I think "feel" is something that's in your genetic code (or not). Chops can be developed with practice and in some cases a good teacher.
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Well, when I hire a musician for shows or studio I pay them. When you're paid you do as you're told, play the part, or you get excused. It's that simple, and the people who are in that business know this.
Balance of bothI realize there isn't an easy way to answer this, but give the choice between a chops player and a guy without amazing chops but great feel, I'll take the feel player any day.
I had a chance to play with a drummer recently who is touring with a national act, and it was really one of the more interesting experiences I've had recently.
Biggest thing I noticed about the guy is that his playing style was not technical at all, it seemed very simple and rudimentary to me but he did enough stuff to keep it interesting.
The groove we had going on was really something else as well, it's rare that I lock into a drummer the way he and I locked into each other. Lots of other guys I play with are more technical in their playing, which I think sometimes makes for a lesser groove.
What is feel? What do you consider to be feel? It's a very vague word. Can you determine feel simply by listening to the bass playing and not seeing the bassist?
I do this whenever I ride the bus.he said often when he was playing live, he found a hot chick in the audience and imagined her in her underwear.
This, because the average listener will not care about chops, but will notice if the feel/groove is not there (kills the song). Of course, having both is best.Feel. A feel player with minimal chops may be "boring" but in a mix he's fine. A chops player with no feel may be "exciting" but he ruins the listening experience.
I like to cop a feel as much as the next guy but it's also hard to turn down a nice set of chops.
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