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Fender predictions for 2024?

After the success of the Squier Rascal, maybe Fender will introduce a USA-made version for people who feel more comfortable owning an upgraded version with better finishes, pickups, tuners, etc, and don't mind spending three times as much.
Let's just hope they change the name to the Fender Scamp or Scallywag or Rapscallion because I can't think of Rascal without picturing this.
A MIA Rascal would actually be pretty cool, especially if they kept the dual humbuckers.
 
But just think of all the (near) instant “collectible” basses that creates. When was the last time you priced a Dimension, or even saw one for sale. I bought a GC/MF “exclusive” blacked out FSR Mustang new, one of the last two new ones left in their system wide inventory. I negotiated an open box discount on it because it had been hanging on a GC wall for about a week and wound up getting the bass and a nifty Fender short scale gig bag for less than the NIB price for the bass alone. I think it wound up costing me around $725 all in. Just a few months ago I had an offer of a grand for it and didn’t have it up for sale. Someone came to look at a bass I had for sale and the Mustang was sitting out. Hopefully no more of that particular variant will be produced. :D
Fwiw, there was (is, maybe) a beautiful American Deluxe natural ash 5-string HH Dimension in the classifieds.
 
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It has been a while since Fender had a rock solid passive MIA "workhorse" bass without silly "innovations" (like the Alnico II/V pickups, the horrible fluted tuners and for MY taste also the greasebucket tone circuitry). If I was looking for a good, solid, classic, workhorse Fender I would want something like the last version of the American Standards, the ones with the CS pickups. Those were rock solid instruments with a classic Fender tone/feel.

The only upgrade classic Fender basses like the American Standards REALLY need is a string tree on the A-string. It took Fender over 70 years to offer this as a "Premium" option on their most expensive models. It's about time they offer this on ALL their models. Well, maybe not on the vintage series or the purists would go nuts...:D

It wouldn't hurt if they tightened their QC a bit either. It was particularly bad when they released the first AmPro series the Ultras and the Originals. At least they seem to be moving in the right direction with the Pro II and Vintage II series. I don't see nearly as many seriously flawed instruments with these.
 
It has been a while since Fender had a rock solid passive MIA "workhorse" bass without silly "innovations" (like the Alnico II/V pickups, the horrible fluted tuners and for MY taste also the greasebucket tone circuitry). If I was looking for a good, solid, classic, workhorse Fender I would want something like the last version of the American Standards, the ones with the CS pickups. Those were rock solid instruments with a classic Fender tone/feel.

The only upgrade classic Fender basses like the American Standards REALLY need is a string tree on the A-string. It took Fender over 70 years to offer this as a "Premium" option on their most expensive models. It's about time they offer this on ALL their models. Well, maybe not on the vintage series or the purists would go nuts...:D

It wouldn't hurt if they tightened their QC a bit either. It was particularly bad when they released the first AmPro series the Ultras and the Originals. At least they seem to be moving in the right direction with the Pro II and Vintage II series. I don't see nearly as many seriously flawed instruments with these.
I completely agree with pretty much everything you’ve said. One of my guilty pleasures is buying Stealth A-string retainers for MIA basses. In Canada, they’re like $25-30 delivered, and no stores sell them.

I’d also add to that Dunlop-compatible strap pins for strap locks, especially since Fender makes a compatible version and also include these pins stock on selected models.

But that’s wish-list, not predictions. I predict they won’t do either.

I love my 2014 American Standard, everything about it. I also love and even prefer my American Pro/Pro II necks, but I don’t give a clam for fluted tuner shafts, VMod pickups, or Grease Suckit tone circuits.
 
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They are gonna jump on the same trip that JHS just did with the Notaklon..

"New American P-bass that you assemble yourself! Comes with all the parts for easy assembly!" Corporate will be looking to save costs in any way shape or form.

Except it will be a $200 increase from the current offering and half the parts will just fit "ok".
 
They are gonna jump on the same trip that JHS just did with the Notaklon..

"New American P-bass that you assemble yourself! Comes with all the parts for easy assembly!" Corporate will be looking to save costs in any way shape or form.

Except it will be a $200 increase from the current offering and half the parts will just fit "ok".
Technically they could do that with Squier parts and for many of us it would be MIA.
 
This is a fun game :)

You might well be right about a new range next year. Part of the reason for my timing of buying an American Professional II before the end of the year, was so it doesn't get snatched away and replaced with something more expensive. I suppose the risk I run is that there might be a colour in the new range that I like more than what I got. If they start doing the fretless in Sienna Sunburst, I'll be annoyed. But, I'll console myself with the fact that I'd definitely have spent more if I waited.

