The high mass bridge made a nice difference in the sound of the bass and lined up perfectly.That does look nice on the Mustang. I have that bridge on my Deluxe Special Edition PJ and like it a lot. Well made and reasonably priced.
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The high mass bridge made a nice difference in the sound of the bass and lined up perfectly.That does look nice on the Mustang. I have that bridge on my Deluxe Special Edition PJ and like it a lot. Well made and reasonably priced.
My experience with Hipshot Customer Support is the best, ever.
I dug this out of a closet at the school where I teach. I believe it’s a ‘74. It’s been played but is an awesome sounding and playing bass. I’ve never been a shirt scale or “P” guy but this bass (put some LTF stings on it and it needs a strap button) plays and sounds amazing. It’s so fun. I’m gonna try it for some jazz gigs.
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Thanks. That is very helpful.I just happen to come across this. It might help.
Bob
I've ordered a selection of Pots and Caps. I bought another Jag SS (#2) and bought a set of used DM Area PJs for it. I thinks I might build me a little external box so I can play with Pots and Cap without taking the bass apart to change them out.Actually bcbckr does bring up a interesting question.
What benefit would there be, since I have SD 1/4 lb pickups in my PJ, in going from 250k pots to 500k pots? SD recommends 250k pots for the 1/4 lb pups to maintain a deeper tone. Also I believe they recommend a .045u cap instead of the .05u cap that comes stock in the PJ.
I am not sure I quite get it except that it might give a slightly brighter tone when using flats.
Tyvm for any input
Bob
Here's some hopefully better pics, on today's gig. I took some shots of my foam motown mute that I put on all my basses, very easy to switch from song to song.

From a distance your mute might be mistaken for a Carol Kaye felt mute.
I read something recently that says that when you install some sort of muting device, you need to make sure that you don't displace the strings too much, by pushing them up or down, as it will through the intonation out. Has anyone encountered this.
--Bryan
I used to put a strip of foam under the strings at the bridge, and yes it threw out the intonation which was obvious at the first rehearsal I had with it in. It didn't occur to me to reset the intonation after I did it. Only really a problem if you use it just for some songs as you can reset your intonation with it in. How big an effect will depend on how thick the foam is, so may not be an issue to worry about.From a distance your mute might be mistaken for a Carol Kaye felt mute.
I read something recently that says that when you install some sort of muting device, you need to make sure that you don't displace the strings too much, by pushing them up or down, as it will through the intonation out. Has anyone encountered this.
--Bryan
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Here's some hopefully better pics, on today's gig. I took some shots of my foam motown mute that I put on all my basses, very easy to switch from song to song.
That drop D tuner is the Hipshot BT10 correct? Is it a direct drop in? Can you use the existing ferrule from the stock tuner? I am thinking of ordering one for my PJ.
I agree!Just put this killer Deco Boom pickguard on the mustang! I think it looks pretty sharp!
Just put this killer Deco Boom pickguard on the mustang! I think it looks pretty sharp!
My Mustang headed down to London with me:
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No fun getting this thing through the Tube system, but it survived in one piece.
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Lookig really good! Have a Johnny Walker Blue on me.or a Glen Fiditch will work as well.
Bob