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Fender Rumble Club

I have the luxury of not having to worry too much about space. Good to know about the bright switch though. Who knows maybe I'll need it someday!
I have 'default' settings on my Rumbles that are then tweaked for the venue we're at. I've mentioned them b4, but they're normally GAIN-~9-10, VINTAGE-on, BRIGHT-as needed, OD-off (both), BASS-10, LO MID-1-2, HI MID-2, TREBLE-11ish, VOLUME-10-noon. Same to start on all 3 Rumbles[40,100, 200c]. After everything's hooked up I try to stand as far as my cable allows in front of the amp to hear what the audience hears. Once we start playing, I'm usually no more than 5 feet in front of the Rumble. And, as said b4, the only things into the PA are the vocal mics. No place we play(ed) has FOH.
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image (3).png the amp is always on a stand of some kind. One of these:
1104181104-00.jpg
 
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I've been wondering if there's a way to light up the grill with lighting around that cab without it looking bad. But a tad of light to try and get some extra sparkle going might look cool!

Alternatively I have thought of just pointing a lightbulb at it, but it lacks the elegance of a built in solution.

... ... Hmmm ... , perhaps a lighter color of paint on the speaker baffle might highlight the black metal grille? Or maybe a sparkly lighter color metal grille, itself? Huh?
.

I meant with the v3, sorry for the confusion!

If I had a v1/2 I would absolutely have repainted the grille.


Well, some owners have painted the V3 grille or changed the cloth for another color. But a light underneath might be really cool!

20190816_222130.jpg

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Pulled the plug yesterday, the Rumble 100v3 should arrive next week. Won't get the chance to try the tandem chain setup with my R40v3, it left with it's new owner last night. Just wondering if that would work with my Ampeg BA-115, it has an XLR line out. XLR out --> Effects loop in or Effects loop out to Instrument in.

Not critical, looking forward to trying out the new gear and having a lightweight amp for practices.

Btw: MF has a deal going through May 1st, call in and talk to a sales rep and they'll make you a deal. Saved $45 on the R100.
 
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Hi Rumbling rumblers,

Some help please....

I'm really undecided about buying a v3 210 cab to go with my rumble v3 500combo.
Should be a no brainer but (thanks to covid) funds are v tight.

I've read tons about positive reasons to invest, however I'm keen to hear from anyone who 'doubled up' and then found it wasn't so necessary or somehow didn't fulfill expectations.

We hope to gig somewhere later in the year. The gigs I've done, I have sometimes struggled to hear myself on stage. Yes, I could mount the amp off the floor, but previously wanted a 210 cab to carry out this function. (another excuse to buy one).

I've since invested in a pre amp and compressor, both with volume & gain boost. Plus better EQ options. But not had the opportunity to test everything in live scenario.

So, would an additional 210 cab make a substantial difference (in hearing myself) for medium gig venues, where FOH handles things well overall?
Would buying a 210 be part vanity, to have a nice tall stack, with headroom?

I probably know that ultimately, I shouldn't buy one now (but a cheap used one just came available on ebay) but my heart is still being tugged....

Be really interested to hear anyone's pov.

Cheers guys!
 
Pulled the plug yesterday, the Rumble 100v3 should arrive next week. Won't get the chance to try the tandem chain setup with my R40v3, it left with it's new owner last night. ... ...


Well, you're movin' on up! To the big boyz! To a de-luxe bass amp from the south-west. (To the theme of "The Jeffersons)

... ... Just wondering if that would work with my Ampeg BA-115, it has an XLR line out. XLR out --> Effects loop in or Effects loop out to Instrument in.

Not critical, looking forward to trying out the new gear and having a lightweight amp for practices. ... ...


I'm not that familiar with the Ampeg combos, and their signal levels and such. We have it from a Fender insider that the Rumbles can do all this amongst themselves. But, I'd expect "similar results" from the Ampeg, if you test it at low levels to start. Good luck.​

... ... Btw: MF has a deal going through May 1st, call in and talk to a sales rep and they'll make you a deal. Saved $45 on the R100.


Good tip, tothe! I've been reading how the MI dealers have been having a great year with the quarantine. Competition among them equals savings for the consumer!.​
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Hi Rumbling rumblers,

Some help please....

I'm really undecided about buying a v3 210 cab to go with my rumble v3 500combo.
Should be a no brainer but (thanks to covid) funds are v tight.

I've read tons about positive reasons to invest, however I'm keen to hear from anyone who 'doubled up' and then found it wasn't so necessary or somehow didn't fulfill expectations.

We hope to gig somewhere later in the year. The gigs I've done, I have sometimes struggled to hear myself on stage. Yes, I could mount the amp off the floor, but previously wanted a 210 cab to carry out this function. (another excuse to buy one).

I've since invested in a pre amp and compressor, both with volume & gain boost. Plus better EQ options. But not had the opportunity to test everything in live scenario.

So, would an additional 210 cab make a substantial difference (in hearing myself) for medium gig venues, where FOH handles things well overall?
Would buying a 210 be part vanity, to have a nice tall stack, with headroom?

I probably know that ultimately, I shouldn't buy one now (but a cheap used one just came available on ebay) but my heart is still being tugged....

Be really interested to hear anyone's pov.

Cheers guys!

I don't have personal experience with a R500 but recall that a second 2-10 cab would increase output wattage by 150 watts from is base of 350 watts. That, with coupling from the second set of speakers should get you where you want to be. If more volume is what you need, I would not hesitate.
 