I agree that Dark Night will go. I like it, but it's kind of a quirky choice, and when I was shopping for my fretless, it seems it's not stocked as widely as the Sunburst and Olympic White ones (they will both stay).

I keep wondering whether Fender will go back to rosewood (instead of pau ferro) for some of their ranges, with the CITES thing having been lifted.
 
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I like the Fender and Squier Rascals but simply don't like short-scale basses.
Nice that Squier at least offers three finishes...a Fender full-scale version with more than one finish option might be nice, maybe Midnight Wine or Candy Apple Green.
I don’t own any short scales, but for the right one, I’d buy one. I like the idea of fat notes on the upper register of the D and G string. I think the Rascal needs to be short scale, and an “American Professional” treatment would be pretty cool, so long as they ditched the VMod pickups and did something cool with the dual humbuckers.
 
This is a fun game :)

You might well be right about a new range next year. Part of the reason for my timing of buying an American Professional II before the end of the year, was so it doesn't get snatched away and replaced with something more expensive. I suppose the risk I run is that there might be a colour in the new range that I like more than what I got. If they start doing the fretless in Sienna Sunburst, I'll be annoyed. But, I'll console myself with the fact that I'd definitely have spent more if I waited.

I agree that Dark Night will go. I like it, but it's kind of a quirky choice, and when I was shopping for my fretless, it seems it's not stocked as widely as the Sunburst and Olympic White ones (they will both stay).

I keep wondering whether Fender will go back to rosewood (instead of pau ferro) for some of their ranges, with the CITES thing having been lifted.
Sunburst and Olympic white will always be around, I agree.

They actually re-released the Vinteras as “Vintera II” with rosewood, so I fully expect something happening to the Players and Player Plus models first, including a name change.

I love my Dark Night P V - but for it to stay a special colour, they’ll need to discontinue it. It’s also been a bit since they had a red MIA standard model.
 
Fwiw, there was (is, maybe) a beautiful American Deluxe natural ash 5-string HH Dimension in the classifieds.
IME, basses in the TB classifieds are the exception that proves my contention. This community is by and large well grounded and the variety and sane pricing reflect a community with a more sophisticated appreciation for basses without trying to retire on every sale. At least that was how it was when I was selling parts here.
 
Not a prediction, but a plea: Please take a page from the Fender Japan playbook and offer more medium-scale instruments!

haha I feel like someone at Fender looks at what discontinued models have the highest markups and those medium scale Aerodynes are are up there, but they did totally blunder the last run of Aerodynes so hard to to say.

Lots of talk of Dimension here, so I’d love to see a short scale Dimension to compete with the short scale stingray which has been quite popular.

Lastly, I love my Japan Junior Jazz bass, so would love to see a P bass version as well.
 
2024 they will make essentially the same instruments they've been making for 60 years, prices adjusted for inflation, with different colors (nothing new, just different ones from the pool of colors they used before) and slightly different hardware.

They have done it for decades now. It works.
Yep. But *what* slightly different hardware and colours?

I mean, their strategy doesn’t seem to be any different from any other manufacturer’s in that regard.

EBMM came out with the Stingray Special - it’s still a Stingray. Slightly different hardware, different colour options.

Gibson hasn’t done anything new in forever, really, the same body shapes they offered in the 1950s-1960s. Except with slightly different hardware and different colours.

Same for G&L - if you cite the Fallout, I’ll cite the Rascal, Meteora, Dimension, reverse Jaguar, and Cabronita. Except G&L also did away with the Wunkay.

Not trying to be argumentative with you, I just see this kind of comment often and don’t really get why it needs to be so different for Fender but everyone else gets a pass.
 
Not trying to be argumentative with you, I just see this kind of comment often and don’t really get why it needs to be so different for Fender but everyone else gets a pass.

I did not say it has to be. You've said it yourself. Fender tried time and again, to do something new.
Dimension & Meteora, to name two more recent models.

Bringing a J and a P in a slightly different config and with new(old) colors works. It has worked countless times before and will probably keep working until people stop playing music.
 
Not sure if Fender will change much in their instrument lineup.

I do look for additions and improvements to the Rumble series of bass combos, amp heads and cabinets to counter/compete with the success of Ampeg's Rocket Bass series.

(I'd like to see a 500 or 800 watt, self contained (no extension cab needed for full wattage), drivers vertically aligned, 212 combo.)
 
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