Fender Rumble Club

[CallMeAl]

I have a Kay upright with gut strings and play in an acoustic bluegrass 4-5 piece. The rest of the band goes through a condenser mic and I just need a touch of amplification and possibly the ability to DI out to front of house. Mic'ing the cab could also work... Would any of the Fender Rumble series suit my needs? Thanks in advance.

Haven’t run a DB thru mine, but the bass player at my local guitar store raves about a Rumble 100 for DB. Says you can barely tell it’s on, it sounds so natural.

I use my 100 v3 with my bluegrass quartet, and it’s more than enough firepower. Sounds great with a P bass. My guess is a 40 would be perfect for that application.

 

[G-Dog]

I have a Kay upright with gut strings and play in an acoustic bluegrass 4-5 piece. The rest of the band goes through a condenser mic and I just need a touch of amplification and possibly the ability to DI out to front of house. Mic'ing the cab could also work... Would any of the Fender Rumble series suit my needs? Thanks in advance.

Exactly so, Swizzy! Any of the Rumbles, 40 and up having XLR Out, could suit your needs. All you need to do is pick your desired power level, and/or speaker size, to suit your preferences.

For your perusal, here's a search of the phrase "my upright" in The Club. Yes, uprights have used everything from the 40, to the 100, 200 and even the 500 combos. A search for the word "upright" finds pages more.

If you want something unusual, I don't recall anyone using any of the head & cab combinations for upright bass, though they may have. My memory isn't what it used to was. For that matter, you could probably be the first to use one of the bass modeling amps with an upright! Have you ever wanted your Kay to sound like a P-bass? A Ric? A Hofner? The Rumble Studio 40 or Stage 800 could make your mark!

HTH
.

 

[GonePlaid]

I have a Kay upright with gut strings and play in an acoustic bluegrass 4-5 piece. The rest of the band goes through a condenser mic and I just need a touch of amplification and possibly the ability to DI out to front of house. Mic'ing the cab could also work... Would any of the Fender Rumble series suit my needs? Thanks in advance.

Prolly an R40(I'll be using mine for a restaurant lounge gig tomorrow night-it's plenty.)

 

[Gravedigger Dav]

I have a Kay upright with gut strings and play in an acoustic bluegrass 4-5 piece. The rest of the band goes through a condenser mic and I just need a touch of amplification and possibly the ability to DI out to front of house. Mic'ing the cab could also work... Would any of the Fender Rumble series suit my needs? Thanks in advance.

I think the 40 would be ideal for you.

 

[Swizzledoop]

Thanks guys. I found this one near me. Thoughts?

Exactly so, Swizzy! Any of the Rumbles, 40 and up having XLR Out, could suit your needs. All you need to do is pick your desired power level, and/or speaker size, to suit your preferences.

For your perusal, here's a search of the phrase "my upright" in The Club. Yes, uprights have used everything from the 40, to the 100, 200 and even the 500 combos. A search for the word "upright" finds pages more.

If you want something unusual, I don't recall anyone using any of the head & cab combinations for upright bass, though they may have. My memory isn't what it used to was. For that matter, you could probably be the first to use one of the bass modeling amps with an upright! Have you ever wanted your Kay to sound like a P-bass? A Ric? A Hofner? The Rumble Studio 40 or Stage 800 could make your mark!

HTH
.

Thanks for all of the replies! I found a Studio 40 near me on craigslist listed for $225. I'm going to see if they still have it and swoop in if so

 

[G-Dog]

Thanks guys. I found this one near me. Thoughts?

Thanks for all of the replies! I found a Studio 40 near me on craigslist listed for $225. I'm going to see if they still have it and swoop in if so

YES! Your mission, should you choose to accept it, is to seek out strange, new tones! TO BOLDLY GO ... where upright bass may never have gone before! (que theremin music)

A truly bold decision, Commander doop! That's a very good price for that amp, if in very good condition. Will you get to try it out first with your upright? How's the return policy? Ya know, in case the Kay don't like it; but then, I bet your Jazz bass will love it!

Please keep us posted!
.

 

[chupacerveza]

Exactly so, Swizzy! Any of the Rumbles, 40 and up having XLR Out, could suit your needs. All you need to do is pick your desired power level, and/or speaker size, to suit your preferences.

For your perusal, here's a search of the phrase "my upright" in The Club. Yes, uprights have used everything from the 40, to the 100, 200 and even the 500 combos. A search for the word "upright" finds pages more.

