Hurry! Enter & Win! Hurry!Such a coveted valuable prize is still awaiting the Rumble guru who can win it. Please, only one entry per person.
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Hurry! Enter & Win! Hurry!Such a coveted valuable prize is still awaiting the Rumble guru who can win it. Please, only one entry per person.
but did you take LSD with Alice?So, to answer your question, I am a non-political, unspinned and an un-doctored person
but did you take LSD with Alice?
What is Rumble Custom Shop?Such a coveted valuable prize is still awaiting the Rumble guru who can win it. Please, only one entry per person.
(Hint: Go back to the historical beginning of the Rumble amps as shown on the Fender Rumble Club Wiki.)
Sorry, read the fine print. One entry per person, please.What is Rumble Custom Shop?
Sorry, read the fine print. One entry per person, please.
Step right up, ladies and gentlemen. Try your luck to win valuable prizes!

Ok, Ok...not in the form of a question. In 1995 the Fender Rumble was introduced through the "Fender Custom Shop", a monster powered by 6-6550As. With an extension cab it would handle a 2 ohm load.Hurry! Enter & Win! Hurry!
Ok, Ok...not in the form of a question. In 1995 the Fender Rumble was introduced through the "Fender Custom Shop", a monster powered by 6-6550As. With an extension cab it would handle a 2 ohm load.
Thanks. The 200’s 15” sounds great, and the 10” tightness should really round out a full sound for funk and “ in your face” bass lines.It will work just fine! Every bit as good as the Rumble 500 combo on top of a Rumble 115 cabinet, only it will match up dimensionally as the Rumble 210 is the same size as the Rumble 200 & 500 combos.
I'm sure you'll be pleased. If you're able to really dial up the volume and get into it good and hard you'll be even more pleased.Thanks. The 200’s 15” sounds great, and the 10” tightness should really round out a full sound for funk and “ in your face” bass lines.
Having some fun with a few effects today. Starting with a clean Fender Bassman 300 amp model. Added in what is call 'triangle chorus'. Tweaked that in nice and full. Switched the cabinet simulation to the Bassman 410 Pro and added some mid boost at 900 Hz which all worked together for clarity and definition. Striving for a very Greg Lake tone with my Fender Jazz and fresh GHS Bass Boomers which I easily achieved. Using it for a bass rhythm line built on moving dyads and running fills. Very King Crimsonish.
Next came the Octobot. Man is this fun! You have the original signal plus octave up and octave down. I mixed them for a more thick synth like sound. The riff I wrote is exceedingly heavy and very Pink Floyd like. It's all coming together. I wish I knew how to record. Oh well, it's all good!![]()
Checks in the mail.Congrats @Meghans Dad, could you loan me 4shundred shmackeroons...I think my eyesight is going and I have to buy some new specs.
What is Rumble Custom Shop?
I'm still not sure how l lost. I could have really used those shmackaroons. I guess I'll just humbly accept the consolation prize which I understand is a new Stage 800. See, no sore loser here.![]()
Well, I finally had a semi-clever thought & to test out my theory that the Effects Send on the Studio 40 would pass the Pitch Shift effect, . . . .
It does pass all the effects, but I doubt it sends cabinet modeling...
. . . . . . . .![]()