I vote that those of us who are prospectives get numbers! Can I get a second?
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I vote that those of us who are prospectives get numbers! Can I get a second?




Thanx....Hooked the amp up with my Unicorn XS2104 cab made by the Swedish bass maker Christian Olsson. It has 2x10 and 4x4 Faital speakers and sounds a bit like a studio monitor. I use a Glock Blue Soul, Tonehammer, Streamliner and my Alleva LG5 with this cab so I know what to expect. With all things set flat this is amp fairly punchy and clear. Favoring the bridge pup I had to back off the high mid and the treble and boost the lows and mid lows a bit. The amp has fairly transparent high highs almost like Glock or Streamliner. Engaging the contuor knob resulting in a typically scooped sound. A little to much to cut through the mix for my taste but turning the high mid knob to about one o clock helped out. The bright switch I don´t care for with this bass. The Vintage knob cut the high highs and push the low mids mimicing a sealed cab. I have to noodling around a little more with this. Overall its a potent amp with great EQ possibillites. I didn´t played much with the Overdrive but I if you like Jack Bruce and Felix Papalardi type of sound it´s fairly easy to get there. This amp is going out next week on a funk-soul-blues gig with this cab and bass. Have to try it out with my Aggie 1x12 DB and SL cab on a rock gig within 14 days.
I am subscribing to club.
Here are my brand new 500 Head and 115 cab.
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I got the V3 Rumble hooked up to my Behringer 4500 head last night and all I can say is WOW!!!!
This cab has tone for days. With the EQ flat on both the head and my bass, this thing has one of the best tones I have heard. After tweaking the eq to my desired preferences, I have to say that I am kinda glad that the V2 didn't come! With the gain and output set between 2 and 3, it was all I could get out of it without really ticking off my neighbors so I can't wait to get it to a venue to test it in a live scenerio.
The main difference, I think, is that the V3 has a different ported design and the ceramic magnets on the new Eminence speakers. The new V3 is ported with 2 - 2" ports above and below the horn where the V2 was ported all the way across the bottom. One other thing to note is that there IS a speakon connection as well as a 1/4" jack!
The vintage look of the new design is always classic too. My only complaint is that there is still glue residue around the inside of the removable frame that velcros to the cab.
So to say I am pleased with the outcome is an understatement!
Thanks again Fender and my local music store for stepping up and doing the right thing. This proves that Fender is ready and willing to be a customer oriented company that will get the product to a consumer.
Mike

WAHOOOOOOOOOOOOO!!!!!!!!!!!!!!!!!!! Thanks for the write-up! That bass sitting in front of that awesome cab is a beautiful picture..thanks for sharing!![]()
Very nice!
Could you tell us something about sound and quality?
Thx a lot.
I have to say, I am not sure if I like the 500 Head. I find it very difficult to dial in a sound that is not boomy and yet has some warmth."
Well I had the new Rumble 500 head for three weeks now and I have no problem to get good/great sound from it. I also have a Glock Blue Soul head, One Aggie TH 350 + a TH 500 and a GB Streamliner 600. The Rumble is least as loud and good sounding as any of these heads and the most versatile with the bright, contour, vintage and overdrive knobs. All these heads are great sounding in their own way but different to very different. I had the Rumble head with me on a funk/blues/soul gig last week and both the keyboard player and drummer from my rock cover band was there and they said my sound was great. I had my Alleva LG 5-string and my Unicorn XS2104 cab with me. It´s very easy to simulate that MM slap sound with this head. I will try the Rumble head with my cover rock band rehearsal this evening to figure out if it can stand up to my Aggie TH 500 sound wise. If...the Rumble is going with me on my friday evening rock gig.