If you want something unusual, I don't recall anyone using any of the head & cab combinations for upright bass, though they may have. My memory isn't what it used to was. For that matter, you could probably be the first to use one of the bass modeling amps with an upright! Have you ever wanted your Kay to sound like a P-bass? A Ric? A Hofner? The Rumble Studio 40 or Stage 800 could make your mark!

HTH
.

You might also search for DB and UB.

 

[LoveJackBruce]

YES! Your mission, should you choose to accept it, is to seek out strange, new tones! TO BOLDLY GO ... where upright bass may never have gone before! (que theremin music) I replaced my R40 speaker with a 10" Celestion and it increased clean output by 50%. Also, I'm looking to sell my R100. The 12" would probably handle your standup a lot better in my humble and experienced opinion.

A truly bold decision, Commander doop! That's a very good price for that amp, if in very good condition. Will you get to try it out first with your upright? How's the return policy? Ya know, in case the Kay don't like it; but then, I bet your Jazz bass will love it!

Please keep us posted!
.

Thanks guys. I found this one near me. Thoughts?

Thanks for all of the replies! I found a Studio 40 near me on craigslist listed for $225. I'm going to see if they still have it and swoop in if so

 

[G-Dog]

I replaced my R40 speaker with a 10" Celestion and it increased clean output by 50%. Also, I'm looking to sell my R100. The 12" would probably handle your standup a lot better in my humble and experienced opinion.

Disclaimer: @LoveJackBruce said that, ^, not me. He accidentally typed it inside my previous post that he quoted, so that it appears in his post like I said it, which I didn't. Just wanna give credit where due.

Question, @LoveJackBruce, aren't you talking about the non-modeling Rumble 40? Because the modeling Rumble Studio 40 that @Swizzledoop was talking about has a high frequency tweeter helping with the clean output that yours doesn't have.
.

 

[Aaron Houts]

What did you think of the rig?

This.
Just this.
Just as funny as the first time I read it.

 

[Aaron Houts]

Prolly an R40(I'll be using mine for a restaurant lounge gig tomorrow night-it's plenty.)

Yeah, GP.
Sounds like you don't ever really need that 112...
...kidding...kidding...

 

[G-Dog]

This.
Just this.
Just as funny as the first time I read it.

Prolly due to ISP difficulties. I've had the same problem a few times during storms where my cable and electricity take turns browning out. Not funny what it can do to your blood pressure when it happens. But, yeah, JACink nailed it.
.

Yeah, GP.
Sounds like you don't ever really need that 112...
...kidding...kidding...

No kidding, he prolly DON'T really need the 112. But he would right after he sold it! And besides, it makes such a beautiful amp stand for his 200c. I'm almost surprised he doesn't sit his R40 on it, 'cept it weighs half again what the R40 weighs, so . . .

Fortunately for many of us here on TB, we're allowed to indulge in the pursuit of happiness, without strict regard to "need". You may be familiar with some of my expressed fantasies?
.

 

[Aaron Houts]

You may be familiar with some of my expressed fantasies?
.

No, sir, G-Dog. No, SIR.
I’ve fallen prey to your photoshoppin’ shenanigans TOO many times to even click that link.
You won’t be tricking me this time, sir.

 

[LoveJackBruce]

Disclaimer: @LoveJackBruce said that, ^, not me. He accidentally typed it inside my previous post that he quoted, so that it appears in his post like I said it, which I didn't. Just wanna give credit where due.

Question, @LoveJackBruce, aren't you talking about the non-modeling Rumble 40? Because the modeling Rumble Studio 40 that @Swizzledoop was talking about has a high frequency tweeter helping with the clean output that yours doesn't have.
.

Opps. Thanks for catching my boo-boo

 

[GonePlaid]

Prolly due to ISP difficulties. I've had the same problem a few times during storms where my cable and electricity take turns browning out. Not funny what it can do to your blood pressure when it happens. But, yeah, JACink nailed it.
.



No kidding, he prolly DON'T really need the 112. But he would right after he sold it! And besides, it makes such a beautiful amp stand for his 200c. I'm almost surprised he doesn't sit his R40 on it, 'cept it weighs half again what the R40 weighs, so . . .

Fortunately for many of us here on TB, we're allowed to indulge in the pursuit of happiness, without strict regard to "need". You may be familiar with some of my expressed fantasies?
.

Wait. The R212 isn't real?!?!

