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What would you 'upgrade'?Eh.
I’d much rather see an upgraded ‘51 or ‘54 styled P bass.
Eh.
I’d much rather see an upgraded ‘51 or ‘54 styled P bass.
I don't think Fender will ever stray too far away from their initial design(s)... and personally, I like that... it's refreshing when you consider many other companies "advancing" their R&D/designing teams. If people aren't satisfied with a Fender, they have a ton of other companies to consider.62 Pickups, 63 neck profile.... awesome. Hasn't that been done a couple of million times? Perhaps they could have done something a little more creative for a 75th Anniversary Model. Remarketing the same bass with gold hardware.... which never ages well (gold hardware, that is).
Here are a few suggestions for the 76th Anniversary model; make the cutaway deeper, giving better access to the top of the neck. Make the neck 24 frets. Those are some design changes I personally would like to see in our beloved Precision Bass. Do the same thing for Jazz basses as long as your at it. Simple changes that would make a big difference. Anyone else think those would be desirable changes in these designs?
What would you 'upgrade'?![]()
Not a fan of the "gold package". You're probably paying $400+ for the look.Invalid Link Removed
I might be getting the P.
At least no V-mod pickups.
Thoughts?
My 50th anniversary Jazz 5 is one piece for referenceI doubt the description is correct. A one piece maple neck - without a skunkstripe, bicut or cap?
View attachment 4125904
Interesting!It’s hard to upgrade perfection lol but here’s what I would be interested in:
Again, I’m not trying to reinvent the wheel, but I think there’s some modern touches that can be thrown on an old design that bridges the gap a bit better than what Fender typically does.
- ‘53 styled slab body but with rounded edges. Not a fully contoured body but maybe a pseudo-transitional style. In other words, something a little unique
- Select grade, lightweight body wood (I’m not sure if pine was ever used like with the original Broadcasters but that could be unique)
- Nitro finish with no relic
- Reversed headstock
- Contoured neck heel
- Easy-access truss rod
- Vintaged-voiced, hum-canceling single coil pup
- Two-saddle bridge with compensating brass saddles
- Maybe something like lightweight, lollipop tuners
I like a matching headstock, but only with a colour a little bolder. That grey is almost too neutral for my preferences for a matching headstock.
I do really like that MIA Jazz though. I think the P would look better with a rosewood fretboard instead.
Double stack, cancels the humHow does a hum-canceling single coil work?
...but that's not a singlecoil any more. Is it?Double stack, cancels the hum
...but that's not a singlecoil any more. Is it?
I agree with all you say and was noting the word 'hum-cancelling singlecoil'.No, but how important that is is down to your preference. Side by side coils are preferred over stacked coils by some people. I would definitely use a hum cancelling bridge pickup if gigging with a PJ although I prefer single coils.
I agree with all you say and was noting the word 'hum-cancelling singlecoil'.
How would you describe the typical tonal differences between side-by side coils vs. stacked humbuckers?