I don’t think anyone at Fender said they ( the Dimension)were supposed to be (Fenders answer to the MM market), but I’ve seen the comparison a lot here on Talkbass.
I thought it was obvious lol
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I don’t think anyone at Fender said they ( the Dimension)were supposed to be (Fenders answer to the MM market), but I’ve seen the comparison a lot here on Talkbass.
I thought it was obvious lol![]()
They did some of that with Rays with Sterling and Subs. ..but between the parallel bucker(s) in the MM positions and the wiring nomenclature being nearly identical, and the popularity of Ray's at the time, if anything, it was a smart idea for Fender. They certainly weren't trying to be T40s lol......I think obvious MM marketing scheme is obvious; you think what you want as wellNo more obvious than that a dual humbucker Strat isn’t Fender’s answer to the Les Paul. Very different. Also, the Dimension was offered at every price point and in H, HH, 4-string, 5-string, and both passive and active models, so quite a bit *not* like a Stingray, they were clearly doing something different, which is why they’re so - as you’ve said - different.
If Fender wanted to copy a Stingray, you think they wouldn’t be able to? There’s nothing any more magical about a Stingray than there is any other $2000+ instrument.
Sure there is. The proprietary preamp for sure, and the pickups to a lesser level.No more obvious than that a dual humbucker Strat isn’t Fender’s answer to the Les Paul. Very different. Also, the Dimension was offered at every price point and in H, HH, 4-string, 5-string, and both passive and active models, so quite a bit *not* like a Stingray, they were clearly doing something different, which is why they’re so - as you’ve said - different.
If Fender wanted to copy a Stingray, you think they wouldn’t be able to? There’s nothing any more magical about a Stingray than there is any other $2000+ instrument.
Exactly. Its that proprietary nature of the MM preamp was largely why I thought the Dimension fell short.....At the time, it was a sound marketing idea by Fender to build their version of something that was very popular from a competitor, and do it within their scope of practice without trudging into lawsuit territory.Sure there is. The proprietary preamp for sure, and the pickups to a lesser level.
Sure… just like everyone else has proprietary preamps and pickups… including the Dimension, which unlike the Stingray doesn’t even have an after market pickup option. If Joyo can copy a Tech 21 pedal, I think Fender could probably come much closer to the EBMM preamp than the Dimension, and would have used something more Ray-like for a pickup than something completely different. The Dimension pickups are as different from Ray pickups as they are from G&L L-2000, L-1500, Thunderbird pickups, or Sandberg’s Delanos - all of which pretty much nobody bothers to compare to Stingrays, and all of which don’t get punished by poor sales.Sure there is. The proprietary preamp for sure, and the pickups to a lesser level.
Yup. And none of them quite sound like EBMM basses eh?Sure… just like everyone else has proprietary preamps and pickups…
Sorry, I edited and made a much longer post.Yup. And none of them quite sound like EBMM basses eh?
They'll try something reasonably new and innovative, then not back it well, then give up on it and cancel it way too soon, before it has any chance to become popular. As usual.
I’m looking at you, Dimension!
We may disagree about what the Dimension was intended for, but we are in agreement about that bass: for me, it may have fallen short of being a Ray answer, but it's a wonderful playing and sounding instrument all on its own. As I said earlier, had I not owned three J basses, I would've certainly pulled the trigger ........the twin bucker Dimension is a bass I may wind up owning sometime in the futureSure… just like everyone else has proprietary preamps and pickups… including the Dimension, which unlike the Stingray doesn’t even have an after market pickup option. If Joyo can copy a Tech 21 pedal, I think Fender could probably come much closer to the EBMM preamp than the Dimension, and would have used something more Ray-like for a pickup than something completely different. The Dimension pickups are as different from Ray pickups as they are from G&L L-2000, L-1500, Thunderbird pickups, or Sandberg’s Delanos - all of which pretty much nobody bothers to compare to Stingrays, and all of which don’t get punished by poor sales.
This comparison is a big part of what did in the Dimensions in my opinion. So apparently Fender isn’t allowed to make an active single-bridge or dual humbucker bass while everyone else is, and EBMM is able to copy a P bass - much more blatantly. I don’t see any point in my defending Fender, they can take care of themselves, but I think the selective double standards that apply *only to Fender* are hilarious and completely lacking in self reflection on the part of those reinforcing them with these comparisons.
If you hold an opinion but you haven’t given a Dimension a fair shake, you owe it to yourself before insisting on opinions comparing the two. I own both, like I said - two HH American Deluxe Dimensions and a Stingray Special HH. They’re completely different animals, and it’s super obvious that they are, especially once you start playing them and doing a valid *actual* comparison.
It’s true - that, and the comparisons to the Stingray.Dimension is a good bass. Wasn't well received by the Fender group. Seems if it isn't a P or a J or a PJ Fender folks turn their noses up at anything different. Fender is just like Harley Davidson, stagnant. Flame suit on.
(I'd like to see a 500 or 800 watt, self contained (no extension cab needed for full wattage), drivers vertically aligned, 212 combo.)
Not necessarily a prediction, but I wonder if they’ll do anything new with the Player line. That series will be 6 years old in 2024, and relatively unchanged since its introduction save for a couple of new colors.