 

[Gab124]

Received my new HD800 today just in time to take straight to rehearsal. Have to say I was pretty impressed with it, though I am still finding my way around it and experimenting with the possible tones. It is warm, and that I like. I am happy they sent a speaker cable and a foot switch for drive, how often does that happen anymore!?

Our rehearsal moves pretty quickly as we only get together for 2 hours per week, so I did not get to fiddle with knobs too much, but by the end of the set I was getting a warm cutting tone with some definition. Adjusted the drive for a slight volume boost as well and was great for driving sections. On slow songs it was useful to just click the scoop button - wish that also had a pedal trigger. I will be taking it out for an outdoor festival this weekend, likely run it through a 2x15 I have for that one and looking forward to it. How is the DI on these things?

Rumble on

 

[LoveJackBruce]

Disclaimer: @LoveJackBruce said that, ^, not me. He accidentally typed it inside my previous post that he quoted, so that it appears in his post like I said it, which I didn't. Just wanna give credit where due.

Question, @LoveJackBruce, aren't you talking about the non-modeling Rumble 40? Because the modeling Rumble Studio 40 that @Swizzledoop was talking about has a high frequency tweeter helping with the clean output that yours doesn't have.
.

You are correct. I was comparing to the standard R40. However, I still believe the R100 Combo would be better for this guys application with an Organic Stand-Up Bad-Ass Bass. Hummmmm.. For a Stand-Up, I'd really want a 15".. Really catch that thumping low-end...But that's just me. Smiles & Grins

 

[G-Dog]

Received my new HD800 today just in time to take straight to rehearsal. ... ... How is the DI on these things?

Rumble on

That's a terrific review, Gabby! Glad to hear you were able to find some pleasing tones on first use under the gun! Most bassists find the Rumbles to be quite warm and user friendly. You might also try some of the settings collected in the Rumble Club TONE POOL, at your leisure. Best wishes for continued happy Rumbling!

The XLR Out on the R800HD is unique to the Rumbles, since it has the oft requested Pre/Post switch! All other non-modeling Rumbles are only Post EQ & Master Volume per The XLR Volume Section of the Rumble Wiki. But, even in Post mode, the Master Volume does not affect the R800HD's XLR Out!

Good use of The Club's tagline, too, Gabby. Just show us a pic and say the word and Gravedigger Dav will get you signed up officially!

Rumble On!
.​

 

[G-Dog]

No, sir, G-Dog. No, SIR.
I’ve fallen prey to your photoshoppin’ shenanigans TOO many times to even click that link.
You won’t be tricking me this time, sir.

.

Opps. Thanks for catching my boo-boo

.

Wait. The R212 isn't real?!?!

. . . . . Not YET! But, the Pre/Post switch on the R800HD is proof that Fender listens!
.

You are correct. I was comparing to the standard R40. However, I still believe the R100 Combo would be better for this guys application with an Organic Stand-Up Bad-Ass Bass. Hummmmm.. For a Stand-Up, I'd really want a 15".. Really catch that thumping low-end...But that's just me. Smiles & Grins

.

 

[Gab124]

That's a terrific review, Gabby! Glad to hear you were able to find some pleasing tones on first use under the gun! Most bassists find the Rumbles to be quite warm and user friendly. You might also try some of the settings collected in the Rumble Club TONE POOL, at your leisure. Best wishes for continued happy Rumbling!

The XLR Out on the R800HD is unique to the Rumbles, since it has the oft requested Pre/Post switch! All other non-modeling Rumbles are only Post EQ & Master Volume per The XLR Volume Section of the Rumble Wiki. But, even in Post mode, the Master Volume does not affect the R800HD's XLR Out!

Good use of The Club's tagline, too, Gabby. Just show us a pic and say the word and Gravedigger Dav will get you signed up officially!

Rumble On!
.​

I will check out the tone section, neat idea. I only use post DI when our sound guy is working or we are doing our own mix, but definitely an important decision on their part to stay in line with most competitor amps - I typically gig with an outboard DI just in case there is an amp failure I know the show can go on.

Was interesting to see they put the Low EQ at 80hz, that could explain some of the punch without too much mud. As well, the Vintage switch adds some compression, as it should to give some tube emulation, but is nice not having to bring along a pedal-comp. The vintage, scoop, drive and eq are all very interactive and really give one options for whatever sound might be needed. Only thing I really miss that the WD800 came out with is an adjustable HPF - I really think every pro level amp should incorporate that, but not holding it against since most amps are missing that wonderful feature.