I’m gonna hazard a guess that it was either Pony by Ginuwine or Shania TwainSo…what song were you were playing that brought out that bass-face?

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I’m gonna hazard a guess that it was either Pony by Ginuwine or Shania TwainSo…what song were you were playing that brought out that bass-face?

'Dyne-ing out today, are we?
I haven't tried one, yet, but I'm gonna say the big difference will be in the neck. I, for one, am not a big fan of such polar opposites, but as a die-hard Aerodyne researcher, it behooves me to sample as many as possible for myself.Does anyone have (or played) both a CIJ Aero PJ and an Aero J? I’d been looking at buying a CIJ Aero PJ (all black), but ended up getting a new MIJ Dolphin J, which I love. Just curious on how these two compare…especially the sound of the Jazz neck pu, vs. the split-P neck pu on the PJ.
Here are some pics of my dolphin grey jazz from my Black Wednesday gig last week. As I’d hoped, it looks fantastic when it catches some light.
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Someone came up to me after the show to say that he despises Fender, but I almost changed his mind with this bass. While I don’t passionately dislike fender myself, these are some of the first examples that I’ve really been excited about bringing out and playing for 3 hours a night. I can see myself paring down on basses and using the dolphin for the cover band and stormtrooper P for the rest. Especially with my white fearful 12/6 and black mesa w800 as my rig for everything else. I think it looks pretty dang sharp. Will try to get a photo of the stormtrooper look at my gig on Thursday.
I know CIJ Aero PJ necks were 7.5” radius and newer MIJ Aero J’s are 12”…a big difference. But as owner of a 1960 vintage Jazz and a ‘89 Kubicki (w/ 7.25” and 7.5” necks), I am surprised how much I like the 12”…no issues whatsoever.I haven't tried one, yet, but I'm gonna say the big difference will be in the neck. I, for one, am not a big fan of such polar opposites, but as a die-hard Aerodyne researcher, it behooves me to sample as many as possible for myself.
alternateDoes Duff play alternate picking, or only downstrokes?
I know CIJ Aero PJ necks were 7.5” radius and newer MIJ Aero J’s are 12”…a big difference. But as owner of a 1960 vintage Jazz and a ‘89 Kubicki (w/ 7.25” and 7.5” necks), I am surprised how much I like the 12”…no issues whatsoever.
More interested in whether I’m missing much, in not having the split-P pu in my Aero. The Jazz neck sounds fine, just never played/heard an Aero P split pu.
From what I remember, the consensus on the Aerodyne P/J's was something like, "using the P-pup to do the heavy lifting and the J-pup + tone control for accent and nuance".Before these models hit the bargain bin, I was always interested in the black pj, thinking it would cover the most ground in my cover bands. Looking back to when I've played them over the years, I recall the P pickup being fairly hot. Not sure if it's a similarly spec'ed pickup as the current Aero P as they're both quite hot and set high from the factory. The J pickup at the bridge added a little zing, but felt weaker than the P overall and added some single coil buzz I found annoying. I probably would've just used the P pickup soloed most of the time, if not looked into a noiseless single coil to try to swap in to the bridge. This experience mirrors my general outlook on a PJ setup though, as feeling like something of a compromise.
Yep, that tracks. The last Aerodyne I sold...an Export-Edition, Dolphin Grey P/J...was armed exactly the same way, with a Fender Hi-Mass bridge to boot.
Honestly, I really, REALLY don't think they made those, now or ever. To the best of my research, the only five-string Aerodyne ever made was a Non-Export AJB-V (Aerodyne Jazz Bass-V) in the classic gloss black with binding. But, like with any scientific research project, I yearn to be proved wrong.That one was pretty...
I'm still on the hunt for the dolphin gray five string Aero. That's probably the closest I have to a unicorn.

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Honestly, I really, REALLY don't think they made those, now or ever. To the best of my research, the only five-string Aerodyne ever made was a Non-Export AJB-V (Aerodyne Jazz Bass-V) in the classic gloss black with binding. But, like with any scientific research project, I yearn to be proved wrong.
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If someone could do me a kindness could they record an audio clip of their P Bass tone knob in action? I can hear a change as I swing the knob to the other extreme, it’s just not dramatic.
I’m bringing both basses to my luthier on Saturday to be looked over, but I’m having a disconnect with what I expect to hear and what I’m actually hearing.