To be honest, no, not really. I played through an Ampeg 115 and some Ampeg head last year at a festival but no idea what it was but it sounded good. Before that some 6 or 8 x10 with another Ampeg head for about 10 mins but again no idea what they were. Here in the UK, not a lot of UK bassist on the circuits use them. Lots of Ashdown, Markbass and Harke but not so many Ampeg's. The reliability is a concern.
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To be honest, no, not really. I played through an Ampeg 115 and some Ampeg head last year at a festival but no idea what it was but it sounded good. Before that some 6 or 8 x10 with another Ampeg head for about 10 mins but again no idea what they were. Here in the UK, not a lot of UK bassist on the circuits use them. Lots of Ashdown, Markbass and Harke but not so many Ampeg's. The reliability is a concern.
Having owned the Ampeg PF500 and the SVT7 Pro, I don't think you are missing out on anything except headache and repair bills. I feel like the Rumble heads are of much better value/dependability, and have their own flavor...albeit different than an Ampeg. So unless you want to go full-on tube head, I can't see any reason to move to an Ampeg.
Now, at the risk of being lambasted for praising anything other than Fender in this thread, I will agree that your Markbass LM-3 is a fantastic amp. I have also owned the LM-3 and really loved it, and wish I still had it. I have nothing but high regards for that head...and its reliability/sound/flexibility.
Good luck in your decision!
I'm gonna retreat now
Thanks for the reply and yep, the reliability worries are a concern.
I'm going to keep the LM3 head no matter as a back up but I will try the new Rumble 800HD and A/B them to see the difference. It may be that I just stick with the LM3 in ths end.
Thanks for yours and everyones input.
I have an Ampeg SVT 350H I know most people hate them but on top of my 2x15 JBL K-140 cabinet it sounds great! However since I am an old fart with health issues,I don't think there is a gig that couldn't be handled with My Rumble 100 V3 or my 200 V3 combo amps. Of course my days of doing outdoor parties and Ballrooms are pretty much over.Having owned the Ampeg PF500 and the SVT7 Pro, I don't think you are missing out on anything except headache and repair bills. I feel like the Rumble heads are of much better value/dependability, and have their own flavor...albeit different than an Ampeg. So unless you want to go full-on tube head, I can't see any reason to move to an Ampeg.
Now, at the risk of being lambasted for praising anything other than Fender in this thread, I will agree that your Markbass LM-3 is a fantastic amp. I have also owned the LM-3 and really loved it, and wish I still had it. I have nothing but high regards for that head...and its reliability/sound/flexibility.
Good luck in your decision!
I'm gonna retreat now
Yes you have! On tons of rock; soul, and blues albums & singles. Ampeg SVTs & V4Bs were very popular in the 1970's. Likewise you've heard Fender Bassmans on countless country and jazz albums. On plenty of rock too like Creedence Clearwater Review also 'Let It Be' and on the roof of Abby Road Studios. Some lefty named Paul.
As far as the new Fender Rumble 800 head goes. You already know pretty much how it sounds as it has the very same tried & true front end as all 40 and up Rumbles utilize. Plug in your headphones into any 200 and up (cab sim circuit) Rumble and the 800 is going to sound just like that. For live work just plug into a triple Rumble 115 stack and stand back 'cause ya might get hurt!
Rumbles Rock! 
Rumbles Rock! 
Yes, I just watched Don't Let Me Down from the Abby Road roof the other day, great stuff! All Fender amps also!
The amount of music recorded with all tube Fender amps is truly staggering. Add in Fender instruments and Bingo-Zingo the magic arrives! The most important part of the so called 'ampeg sound' is the Fender electric bass guitar. Ha!
Fenders Are Fantastic! 
My "big amp" is a 2000's SVT-CL through an SWR 8x8. I do love the way an SVT sounds - nothing else like it! All that said tho, my Rumble gets the huge majority of my gigs because it's just so dang capable!
So I liked it here and in the other club. Funny.
Welcome Rumbler # 1031! I saw in your private message you have a 500. Good choice. Send us a pic and tell us a little about you and how you use your rumble. Rumble On!
Welcome Rumbler # 1032. That is going to be one awesome rig. Rumble On!
This is not correct. It doesn't matter how the cabinets are connected. It matters what the resistance of the cabs are. The amp has 2 speaker outputs. Connecting an 8 Ω cab to each will make the amp see 4 Ω. Also, if you use one speaker out to cab 1 and then chain cab 2 to cab 1, you are still at 4 Ω.
Someone did build one some time back that looked pretty cool. There are pics in the thread. You might also try browsing the Wiki pages. @G-Dog would know for sure.
Welcome Rumbler # 1033! So, you are in the Fender Rumble Club asking if you should get an Ampig?
But seriously folks, if you like the 100, you will love the 800HD. Given the material you play, you probably like a tube sound. IMHO, there is no better amp than the Rumble for getting as close to a tube sound as you can get without having a tube amp. Rumble On!
BYW, if you want an Ampeg. Buy 3. One to play, one back stage as a backup, on one in the shop that you will pick up when the one you are playing fails.
Please find a seat in the back of the room, sir.Having owned the Ampeg PF500 and the SVT7 Pro, I don't think you are missing out on anything except headache and repair bills. I feel like the Rumble heads are of much better value/dependability, and have their own flavor...albeit different than an Ampeg. So unless you want to go full-on tube head, I can't see any reason to move to an Ampeg.
Now, at the risk of being lambasted for praising anything other than Fender in this thread, I will agree that your Markbass LM-3 is a fantastic amp. I have also owned the LM-3 and really loved it, and wish I still had it. I have nothing but high regards for that head...and its reliability/sound/flexibility.
Good luck in your decision!
I'm gonna retreat now
OMG! Warhoop1, you said Bassman 800, but I read Rumble 800 HD!! Just one more example of my oldtimers, I guess. Since the Rumble 800 HD is new, and sensational, it's been on my mind lately.
But, yes, the Bassman 800 is also a very capable, and sensational, head. In fact, it runs 500 watts at 8 ohms, 100 watts more than the Rumble 800 HD. So, I would amend my previous cautions to only ever run the 410 alone with the Bassman 800! The other advice of caution with 2 cabs and more safety with 3 cabs still holds.
The Bassman 800 is, indeed, a hybrid with a tube pre-amp, like the Bassman 500. I love my Bassman 500. Please, @Warhoop1, show us your 800 in the Bassman Club when you get it.
I have 2 rumble 115 cabs and either the rumble 500 head or a ashdown ctm 100 to go on top. sounds great with either amp, although the ctm 100 has more of a growl to it!
