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Here's an educated guess: they're Fender basses made prior 1965...What are they?
I have 2 1961 precisions and a 62. A 1962jazz. And a 1965L. Also a 66 not pictured here.Is that 5 different instruments!?!?!
They're beautiful! What are they?
MEMBER LIST UPDATED
January 3, 2021
Fender pre-CBS Club members:
#62A bbjonz
Here’s mine a 1959 Precision Bass.
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I’ve owned this bass since 1975

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Thanks much! And here's a pic of its current position on my wall rack, behind the Muckelroy HMC (32" scale--great bass) and a '66 Tele. I had to remove the string mutes to make it playable, and I have those stored in sealed bags in case they need to be reinstalled. Which likely won't happen.
There's been a few pre-CBS Fender threads posting pics but seems no one's started a club for these yet--so I'm doing it. Post yer pics and get a number!
Here's my '64 P-bass to kick it off:
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I have 2 1961 precisions and a 62. A 1962jazz. And a 1965L. Also a 66 not pictured here.
That is a very fine selection, if I may say so. Your 62 Jazz is particularly appealing. Is it slab or curved board? Having mentioned you have a 66 too, I would love to see a picture.
Can't really claim it anymore, but here's a picture of me playing my 1965 Jazz in 1972 (might be 1971). Loved that bass. Bought it in 1966 and toured with it '71 though '73, playing 5 nights a week, 50-weeks a year. Then just did weekend gigs after that until it was stolen in 1976 along with all my touring gear including my Standel MCIIb/SAM30b amp that you can see peaking out behind the guitarist.
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Took me almost 10-years to find another MIA Jazz with the same neck shape, profile, and radius as my '65. It's an '82 Olympic White with maple neck that you see in my avatar. I bought it in 1985 and still play it.
And here's a shot of the whole group except for the keys player that had given his 2-weeks notice. Since there were promotional shots the photographer conveniently cut him out of the shots.
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Lovin' that '66 Tele, too!
Was originally a burst, first owner played the hell outta it, second owner bought in in 1968 and had it painted a gloppy CAR. In 2018, it was purchased from the second owner’s son, and it was restored by Reimer Guitars Vancouver, and paint done by Gord Miller using the correct Desert Sand undercoat and the exact 50’s formula black lacquer. Aside from the body finish, and 1 late 60’s screw for the pickup cover, it is all original.Beautiful! Original finish?
Hey Rip,an '82 Olympic White with maple neck that you see in my avatar.
Was originally a burst, first owner played the hell outta it, second owner bought in in 1968 and had it painted a gloppy CAR. In 2018, it was purchased from the second owner’s son, and it was restored by Reimer Guitars Vancouver, and paint done by Gord Miller using the correct Desert Sand undercoat and the exact 50’s formula black lacquer. Aside from the body finish, and 1 late 60’s screw for the pickup cover, it is all original.
oh, number, please?
Was originally a burst, first owner played the hell outta it, second owner bought in in 1968 and had it painted a gloppy CAR. In 2018, it was purchased from the second owner’s son, and it was restored by Reimer Guitars Vancouver, and paint done by Gord Miller using the correct Desert Sand undercoat and the exact 50’s formula black lacquer. Aside from the body finish, and 1 late 60’s screw for the pickup cover, it is all original.
oh, number, please?
A couple of reasons really:Hey Rip,
I noticed you used to wear the bass lower. Mind if I ask why the change? I've been thinking of doing the opposite...
Thanx,
Lucky Chuck
Her name was Vera and she was married to the drummer who was the BL. At one time she got separate billing as "Vera Lynn and the Young Century's". But then we really spread the vocals around as the guitarist, myself, the big man Tom all sang lead vocals as well as harmonies. That really allowed us to do a wide range of music really well. So we contracted it down to just "The Young Century's". She always had a gorgeous voice but had a narrow range at first. Showed her how to breathe for singing and her range went up dramatically. She was actually pretty easy to work with and had a great voice. And no question, she was the "eye candy" on stage.How was it working with Kelly LeBrock? Sorry
Friends, can you help me date this case?
Fender Pre CBS Case Dating