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Feel vs Chops..which do you prefer or think is more important?

I realize there isn't an easy way to answer this, but give the choice between a chops player and a guy without amazing chops but great feel, I'll take the feel player any day.

I had a chance to play with a drummer recently who is touring with a national act, and it was really one of the more interesting experiences I've had recently.

Biggest thing I noticed about the guy is that his playing style was not technical at all, it seemed very simple and rudimentary to me but he did enough stuff to keep it interesting.

The groove we had going on was really something else as well, it's rare that I lock into a drummer the way he and I locked into each other. Lots of other guys I play with are more technical in their playing, which I think sometimes makes for a lesser groove.
To me feel is more important. The only people who care about flashy chops are other musicians imo. Been there done that. Musicians don’t buy merch
 
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'Feel',to some degree, is in the head of the listener(and/or player) anyways...what 'feels' right varies from listener to listener.
And that the player feels god knows what, whilst playing , does not mean , by any means,that this will translate and communicate to anyone else.
 
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What are (musical) chops?
From the internet.

"Chops: technical ability, to execute music physically and to negotiate chord changes."
"ability to play an instrument as distinct from a persons creative ability"


Meaning and definition of chops :
A musician’s playing technique or ability.

What Are Musical Chops?
"A musician might impress his colleagues and receive compliments on his “chops,” which translates to his ability to play."

Flexibility
A performer able to perform on his instrument with great flexibility has musical chops. It means he has developed to perform passages with great ease and agility."

Finally, chops can refer to general overall musicianship and proficiency. A player that consistently plays over the course of several performances at a high level has good and reliable chops. "Chops" in this sense refers to a general ability to play music in a professional manner without making mistakes, forgetting music, arriving late or causing problems with a performance group."
 
^^^
Years ago I attended an open jam in a Florida town where the level of play was above average. A kid came in on bass during a switch-out and sounded like a house on fire during his warm up—enough to make me perk up my ears and take notice in a noisy space. I’m thinking to myself, ‘Is this kid the next Jaco or something?’ When the music began, this kid who lit up the place warming up couldn’t find a basic blues groove with an extra hand. Without groove, chops become a novelty act.
 
I think we still have a few TB members who don’t see what ingredients make that Feel.
Let’s simplify some terms.
Feel - as a rhythmic pulse, groove.
Microfeel - as that “before/behind the beat... articulation.
Feeling - it’s what separates us - every musician- from programmed robot playing lots of notes.
 
I think we still have a few TB members who don’t see what ingredients make that Feel.
Let’s simplify some terms.
Feel - as a rhythmic pulse, groove.
Microfeel - as that “before/behind the beat... articulation.
Feeling - it’s what separates us - every musician- from programmed robot playing lots of notes.


that probably states what i was trying to get across in my O.P. pretty well.
 
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This is the OP's intended question, it was not a circular discussion about word definitions.
I would like to ask you a question.
What is behind that good “Feel”?
I’ try to paraphrase a cholesterol commercial.
Feel could come from your parents, genes,
Feel could come from what you “eat” as what you are listening to,
Feel could come from somewhere else - we don’t have a good answer about the third cause of good/bad Feel.
Now.
Let’s take a superb Sax player with an excellent sense of Feel and ask the Saxophone player to play some rhythmic groove on the bass.
“But I’ve never played the bass guitar”, says the Sax player.
“I understand but you have an excellent feel sense and superb chops while playing the Sax.”
I think you have got my point.
Let’s take two bass players X and Y.
Both players have the same level of Feel, but
X can play (max) the 16ths at 200BPM, while
Y can play (max) the 16ths at 100BPM.
Which one player, in your opinion, would better dynamically/rhythmically articulate some 16th note groove at 90BPM?
 
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On the one hand, feel might be considered part of being in control of your chops on an emothional as well as practical level. On the other hand, can chops be considered chops if you aren't in control of them?
Just food for thought...
 
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