I don't have personal experience with a R500 but recall that a second 2-10 cab would increase output wattage by 150 watts from is base of 350 watts. That, with coupling from the second set of speakers should get you where you want to be. If more volume is what you need, I would not hesitate.

Fact-you can turn 500 down to 100, but you can't turn 350 up to 500 without the external cab.
  • 500 Watts at 4 ohms (with External Speaker), 350 Watts at 8 ohms (Internal)
 
I too would not hesitate to pull the trigger on that. However, I'd seriously consider the R-410 for that amp (same price as the 210). Maybe cab dimensions might sway to some extent. Vanity..? Phhttt...! Go big or go home!

Tim
I’ve been having this same debate lately. Have our first gig of the year mid-June and not sure if I’ll need the extra power of the 410, but figure it couldn't hurt to have too much (that’s why the volume knobs go down too I guess).
 
The 500 has a pair of 10s. The 210 has a pair of 10s. That is a 410 right there. 4 10" Eminence speakers are rated at 500 watts.

410 specs-
  • Rated at 1,000 watts (program), 500 watts (continuous)
  • Four 10” Eminence® speakers
Rumble 500
  • 500 watts
  • Dual 10" Eminence® speakers
210 Cabinet
  • Rated at 700 watts (program), 350 watts (continuous)
  • Two 10” Eminence® speakers

All that stated, I am an RF engineer that builds police radio systems. I am way more prone to run a big amplifier turned down, or in this case, 2X10 10" in the 500 cabinet plus 4 more in a 410 cabinet means they aren't being driven as hard. I don't believe 6 10s are going to be louder than 4 at WFO, but your speakers aren't being hammered as hard. I just hate to run anything at 100% for longevity's sake.
 
So, would an additional 210 cab make a substantial difference (in hearing myself) for medium gig venues

Yes - huge difference imho! I've got a 112 (no longer made and hard to find) under my 500c and found moving extra air helps keeping volume level up while turning master down. To me, more air moving is more important to increasing volume than watts. AND - I'm 6'4, so stacking definitely helps me hear myself better!

Go for it my friend! :thumbsup:
 
Have put two pieces of bracing into my r100c the other day. One horizontally and vertically. About 3/4 inch thick pieces. Just cause why not. There is already some dampening inside (approx the top half is stuffed). Cannot tell if there's a differrnce yet, the things rattle in the house long before the amp is pushed hard. It can't hurt i guess.
 
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... ... I'm really undecided about buying a v3 210 cab to go with my rumble v3 500combo. ... ... I'm keen to hear from anyone who 'doubled up' and then found it wasn't so necessary or somehow didn't fulfill expectations. ... ..., I have sometimes struggled to hear myself on stage. ... ... I've since invested in a pre amp and compressor, both with volume & gain boost. Plus better EQ options. But not had the opportunity to test everything in live scenario. ... would an additional 210 cab make a substantial difference (in hearing myself) for medium gig venues, where FOH handles things well overall? ... Would buying a 210 be part vanity, to have a nice tall stack, with headroom? ... ...


Yo, mr. ears! Or is it mr. years? Yes, of course a matching 210 cab for the R500c is part vanity, but only a very small part if you need the extra functionality. And, if you've got a shot at a bargain price for one in good shape, it'd be a shame to pass it by.

For me, the R500c was enough, even for my loud country cover band, much better than my Bassman 250 combo had been! I added my Bassman neo 115 for some outdoor gigs and found, to my disappointment, that it wasn't necessary for my situation. Just being raised closer to my ears, atop the 115, was enough. So, I still don't have a 210 cab, though I lust for one. An amp stand sufficeth me.​

I don't have personal experience with a R500 but recall that a second 2-10 cab would increase output wattage by 150 watts from is base of 350 watts. That, with coupling from the second set of speakers should get you where you want to be. If more volume is what you need, I would not hesitate.


Ah, yes! The vertical array coupling effect of the 4 stacked 10s is not to be taken lightly! That extra presence, improved SPL and better sound distribution may be even more significant than the extra wattage!!​

I too would not hesitate to pull the trigger on that. However, I'd seriously consider the R-410 for that amp (same price as the 210). Maybe cab dimensions might sway to some extent. Vanity..? Phhttt...! Go big or go home! ...


There's some good reasons the 210 cab & 410 cab cost the same. For one, the weight and bulk have made the 210 more popular (and thus price increased from introduction) than the 410. Also, though rated "just" 350 watts continuous on paper, the 210 has obviously proven capable of the 400 watts continous it can get in the Rumble Stage 800 combo, since those are identical speakers! There are also tales of 410 cabs "beaming" their sound unevenly through the soundspace and, of course, not getting the vertical array coupling effect mentioned above.​

The 500 has a pair of 10s. The 210 has a pair of 10s. That is a 410 right there. 4 10" Eminence speakers are rated at 500 watts.

410 specs-
  • Rated at 1,000 watts (program), 500 watts (continuous)
  • Four 10” Eminence® speakers
Rumble 500
  • 500 watts
  • Dual 10" Eminence® speakers
210 Cabinet
  • Rated at 700 watts (program), 350 watts (continuous)
  • Two 10” Eminence® speakers
... ....


410 - each speaker is rated 125 watts continuous.
210 - each speaker is rated 175 watts continuous, but Fender applies them for up to 200 watts each in the Rumble Stage 800 as mentioned above!

So which are really the better speaker components, regardless of cab configuration?

Hope this helps.
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