing when to play more and when to play less is what's important. You can be more of a "feel" player than a technical player but you cannot have great feel without having great chops. You have to be able to play as well as feel, anticipate and play what is right for the song.
 
  • Like
Reactions: pcake
Not everyone has the same kind of chops, nor the same feel.

As a bass guitarist, i'm not the most technical if anything my style of playing is derived (on guitar) from Keith Richards/Izzy Stradlin, Steve jones (sex pistols). I'm pretty simplistic & straight forward rather than being technical like Rhoads or Hendrix although i love their styles & music. & in bass well i just blend a lot of music styles as i'm influenced by Bands such as Thin Lizzy, The Clash, Grandmaster flash, Funkadelic. So i can play heavy handed, or melodic. I tend to stay away from simple root notes cause music I make with my band is meant to have fun & dance along. Bottom line for me, is to handle the groove & have it be solid with the drummer.

You can be the most technically diverse bassist & have amazing chops, but if you can't feel the music & let it do the talking & sway you to dance, i wouldn't bother. Unless again the music genre played needs technical playing.
 
Your chops have to be good enough that you can play what you need to, with a little "headroom" between what you're playing and what you're capable of playing. If you don't have enough chops, the feel will suffer. Once the chops are "there", then feel is important.
 
  • Like
Reactions: Impermanence
Feel vs Chops..which do you prefer or think is more important?
It's not a 'vs.' thing.
Chops (skills) give you choices and the ability to express yourself freely. That's important.
Feel goes without saying. To me music always feels better if played more competently.
 
Last edited:
Not really. And not so easy. have seen it. Have live with it. You maybe right about someone not having or limited chops cant do tricks or intrincated lines. But someone with speed and intrincated lines (Slap & Pop, Tapping, double thump etc etc etc ) with no great feeling will sound dead, lifeless. How you came with the inverse conclusion? If you cant "chop" you cant be good at that. How can you "back off" to feeling someone who has not?
I once saw a Bass player with lots of chops and showoff techniques. Once we had to play just one note or even a chord was awful. You get what you get. Thats life. You choose. Its a balance, speed race and intrincated showoff will hevaier balance towards. Great feeling also. You choose what you like.
Now if you can be like lets say, Eric Jhonson, thats another story.... but thats not the OP question...

Well, when I hire a musician for shows or studio I pay them. When you're paid you do as you're told, play the part, or you get excused. It's that simple, and the people who are in that business know this.
 
It depends on your definition of "great chops". For some reason, people equate speed and the number of notes a musician can play in a measure as meaning that they have great chops. This has never impressed me. Being able to play what is right for the song is what having great chops is all about. Knowing when to play more and when to play less is what's important. You can be more of a "feel" player than a technical player but you cannot have great feel without having great chops. You have to be able to play as well as feel, anticipate and play what is right for the song.

thank you!

since when did chops only refer to fast and technical playing? i used to hear it used to mean skill.
 
Is it too late to change my answer?
BBQPorkChops.jpg
 
What is feel? What do you consider to be feel? It's a very vague word. Can you determine feel simply by listening to the bass playing and not seeing the bassist?

It is a vague word but sometimes music is vague right?

To me it means maybe having a good feel for a song or the type of music in question, but maybe not having the chops to articulate it in great detail...

The drummer in question from my OP was sort of like that, he had a great feel for the pulse of the music we were playing, but wasn't playing it at nearly the technical level that the original artist or others had done or would do.
 

Latest posts